Knoedel, Mountains and a Road Trip in South Tyrol

I went to South Tyrol for a little road trip, to sip on crisp mountain air and get lost in lush landscapes. The region’s faces change as quick as the weather, from serene soft hills to secluded villages and rugged mountain ranges. To me, no mountains are as majestic, as imposing as Northern Italy’s Dolomites. Their raw beauty makes you speechless. The French architect Le Corbusier called them “the most beautiful architectural artwork in the world.”

My expectations were high when I hopped off the plane and into my rental car. I know this region since my childhood days, this is where I used to spend my skiing holidays since I was nine years old, thanks to my stepfather who introduced my family to the picturesque village of Corvara. The food of the Dolomites, its monumental rock formations, the rustic architecture in the tiny mountain villages, all this left a deep love for this region and many marvelous memories inside me.

Although Corvara wasn’t marked on my travel map this time, I discovered new places, met so many inspiring people, and created new memories. My road trip started in Bolzano, South Tyrol’s capital, and I stayed at the newly renovated and utterly gorgeous Parkhotel Mondschein. The charming terracotta-colored Art Nouveau facade doesn’t show that the building’s oldest part dates back to 1320. The hotel is right in the medieval city center, set in a peaceful park with an almost Mediterranean vibe. The green oasis, dotted with palm trees, pretty umbrellas, and comfy sun loungers, was my first stop - for a welcome aperitivo - and my last one - for a luxurious breakfast. I could have stayed forever, chilling on the lounger, staring into the dramatic sky, and sipping on my elderflower cocktail.

So I was almost late for dinner, but Norbert Kier and his Enoteca Italia & Amore soon made me forget about my comfy lounger. It was just a short walk from my hotel, but it gave me the chance to enjoy the beauty of Bolzano’s historic center; chunky cobblestones and ice cream-colored buildings, and thunderstorm clouds that seemed ready to burst anytime - they didn’t, thankfully.

I set outside on the restaurant’s terrace, starting off with Battuta di Fassona (a beef tartare from the Fassona Piedmontese breed, which comes from Slow Food-certified Fassona cow farms), sandwiched with stracciatella di bufala, mustard, and pistachios. As I couldn’t decide which starter I should go for, Norbert also served me a Carpaccio di Fassona topped with summer truffle. Paccheri Pasta with Fish Ragù was placed in front of me next, simply divine, and so was the Quail with Swiss Chard and Lemon. I finished my lavish first dinner with Panna Cotta with Aniseed and Candied Cherries, which was so good and - as Norbert told me - it was made without gelatin, just with very rich, fatty heavy cream.

The restaurateur used to visit all Michelin 3-star restaurants around the globe every year. Norbert was always hungry for the new, for the next big thing, for the exciting. Now, he says, he’s not going anywhere anymore, now, he stays in Bolzano where he and his chef, Giuseppe Avitabile from the Amalfi Coast, want to show their guests what you can do with the region’s outstanding local produce. I’m hooked, I’ll come back.

My road trip began the next morning and reminded me that South Tyrol is so much more than breathtaking landscapes and an extraordinary cuisine. South Tyrol teaches you to listen to the silence, to breathe in, and just enjoy what nature reveals in front of you. And if you also listen to the people, to the Südtiroler (South Tyroleans), you can learn a lot about family and community, about bonds grown and tightened over generations; about traditions being lived, questioned, and sometimes readjusted.

In South Tyrol, you don’t just create for yourself, you create to preserve, or rather, you create to pass something on to the next generation. And maybe here lies the origin of the South Tyroleans’ focus on quality: they want to pass something on that has a value for the next generation. Maybe it’s pride, but also a sense of responsibility.

Right after breakfast, I left Bolzano to drive deeper into the mountains, to a farm in Partschins, close to Merano. The roots of the Oberbrunnhof date back to the 14th century. The rural farm has already been in the hands of farmer Manuel Laimer’s family for five generations. In 2004, Manuel’s grandmother passed Oberbrunnhof, its land and its traditions, on to her grandson and his wife, Caroline. Since then, the farm kept flourishing in the couple’s hands, and the family kept growing - three children guarantee that, potentially, the foundation for the next generation of farmers has been laid.

Both Caroline and Manuel stay very close to the traditions of this place; not because they have to, they do it out of free will and very passionately. Following the farm’s long breeding tradition, a herd of Tiroler Grauvieh (Tyrolean Grey), a typical Alpine cattle breed, enjoys the panoramic view from their meadows, while chickens run around them in respectful distance. Caroline affirmed that the Grauvieh is peaceful, as long as you follow farm rule no. 1: never approach a cow from its back, always from the front. The cattle is the farm’s pride, but the farm’s restaurant is what pulled me towards Oberbrunnhof.

Caroline is a home cook turned chef, she also serves and entertains her guests, treating them with traditional South Tyrolean dishes, such as Cheese Knoedel with Krautsalat (you can find her recipe at the end of this post), Brotsuppe (bread soup), Saures Rindfleisch (sour braised beef), speck and sausages from the farm, and her famous Apfelstrudel (apple strudel). The traditional spiced bread served along the dishes is baked by Manuel in a tiny room with an old wood-fired oven. The wall on one side of the room is covered with rustic wooden shelves where 200 fluffy pieces of dough, shaped into small ovals, sit and rise slowly. Once a week, Manuel starts the fire at 5am so that he can bake the little loafs at around noon.

The couple works constantly, from morning until night, there’s no holiday and no day off, but they don’t seem stressed. Life on the farm follows the family’s pace, not the other way around. It’s a lot of work, also hard physical work, but Caroline, Manuel, and their three children managed to create a very satisfying life for themselves. They don’t romanticize it, they just found their place.

You can visit the farm’s restaurant by reservation, but you can also stay for longer in their holiday cottage, Chalet Waldbrunn.

The hard part of being on a road trip is that, once you got comfortable at one place, you have to move on again. The great part of being on a road trip is that new adventures, more beauty, and more fantastic food are waiting for you at your next destination. So I hopped in my car, turned on the radio to listen to Italian pop music, and enjoyed the stunning scenery on my way to a tiny village with the poetic name Unsere Liebe Frau im Walde (Our Dear Lady in the Forest).

Unsere Liebe Frau im Walde is South Tyrol’s oldest pilgrimage site. Various legends circle around a Marian apparition in the 12th century, attracting pilgrims from near and afar since then. A Hospitium for the pilgrims was set up by monks and, with rising popularity, a Baroque church was built next to it in the 14th century. The guesthouse still exists and became a hotel at one point. The name couldn’t be more typical for SouthTyrol, it’s called Zum Hirschen (Hirsch means deer in German), yet the hidden retreat is anything but an ordinary hotel.

Run by a very charming mother-daughter-son trio, it’s a place where history is being respected, but interwoven with the needs and longings of modern travelers, searching for peace and tranquility - and for excellent food. The green hills and woods surrounding the Hirsch raise Wanderlust, two mountain lakes, Lago del Monte Luco and Lago di Tret, call for a bike ride and a refreshing swim.

Mamma and patroness Edith Kofler is the hotel’s guardian angel, guide-running the hotel with patience and a smile on her face, and with utmost trust in her children’s decisions. Ingrid and Mirko Mocatti, now the 3rd generation of hoteliers in the family, are two siblings who respectfully divide their responsibilities, but also ask each other for advice.

Ingrid is responsible for the hotel restaurant’s refined yet comforting cuisine, rooted in South Tyrol and the neighboring Trentino region. At Cervo, local ingredients and a deep knowledge of wild herbs are at the core of the menues that follow the rhythm of the seasons. In many of the young chef’s dishes, you can find traces of Hildegard von Bingen’s herbology. The famous German Benedictine abbess, an emancipated polymath, composer, philosopher, medical writer and practitioner, lived in the High Middle Ages and studied and cultivated a holistic approach to well-being.

Working with the past, but also with her own curiosity and her strong belief in the Slow-Food movement, Ingrid creates drinks and dishes that nourish the body and the soul. Her fir needle lemonade, served at my arrival, felt like a hug; her stunning Onsen Egg with Herb Salad and Potatoes was a traditional yet at the same time modern culinary interpretation of a walk through the woods (and yes, you can eat baby fir cones).

Nature’s generous in South Tyrol, you just have to keep your eyes open. And that’s what Ingrid does. Nettles are turned into tagliolini with deer ragù, a fir needle-herb oil refines the creamy Bergwiesenschaumsuppe (mountain meadow soup) with smoked mountain char, meat and grains come from local producers, traditional farmers and mills. And the dessert of Topfenknoedel (ricotta dumpling), to finish off my divine dinner, made my heart jump.

With virtuosity and a clear, calm vision, Ingrid manages to incorporate the values of this historic place in her cooking. Her brother, Mirko, manages to translate these same values - in a very pure and simple form - into the hotel’s honest philosophy; he lets the values manifest themselves in modern design and architecture that respect the past, but aren’t put in chains by it. Every detail, every material, every piece of furniture is chosen responsibly and sensitively; every decision, every change is made with imperturbable trust, respect, and confidence.

The people who are shaping Zum Hirschen bring in so much of themselves, of their own character, so much love, passion, and devotion, that by doing so, they give this place a soul. It truly is a place that calms you down, there’s an ease that you can feel here; through nature’s beauty, through the clarity and serenity of the rooms, and through the food that tastes so good and makes you feel so good. In that respect, Zum Hirschen is still a Hospitium, staying true “to the ancient Greco-Roman concept of hospitality as a divine right of the guest and a divine duty of the host.”

Although Papà Giorgio stays more in the background, his wise words don’t:

“Inspiration is essential for every creative soul. Just like the sun, that’s breaking through the forest’s darkness, brings light, so does inspiration bring light to life. Here, in the secluded Val di Non Valley, I find strength and inspiration, time and again.”

The Dolomites are majestic, they seem out of reach, but you can get close to them, even without having to climb. The Seiser Alm is the perfect choice if you want to feel like an alpinist for a day - but without up-sailing. I wore my sneakers and a sunhat and was ready for a relaxed summery hike, past the imposing landmark Schlern (2.564 m / 8,412 ft) that looks like the bow of a ship, and towards the mountain range Marmolata - the “Queen of the Dolomites” (3.343 m / 10,968 ft). Their peaks seem to cut right through the clouds.

My desire to climb the queen was limited, my appetite for lunch was stronger. The open plateau of Seiser Alm is the largest high-altitude Alpine meadow in Europe, a blooming attraction in summer, turning into a winter wonderland as soon as the first snowflakes start to fall. On the culinary side, the mountain pasture offers romantic mountain hut vibes to dive into rustic mountain cuisine.

I visited Franz Mulser’s Gostner Schwaige, a 350-year old Berghütte (mountain hut) that couldn’t be any prettier in a fairytale. I was prepared for a frugal merende (lunch snack) of speck, cheese, and Schüttelbrot (crunchy spiced mountain flatbread) but the farmer, cheese maker, chef, and proprietor of the picturesque hut - he owns it since he was 21 years old and left his carrier in Michelin-starred restaurants behind - had different plans. I was presented a South Tyrolean feast!

Franz extended the humble merende into a lavish lunch of a spectacular Heusuppe (hay soup, which is really made of hay and flowers and also tastes like it) and Schlutzkrapfen (Tyrolean dumplings made with carob flour and filled with Alpine cheese fondue). The Kaiserschmarrn that followed was the best I’ve ever had (there’s a recipe for this torn pancake on the blog, click here).

Making cheese has long been a tradition in Franz’s family and also at Gostner Schwaige. Since its early days, the hut had been used for making cheese, and the recipe for Franz’s Tiroler Graukäse (grey cheese, rennet-free and very low in fat) dates back to these days. Whenever the temperatures are warm enough, the cattle grazes on the Alm’s meadows. However, cows are temperature-sensitive. When it’s too cold, they get stressed - I feel with them - releasing stress hormones, which would also harm the final cheese.

Franz strongly believes in the quality of the raw product, in the milk. He knows that only good milk can make good cheese. So it’s his job to make sure that his cattle stays happy and the milk quality stays constant. And then, according to the seasons, the flavor of the grass changes, the flavor of the milk changes, and so do the flavors and textures of the cheeses that he produces change. For him, tradition means to preserve the old, by using new knowledge and experiences, to gently guide tradition into the future. In his case, that’s a very tasty endeavor.

My trip came to an end, not a sad end, but one that left me filled with new memories and lots of inspiration. Before I checked in my last hotel, I visited the natural wine makers Carmen and Hannes Röck at their winery, Weingut Röck, for a spontaneous wine tasting. The siblings took over production from their father a few years ago, shifting from conventional to low-intervention wine making. They still work within their family tradition, but just like the other chefs, farmers, cheese makers, and hoteliers who I met, they had the freedom to find their own path. Their wines are outstanding and they taste the way they taste because Carmen and Hannes create and shape them. Passing on an established business from one generation to the next is never easy. It’s a story of letting go, of fears, of being brave and reckless sometimes, but first and foremost, it’s a story about trust.

The stunning Ansitz Fonteklaus, solid like a rock since 1706 and first mentioned in 1317, looks like a fortress and makes you feel like you found the safest place on earth. The hotel offers marvelous views, the prettiest rooms, and a gorgeous (and crystal clear) infinity swimming pond - which I had to share with two tiny frogs, but they didn’t seem to mind my presence. There were even more traditional South Tyrolean treats on the table for my last dinner at the hotel’s restaurant, cooked by chef Andreas. I happily indulged in them, and in the starry sky, before I slept as peaceful as a baby.

Thank you, Caroline, Manuel, Edith, Ingrid, Mirko, Giorgio, Franz, Norbert, Giuseppe, Carmen, Hannes, Erich, everyone at Parkhotel Mondschein, Zum Hirschen, and at Anistz Fonteklaus - all of you made this magical trip happen!

This post has been sponsored by Visit South Tyrol. The people and places featured in this post were chosen by me, the opinions are my own. Thank you, Dagmar, for helping me put this unforgettable road trip together!

Caroline’s South Tyrolean Cheese Knoedel with Krautsalat

by Caroline Laimer

For the knoedel

You can prepare the knoedel mixture a day in advance and keep it in the fridge. You can also shape the knoedel and freeze them, either cooked or uncooked (and cook them after defrosting them).

Makes 20 knoedel

• 80g / 3 ounces unsalted butter

• 70g / 2 1/2 ounces onions, finely diced

• 500g / 17 1/2 ounces stale white bread (about 1-2 days old, hard rind removed), cut into small cubes

• 400g / 14 ounces mixed aromatic hard cheese, grated (you can also add a little gorgonzola)

• 300 ml / 1 1/4 cups whole milk

• 20g fresh parsley leaves, chopped

• sea salt

• ground pepper

• 6 large eggs

• dried breadcrumbs, for sprinkling the baking sheet

In a large pan, heat the butter over medium heat and cook the onions, stirring occasionally, for about 15 minutes or until golden and soft; transfer the onions to a medium bowl and let cool for 5 minutes.

In a large bowl, mix together the bread, cheese, onions, milk, and parsley, then season to taste with salt and pepper, add the eggs, and mix with your hands until very well combined.

Line a baking sheet with parchment paper and sprinkle with dried breadcrumbs.

Wet your hands and shape the knoedel mixture into 20 large round knoedel, rolling them between your hands and gently pressing the mixture together, then transfer the knoedel to the prepared baking sheet.

In 2 large pots, bring salted water to a boil then add the knoedel, reduce the heat to a gentle boil, and cook for about 10 minutes, or until the knoedel are firm and cooked through. Using a slotted ladle, transfer the knoedel to a sieve and drain for a minute.

For the krautsalat

Serves 2

• 1 large handful very thinly sliced or shredded green cabbage

• caraway seeds

• sea salt

• sunflower oil or rapeseed oil (mild flavor)

• white wine vinegar

• ground pepper

In a medium bowl, sprinkle the cabbage with 1/4 teaspoon of caraway seeds and 1/4 teaspoon of salt then mix well with your hands and let sit for 10 minutes. Season to taste with oil, vinegar, caraway seeds, salt, and pepper.

Spread some krautsalat on a plate, arrange 1-2 knoedel on top, and enjoy while the knoedel are warm.

Meet In Your Kitchen | Berlin's Best Beet at Vadim's Otto

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"That was probably the most intense time of my life. It was the restaurant I looked up to the most. I thought this is the best restaurant in the world." - Vadim Otto Ursus

Smoky pans and blazing fire at Noma's Pop Up in Tulum, screaming and rushing, the air filled with adrenalin like a ballon ready to burst, tweezers in your hand to arrange plates to fragile perfection - Vadim Otto Ursus wanted to experience all of this and he got it. Born in Berlin, raised in Berlin, and he even returned to his city although he had the chance to keep working at Noma and other illustrious restaurants.

Vadim's parents lived in a squat in Berlin Mitte, one of the many empty houses in the 90s that people just moved into, put a lock on the door, and called it their home. It was common, no one cared. You payed one D-Mark, symbolically. There was no heating or warm water but lots of freedom and all the possibilities in the world. Vadim's mother is an artist, his father is a media historian, the wall had just fallen, and they decided to move to Berlin. Galleries popped up all around their apartment, there were exhibitions at every street corner - and young Vadim was right in the middle of it.

"You did the same thing most of the time, just when everything worked smoothly, the chef, René Redzepi, would say OK, change positions! to keep the adrenalin level at 120% so that you wouldn’t rest but always be pushed to maximum pressure." - Vadim Otto Ursus

Before he even had a chance to get lost in Berlin's party world, which he loved and that was equally exciting at that time as the art world, his mother involved him in her art projects and his father introduced him to a little restaurant on Schönhauser Allee. A bunch of young chefs, pioneers in Berlin's - at that point - culinarily wild and not very refined East, sparked something in Vadim. After having been surrounded by the arts, boundless creativity and freedom, he was hungry for a life that was a bit more structured, where cause and effect were a bit more predictable; less interpretation, more facts. Cooking is a craft, you cut your ingredients, you choose a technique, you improve your skills, and at one point you can pretty much say what the result is going to be like. Vadim liked that idea.

For an art project, the mother-son duo went on a trip to Mexico together. For two months, Vadim cooked in a food truck at a market in Mexico City and his mother curated a flow of people from different backgrounds bringing ingredients to the truck, or just their stories, all of them coming together at the table for lunch. Working with local produce, working with fire, using techniques he had learned in Germany, the puzzle slowly started to come together.

"The plates, the dishes were delicious and looked almost perfect but I don’t understand how anything good should come out if it was created with so much hate, anger, and fear."- Vadim Otto Ursus

The freedom and harmony that had surrounded him all his life was something the young chef never took for granted. He was curious about the other side where chefs scream in steaming kitchens, where pots are flying, and single leaves are meticulously arranged with tweezers for hours. So he ended up at Quintonil, no. 27 in the World's 50 Best, and just at that time René Redzepi and his team visited Quintonil's kitchen right before their Noma Pop Up started in Tulum. Coincidence or destiny, Vadim joined their team and cooked at the world's most famous Pop Up. Vadim calls it one of the most intense experiences of his life, teaching him bold techniques and wild freedom in cooking he had never seen before, but also introducing him to a way of working that he didn't want to assimilate in his life.

Koks on the Faroe Islands, Maaemo in Oslo, Loco in Lisbon, Vadim got his fair amount of Michelin stars, flying pots, and tweezers - and he missed Berlin. In 2019, at the age of 25, he opened his own restaurant close to where he grew up, in Prenzlauer Berg: OTTO. The ingredients are local, the techniques are international, the atmosphere is very relaxed, and community - on both sides of the kitchen - is at the core of this restaurant. Various plates to share with each other fill the tables, honest fireworks, almost humble and not pretentious, convince your palate within split seconds that the best often lies very close to us.

"I knew it before I went there but Mexico made it so clear to me: eating together, plates often placed in the middle of the table, huge piles of tortillas, using your hands, it can get messy, it’s spicy, bold flavors, that’s so much fun!"- Vadim Otto Ursus

And what does Otto taste like? The smokey, earthy note of a whole grilled butterflied boneless brook trout from a local farmer served with garum - a fermented fish sauce made at the restaurant of the fish's leftover bones and fins. This dish combines strong flavors from two culinary worlds: earthy local German trout and a fish sauce packed with umami, originated in Asia but made from a very common German fish.

Beet, cooked twice in sloe berry juice and dried in between, with a unique texture close to prunes meets labneh and brown butter (this is also the recipe Vadim shared with me,see below). Grilled sourdough bread from a local bakery is served with koji butter, fermented buckwheat that lends the fat a very ripe, cheesy note and that you can also buy from them online. Grilled kale is tossed with a green salsa made of herbs that Vadim harvests in the countryside outside Berlin. So what do we learn? Traveling and experiencing the world outside of our box doesn't detach us from ourselves, from our roots, it refines who we are and makes the bond even closer.

The podcast episode with Vadim Otto Ursus is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Vadim on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Beet, Sloe Berry, Labneh and Brown Butter

by Vadim Otto Ursus

Mind that you have to start preparing the beet and labneh a day in advance. The beet is cooked then it sits overnight, is dried in the oven for 7-8 hours the next day, and then briefly warmed up in the juice again.

Serves 4 to 6

• 1kg / 2 1/4 pounds medium beet (with skin)

• Fine sea salt

• 1l / 4 1/4 cups sloe berry juice - alternatively, you can use700ml / 3 cups plum juice mixed with 200ml / 3/4 cup plus 2 tablespoons water, 100ml / 1/3 cup plus 1 tablespoon cider vinegar

• 500g / 17 1/2 ounces full-fat yoghurt (cow milk or sheep milk)

• 100g / 1/3 cup plus 1 1/2 tablespoons unsalted butter

• A few leaves of Belgian endive, radicchio, or sorrel, torn into bite size pieces, for serving

Day 1

Add the beet to a large pot and cover with water then add 3 tablespoons of salt and bring to a boil. Cook for about 50 minutes or until tender. Transfer the beet to a colander placed in the sink and, while you keep the water running, use your hands to rub the skin off the beets. Cut each beet into 6 wedges and transfer to a large bowl then mix the sloe berry juice with 2 tablespoons of salt and pour over the beet. Cover the bowl with a lid and let it sit overnight at room temperature.

To make the labneh, line a colander with a cotton kitchen towel or muslin cloth then place it over a large, deep plate. Mix the yoghurt with 1 tablespoon of salt and transfer to the lined colander; let it sit overnight at room temperature.

Day 2

In the morning, preheat the oven to 70°C / 155°F. Line 1-2 baking sheets with baking paper.

Transfer the strained yoghurt to a bowl and keep it in the fridge, discard the liquid. Remove it from the fridge and keep it at room temperature about 30 minutes before serving.

Reserving the juice, transfer the beet to a colander to drain for a few minutes then spread them on the prepared baking sheet(s). Leaving the oven door slightly ajar by using the stick of a wooden spoon, dry the beet in the oven for 7-8 hours, or until they resemble soft (and not too dry) prunes. Season the reserved sloe juice with a little salt and set aside.

Just before serving, slowly cook the butter in a large pan over medium heat until it is golden brown and smells nutty (it shouldn't burn!); set aside and keep warm.

Transfer the dried beet to a large pot, add enough of the reserved sloe juice so that the beet is almost covered then bring to a boil and immediately remove the pot from the heat.

Arrange some of the beet and a little of the sloe juice that it's been warmed up in, in the middle of a deep plate. Drizzle with a couple spoons of the brown butter and place a generous dollop of the labneh next to the beet. Arrange a few pieces of Belgian endive (or other leaves) on top and serve immediately.

Meet in Your Kitchen | Kristiane's Kaiserschmarrn, Pars and Pralinés

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"I thought I wasn’t allowed to do something that was different from what I had learned. I felt trapped in the traditional framework of the patisserie. I was very nervous to dive into a new scene where I felt I didn’t belong to." - Kristiane Kegelmann

Whenever we create something we use our senses. No matter if it's about the arts or crafts, we see, we feel, we smell, and when it comes to food, we also use our taste. Kristiane Kegelmann loves working with the whole sensory spectrum, in her art and in the food she creates - and especially when they both merge.

During her early years as a pastry chef in Vienna, at the traditional Demel confectionery founded in 1786, Kristiane often pushed the boundaries of her craft. Although the budgets for customized cakes, torten, and gateaux were often almost bottomless, the freedom, the expectation of how a sweet creation should look like was limited. In size larger than herself, the costs sometimes reaching the price of a small car, yet her creativity was forced to stay within a certain range, the rigid range of the classic patisserie, of its craft and creations, defined over hundreds of years.

There was no tolerance when her aesthetic feeling, and her curiosity, left the frilly cream toppings and sugary ruffles and roses behind. Kristiane likes cubistic shapes reminding of the concrete architecture of the 60s and 70s, of brutalism, Le Corbusier and Gottfried Böhm, or the angular shapes of Daniel Libeskind's buildings. Her approach is far from sweet, cute, and superficially pleasing. Her aesthetic is definitely challenging for the stubborn pastry traditionalist.

It was only through the arts that she felt able to free herself, to go beyond her own expectations in her craft. Working with an Austrian sculptor, experimenting with architectural forms and structures, combining edible and non-organic material both in her art and in her pastries and chocolates, and in the end leaving Vienna to move to Berlin, were the necessary steps to become the artist and pâtissière she wanted to be.

"Chocolate allowed me to fill a shape with a surprise. I felt, seeing that this is what I’m good at, I’m allowed to turn it into art." - Kristiane Kegelmann

Growing up in Munich in a family where food in general, but each ingredient in particular, was given a lot of attention, a huge effort was made to strive for quality and track the origin of the products that ended up in her mother's kitchen. Kristiane knew about buckwheat - and wasn't particularly fond of it - when the other kids were still munching on soft wheat bread sandwiches with flappy cheese. Her sense for flavors, for quality, started to become more and more refined even before she became aware of it.

Arriving Berlin in 2015, all of a sudden Kristiane had all the freedom, and the space, to create art and food according to her own ideas. Some of her works are edible, like her chocolates and pralinés, some aren't, which turned into a new conflict: where are the two disciplines interwoven, where shouldn't they, where does one start and the other one end? It's an ongoing process and the price you pay for creative freedom.

"In our traditional food, we used to be much closer to the original produce than we are today. It’s a process of simplification, of industrialization." - Kristiane Kegelmann

At least at her pars pralinés shop, you can eat everything the pastry chef puts in front of you - and that is spectacular. Kristiane puts the same attention into her sweet creations' fillings as she puts into their shapes and (natural) coloring. Once you bite into the delicate chocolate shell, you might be surprised by a fragile crunchy dill flower, or pear combined with sesame - which is a fantastic combination. Hops and lavender also go very well together, and a classic hazelnut praliné impresses with the intense, pure taste of hazelnuts that come from Kristiane's home region, from Bavaria.

We would have loved to share a praliné recipe with you but unfortunately, the preparation is too complex, so instead we went for a very comforting Austrian breakfast/ brunch/ teatime/ dessert classic: kaiserschmarrn - a torn pancake - with hazelnuts and apple purée.

The podcast episode with Kristiane Kegelmann is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Kristiane on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Kaiserschmarrn with Hazelnuts and Apple Purée

by Kristiane Kegelmann / pars

Kristiane uses her own pure hazelnut spread (Nussmus) for serving, which you can buy online from her shop, but you can of course replace it with any other quality hazelnut spread (although hers is particularly delicious!).

She refines the apple purée with cherry blossom sugar (fresh cherry flowers mixed with sugar and stored in a jar, it's divine!) but you can also use regular sugar.

Serves 4

For the cherry blossom sugar (optional)

• 1kg / 5 cups granulated sugar

• 1 handful fresh cherry blossoms

Combine the sugar and cherry blossoms, rubbing the sugar and blossoms with your hands to intensify the flavor, and store in a large jar.

For the apple purée

• 50g / 1/4 cup cherry blossom sugar (or granulated sugar)

• 120ml / 1/2 cup apple juice

• 4 medium, sour, firm apples, cored and cut into small pieces (don't peel the apples)

In a large pan, caramelize the sugar over medium heat then add the apple juice and stir until the caramel dissolves. Add the apples and cook until soft then sweeten with sugar to taste. Using a blender or a blender stick, purée the apples until smooth. If you prefer the apple purée a bit thicker, transfer it to the pan and cook, stirring constantly, until it reaches the desired texture.

For the kaiserschmarrn

• 1 ounce / 25g whole hazelnuts with skin

• 4 large eggs

• A pinch of salt

• 30g / 2 generous tablespoons granulated sugar

• 350ml / 1 1/2 cups whole milk

• 160g / 1 1/4 cups all-purpose flour

• Unsalted butter, to cook the kaiserschmarrn

• About 4 tablespoons hazelnut spread, whipped until soft, for serving

• 1-2 tablespoons confectioners' sugar, sifted, for serving

In a medium pan, roast the hazelnuts, stirring constantly, over medium heat for about 2 minutes or until fragrant; let them cool for a few minutes. Using your hands, rub the skin off the hazelnuts then chop them roughly and set aside.

In the large bowl of a stand mixer, fitted with the whisk attachment, whisk the egg whites and salt for a few minutes until stiff then transfer to a large bowl and whisk the egg yolks and sugar for a few minutes until light yellow and creamy. Using a wooden spoon, gently fold 1/3 of the milk into the egg yolk mixture, followed by 1/3 of the flour. Repeat with the remaining milk and flour, folding until combined, then gently fold the egg white into the batter just until combined.

In a large pan, heat a generous tablespoon of butter over medium-high heat, add half the batter, reduce the heat to medium, and cook for a few minutes or until the bottom of the pancake is golden. Cut the pancake into 4 pieces, add a little more butter to the pan, then flip each piece and cook until the bottom is golden. Using 2 forks or spatulas, tear the pancake into chunky pieces. Sprinkle with a little sugar, add a bit more butter if necessary, and cook the torn pancake, stirring, for a few more minutes or until golden brown then transfer to a large platter, cover, and cook the remaining batter in the same way.

Divide the kaiserschmarrn between 4 plates, sprinkle with the hazelnuts, drizzle with the hazelnut spread, and dust with confectioners' sugar. Add a dollop of the apple purée and serve immediately. Enjoy!

Meet In Your Kitchen | Rhinoçéros Bar, Jazz and Béné's Shrimp Cocktail

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Music is love, food is fun." - Bénédict Berna

From French rap music via Berlin's club scene right into jazz: Bénédict Berna's musical journey reflects the chapters in his life. Each musical genre is woven into his work projects, musical fragments becoming the tune of his life.

As a music producer in France, it was the beat and the political message of rap pulling him into the studio. This, and the fact that there was no place to go to as a teenager, made him organize concerts and parties at the age of 16. He admits that it wasn't an altruistic move, he wanted to play in bands but the other kids wouldn't let him. So at his parties and concerts, Béné would add himself on the lineup - and place himself at the drum machine - and the other kids had to give in.

He was hooked, he loved the energy bursting out of these events. Creating a place, a period of time, that makes other people simply happy became his passion and profession.

"Berlin was like a huge kindergarten. There was space, air to breathe, you didn’t have to fight for your place."- Bénédict Berna

Born in Valence and growing up in Donzère, a small and not too exciting town in the Rhone valley between Lyon, Montpellier, and Marseille, Béné got used to moving around, networking, and organizing concerts wherever the crowd was hungry for it. His appetite also grew yet he felt the creative limitations of the smaller towns and cities. Paris wasn't an option for him. He says it's too snob and rigid, all places have been taken and occupied a long time ago. But Berlin was the exact opposite to that.

In 2003 things were still rather wild in Germany's capital, especially in the party world. So when Béné arrived it didn't take too long for him to find his way straight into the clubs, soon taking care of the set lists, bands, and DJs of Club Maria and Club Chez Jacki. The clubs and bars were the pumping heart of a city that didn't know any limits or regulations. It was total freedom - and innocence - at least for a little while.

"I don’t want to become an icon, I don’t want to be an institution. I want people to have a good time."- Bénédict Berna

Berlin changed and grew up, at least a little bit, but change isn't necessarily a bad thing. Béné left the clubs behind and became the manager of a wine bar, Brut on Torstraße. It was one of the earlier places where finally wine, cheese, and bread all tasted fantastic. Something that shouldn't surprise but back then it did because the general quality level in the city was just so bad. At Brut, you were never really sure who was a guest and who worked there. It was one big family.

All those years and experiences shaped the formula for Béné's own bar that he opened in 2017 together with his wife, Martina. So it's not a surprise that Rhinoçéros is a bar that does everything right. French wine and cheese, crunchy baguette, Japanese whiskey, the atmosphere warm and intimate, it feels a bit like home, just more special.

All this would already be enough to win my heart but Béné's love for jazz, vinyl, and vintage hi-fi sound systems - and for organizing events - made him turn towards a Japanese phenomenon: the Tokyo Jazz Kissa. It's basically a bar (or coffee shop) where people listen to vinyls while drinking tea - or whiskey, or wine. So at Rhinoçéros, they have special nights, curated listening sessions, where no one talks but sits still in front of 1976 wooden Bowers & Wilkins speakers, kind of like at a concert, to peacefully listen to the whole length of legendary jazz recordings. Béné says that he himself is surprised at times by the intimacy that these nights create. But that's the power of great music, food, and wine - and great hosts.

When I asked Béné which recipe he'd like to share with us, he suggested a Shrimp Cocktail. First I was surprised then I indulged in nostalgia. So thanks to this dinner party classic, we'll have a proper 80s revival in the kitchen (Béné says it's actually from the 60s). Béné's version is super quick to prepare, perfectly balanced, and, thanks to tangerines giving it a hint of acidity, it's even refreshing. And it goes extremely well with oysters and champagne for lunch, that's what we did - just don't expect you'll get anything done after this so save it for the weekend.

The podcast episode with Bénédict Berna is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Béné on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Shrimp Cocktail

by Bénédict Berna

Serves 4

• 5 tablespoons mayonnaise

• 2 tablespoons ketchup

• 2 teaspoons cognac

• 4-5 drops Tabasco

• Freshly grated orange zest, to taste

• 450g / 1 pound medium shrimps or prawns, cooked and peeled, cold

• 2 large Belgian endives, very thinly sliced crosswise

• 2 tangerines, peeled (skin and white pith removed) and cut into segments

In a large bowl, whisk together the mayonnaise, ketchup, cognac, Tabasco, and a pinch (or more) of orange zest. Add the shrimps and toss to combine.

Divide the Belgian endive, shrimps, and tangerines among 4 bowls (or wide champagne glasses) and serve immediately.

Update: this recipe will also be in my NOON cookbook!

Meet In Your Kitchen | Erik Spiekermann's Lemony Mushroom Risotto

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"I’m incredibly chaotic and I’m incredibly precise. When I do work like typesetting and stuff, I’m 100% precise. I do the shittiest detail that nobody would ever know, but I’m also incredibly chaotic in my approach." - Erik Spiekermann

Erik Spiekermann's greatest gift is that he never stopped thinking like a child. He's still driven by the same stubborn persistence, by a tireless curiosity, and the imperturbable will to find out what lies underneath the surface. The acclaimed designer and typographer, responsible for the corporate looks of brands like Audi, Bosch, and Deutsche Bahn, creator of Meta - the Helvetica of the 90s - and the man who decided that the BVG, Berlin's public transportation system, needs to be yellow, is basically still a child, just in the body of a man.

"My curiosity is my biggest feature. I’ve always been curious, so much so that I have been careless. I mean I’ve done things like hitchhike to fucking Norway at 9, which is stupid, it’s the dumbest thing to do if I look back now but I was curious and I was innocent, and innocent and curious are the same. You’re innocent about something so you wanna find out how it works. And I’m still curious and I will try everything because it’s interesting and I think curiosity is one of the greatest human features otherwise we wouldn’t have invented the wheel nor the fire." - Erik Spiekermann

When Erik was nine years old he hitchhiked to Norway on his own. He was part of a Boy Scouts group, his older travel companion didn't show up so he decided to go up north on his own. I asked what his mother said, and Erik's brief answer was "She didn't know, only when I came back weeks later, rather tanned."

As a teenage boy, he was already fascinated by press printing. He got his first printing machine from his father, a mechanic who Erik thinks passed his strong passion for heavy machinery and their mysteries on to him. Whenever he got the chance, he sneaked into a friend's printing firm at night, trying to figure out how all of this works. Setting type and ruining one plate after the other until he internalized the concept - letting any proof of his failed attempts vanish by dawn - but when he finally filled the white pages with his own hands and ideas he was hooked.

Post-war Germany wasn't an easy playing field for a pubescent boy and young man, chances had to be made by yourself and Erik created plenty of them. First in Berlin, then he moved to London in the 60s with his young family, always managing to convince the people around him that he has the ideas that they need.

"We need to make things, we need to touch things with our hands, otherwise we’re gonna become very funny sort of reptiles or robots." - Erik Spiekermann

It only takes a few seconds to understand how Erik always manages to get people's full attention - and their trust. He is very charming but he is also a road roller. For the podcast recording at my place, he ran up the stairs with his racing bicycle on his shoulder (mind he's born 1947), he wasn't out of breath at all but ready to dive into hours of talking about design, life, and food. Erik used to often bake with his mother, never measuring anything, but sensitively adjusting texture, taste, and smell by feeling. Even then he didn't need anyone to tell him what to do, just a mother who taught him to refine his senses and listen to them. He is still very protective of his ideas and visions, fighting for them if need be, summed up in one of his many popular quotes: "Don’t work for assholes. Don’t work with assholes."

After years of designing and teaching, Erik decided to go back to his roots. All his printing equipment burnt in a severe fire in London in the 70s. A painful chapter that he never felt he had closed, a story he still wanted to continue writing, so he founded p98a a few years ago. It's a Berlin based non-profit experimental letterpress workshop stuffed with old equipment dedicated to letters, printing, and papers. Together with a group of designers, he passes his knowledge and skills on to the next generation and enjoys the play of old traditional analogue equipment and new digital techno­logies. You can order books, or posters and postcards with Erik's quotes and wisdoms, and join workshops with the master himself.

Although Erik would have loved to share his no-recipe-cantuccini recipe with me, I was worried that no one would be in the mood for cookies in January so instead, Erik and his wife, Susanna, shared the recipe for their delicious Lemony Mushroom Risotto with me.

The podcast episode with Erik Spiekermann is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Erik on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Mushroom Risotto with Lemon and Thyme

by Susanna and Erik

Serves 4 to 6

For the risotto

• Fine sea salt

• Olive oil

• 1 medium onion, finely chopped

• 420g / 2 cups Carnaroli rice, or Arborio rice

• 240ml / 1 cup dry white wine

• 70g / 5 tablespoons unsalted butter

• 60g / 2 ounces Parmesan, finely grated, plus 30g / 1 ounce for serving

• 4 tablespoons freshly squeezed lemon juice, plus more to taste

For the mushrooms

• 450g / 1 pound cremini or white mushrooms, trimmed, torn into bite-size pieces

• Freshly ground black pepper

• 30g / 2 tablespoons unsalted butter

• 8 medium sprigs fresh thyme

• 3 small garlic cloves, crushed (optional, Susanna loves it, Erik doesn't)

For the risotto, bring 2.5 liters / 10 1/2 cups of water and 1 tablespoon of salt to a boil in a medium saucepan then remove the pan from the heat, cover, and keep warm.

In a large pan, heat a generous splash of olive oil over medium heat. Add the onion and a pinch of salt and cook, stirring constantly, for about 10 minutes or until golden and soft. Add the rice and cook, stirring, for 5 minutes. Add the wine and let it simmer for a few minutes then add a ladle of the hot salted water, the rice should be covered. Let it simmer very gently and, as soon as the liquid is almost fully absorbed, add more of the salted water. Keep adding a little water at a time, stirring gently once in a while. When the rice is al dente and the liquid is more or less absorbed, you might not need all the salted water, take the pan off the heat, and stir in the butter and Parmesan. Add more of the salted water if the texture isn't creamy (not soupy!) and season to taste with additional salt if necessary. Gently stir in the lemon juice, adding more juice to taste, then cover the pan and set aside.

For the mushrooms, heat a generous splash of olive oil over medium-high heat, briefly cook the mushrooms, stirring occasionally, for 2-3 minutes or until browned and still firm (not mushy!). Season to taste with salt and pepper, add the butter, 6 sprigs of thyme (keeping 2 sprigs for serving), and the garlic then reduce the heat to low and cook for a few minutes until the mushrooms are al dente but not soft.

Divide the risotto and mushrooms among bowls, sprinkle with a little Parmesan, some ground pepper, and the leaves of the remaining 2 thyme sprigs, and enjoy immediately.

Meet In Your Kitchen | Alfredo Sironi's Pizza with Cima di Rapa and Salsiccia

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Food means a lot, not everything, but a lot. I enjoy cooking more than eating." - Alfredo Sironi

There are two things Alfredo Sironi does all the time: chatting and eating while constantly moving around. When I sat with him outside his Sironi La Pizza restaurant in Berlin's Goltz Kiez, an endless flow of children, neighbors, staff, and guests stopped by to talk to the baker, always having his full attention. When we were at his Sironi il Pane di Milano bakery, at Kreuzberg's Markthalle Neun, he grabbed the pepper grinder from one of the stalls next to him, exchanging it for a piece of pizza and a quick chat with the chef. He nibbles bites of warm salsiccia from a tray while passing by and allows himself a couple minutes to indulge in the pizza bianca that we just baked together, but he won't sit still. Only quick moments of pleasure, before the man moves on to the next venture.

Alfredo says he's a better cook than eater. He blames his childhood. When you basically grow up right in a family restaurant you're always on the run, always looking out for problems that need to be solved and people who need to be taken care of. You have a quick nibble in between chats but you barely sit down to eat. It runs through his family, he says.

"Everything we describe as tradition is fake. There weren’t potatoes in Germany, there weren’t tomatoes in Italy. Noodles, pasta come from China. It’s a cultural process, every day rewritten over and over again." - Alfredo Sironi

Growing up on a farm in Lombardy - between Milan and Como, close to northern Italy's buzzing industrial center yet at the same time, you're surrounded by lush green fields, paddocks, and horses - his life was about his parent's restaurant, his family and friends, and the restaurant's regular guests. Women always played an important role in his world. Although his father started the business, and he's also the most passionate cook in the family, it was Alfredo's mother who kept the motor running smoothly. Due to the region's economic success, the women in northern Italy already ran thriving businesses in the 50s. The cliché of the mother, cooking and staying at home in the kitchen, wasn't Alfredo's reality.

The Sironi family comes from Piedmont, Lombardy, Veneto, and Emilia-Romagna so the family's home cooking mirrors the best of what the four regions bring to the table. Bread and pasta is a staple, always homemade and part of every day's lunch and dinner. Everyone knows how to make it, it's in their blood. And exactly this would become one of Alfredo's greatest assets.

"You can’t prepare yourself for your failure but you have to be prepared for your success. When you start a business, you only focus on avoiding that it crashes. You hope that customers will come, that you can pay your bills, and that it will all work out. But in reality, everything can be totally different, that you are successful. And then the bakery was too small, I hadn’t considered this option in the beginning." - Alfredo Sironi

Until Alfredo moved to Berlin at the age of thirty, he never questioned his cosmos circling around the food and the people that were simply there all his life. It could have been so easy for him to just stay there, to take over the family business at one point, to live this beautiful life in this beautiful place with all the people he loves - but he was hungry for something else. So when Alfredo came up north to move to Germany's capital, he used his memories of the people and the food in Italy, the memories of his daily life, to found his own bakery. Although he studied history in Milan and already saw himself following an academic career, things changed.

In 2010, Berlin's food scene was buzzing and hungry for the new. Carbs are Alfredo's passion. Every day, bread was freshly baked and pasta freshly rolled at his family's restaurant and he helped out whenever a hand was needed. For him, good bread isn't science, it's knowledge and experience. He knew Berlin didn't have anything like the Milan-style bread he grew up with and felt the city would love it yet he was also aware of the risks.

In the end, there was nothing to worry about. It only took a few months for the Berliners to fall in love with the baker and his goods. Right from the start, you could always find Signor Sironi on the annual Berlin's Best Bread lists. His sourdough loaves are praised, his sheet-pan pizza is the reason for ongoing pilgrimages of the carb loving crowds to his bakery in Kreuzberg and to his new pizzeria where the pizza is round. Alfredo Sironi knows his dough, maybe it's as simple as that.

Alfredo shared the recipe for his Pizza Bianca with Cima di Rapa and Salsiccia with me. It's a recipe that I love so much that when I first ate it a few years ago, I came up with my own take on it for the blog. It proves that reducing the toppings for pizza often leads to the best results.

The podcast episode with Alfredo Sironi is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Alfredo on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Pizza Bianca with Cima di Rapa and Salsiccia

by Alfredo Sironi

Makes 2 to 3 pizza sheets (using 30 x 40cm / 12 x 16“ baking sheets; if you make 3 sheets the pizza base will be thinner and crunchier, 2 sheets will lead to a thicker, softer base)

For the dough

• 700ml / 3 cups water, lukewarm, plus more as needed

• 10g / 1/3 ounce fresh yeast, crumbled

• 1kg / 7 2/3 cups high gluten wheat flour (German flour type 1050)

• 20g / 1 tablespoon barley malt syrup (or rice syrup, or molasses)

• 20g / 4 teaspoons fine sea salt

For the topping

• 4 - 6 salsiccie (or any other coarse sausage), skin removed, sausage torn into bite size pieces

• 800g - 1.2kg / 1 3/4 pounds - 2 2/3 pounds cime di rapa, blanched or sautéed (you can also use drained jarred cime di rapa or replace it with broccoli)

• 500 - 750g / 1 - 1 2/3 pounds drained mozzarella, cut into french fries-shapes

• Olive oil

• Freshly ground black pepper

In the large bowl of a stand mixer, fitted with the hook attachment, whisk together the water and yeast and let it sit for a minute. Add the flour, syrup, and salt and knead well for about 5 minutes or until smooth; add more water if the dough is too firm. Cover the bowl and let the dough sit for 10 minutes (the ideal ambient temperature is 26-30°C / 80-86°F; you can use the oven or place the bowl on a heater).

After 10 minutes, leaving the dough in the bowl, grab the dough from underneath and fold it on top of itself then turn the bowl by 90° and repeat folding and turning the bowl for 4-5 times. Let the dough sit for 15 minutes then repeat the same procedure once again. Cover the bowl with plastic wrap, or put it in a rubbish bag and close it; you can also use a container with a tight fitting lid. Keep the dough in the fridge for 18-24 hours.

After 18-24 hours, divide the dough in 2 or 3 portions, roll out each portion so that it’s roughly the size of your baking sheet then oil 2-3 baking sheets and arrange the prepared dough on top and cover with kitchen towels. In a warm place, let the dough rise until it roughly doubles in size; depending on the ambient temperature, this will take 30-60 minutes.

Preheat the oven to the highest temperature setting (at least 250°C / 480°F).

Divide the salsiccia, cime di rapa, and mozzarella among the prepared baking sheets and bake for about 10-13 minutes or until golden brown and crunchy. Drizzle with a little olive oil, sprinkle with some pepper, and enjoy immediately!

Meet In Your Kitchen | Champagne, Scallops & Squash Soup with Vitalie Taittinger

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Food is love. It's the attention we can give to the people we are sharing life with." - Vitalie Taittinger

48 hours in the Champagne with Vitalie Taittinger - many bottles were popped and no dessert was missed in the making of this podcast episode!

Vitalie was born in Reims, she's the great-granddaughter of Champagne Taittinger's founder Pierre Taittinger and now she is the President of the champagne house. Two years ago, she took over from her father, Pierre-Emmanuel. When I first met the young woman a few years ago, I asked myself if it's a gift or a burden to be born into one of the world's most famous champagne families, if it's freedom or pressure.

"The fact that today we are both responsible for the company, I think this is something very strong in terms of complicité." - Vitalie Taittinger

Clovis is Vitalie's brother, he's the company's Managing Director. When it came to the decision who of the two children would follow into their father's footsteps, the father specifically didn't want to be part of the final decision making process. Instead, for a whole year, the entire team, including the two siblings, pondered on what would be best for the company. For them it was neither about ego nor about clever career moves. It was simply about finding a solution that would be best for Champagne Taittinger; that would be best to keep a tradition alive and thriving. This story says so much about a family and about a region and its mystified product. It says so much about what champagne is about.

The Champagne region is a tiny cosmos built on history, values, tradition, and trust. It goes beyond family although the families that founded the big houses and cultivated champagne over hundreds of years are at the core of this cosmos. It's important to understand that all the champagne houses on their own can't cover the demand of grapes for their production just by using the produce from their own vineyards. It's just not enough. They depend on a large network of small independent growers in the region. There are contracts yet if the growers don't want to cooperate with a champagne house, the champagne house won't survive. They both depend on each other, which is fruitful and only works when their cooperation is built on trust, respect, and the same values. Land is precious and limited - and a UNESCO world heritage since 2015. It's one of the most expensive in the wine world. € 1 million per acre, only topped by Bordeaux's and Burgundy's top appellations.

"A company is a human adventure and when you’re a family you stay very close to these human values." - Vitalie Taittinger

When Taittinger was sold by the extended family in 2005 - a step Vitalie's father didn't agree with - it only took him a year to have the support from a local bank and the backup from the growers to buy the company back and be assured that he would manage to keep producing outstanding champagne.

So when Vitalie joined the company in 2007 quite spontaneously, after studying art and establishing a life independent of Taittinger, she was aware of the responsibility given into her hands but also about the chance she got to keep the story of her family's champagne alive so that one day she could pass it on to the next generation: "The fact that we are a family running the company puts the adventure into a longterm process. I think we are not fighting for figures we fight to make this adventure last and transmit it to the next generation. We want to transmit the best terroir to the next generation and we want to pay attention to the health of the next generation." 

"Déjeuner en l'Honneur de Madame Meike Peters" - Merci beaucoup, Vitalie!

The past is deeply woven into the region, it's constantly present, contributing to the mystique of the Champagne: no matter if your in Reims visiting Notre-Dame de Reims, the cathedral chosen for the coronation of the kings of France; if your in Taittinger's cellars 18 meters underground in the Abbey of Saint-Nicaise built in the 13th century in Roman chalk pits dating from the 4th century; or driving to the family's Château de la Marquetterie, an 18th century residence 40 minutes outside Reims, which Vitalie's great-grandfather Pierre bought in 1930. He had fallen in love with this place, a headquarter during World War I, when he spent time there as a cavalry officer in 1915.

It's not a surprise that Pierre was smitten. When I drove passed the vines and through the chateau's gate to visit Vitalie in her kitchen, and record our podcast episode in one of the salons, I was smitten, too, with Vitalie and the chateau.

Vitalie shared a recipe with me that's both cozy and sumptuous, Squash Soup with Chestnut Purée and Scallop Carpaccio with Spinach Pesto and Caviar - easy to prepare in advance and perfect for a New Year's Eve dinner!

Bonne année!

The podcast episode with Vitalie Taittinger is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Vitalie on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Squash Soup with Chestnuts, Scallop Carpaccio and Caviar

by Vitalie Taittinger

The scallops are eaten raw and need to be very fresh. If this seems too risky for you, sear the scallops quickly in a little olive oil over high heat on both sides (this takes 2-3 minutes) and season with salt and pepper.

Serves 4

For the scallop carpaccio

• 10 very fresh scallops

• Caviar, adjust the amount to your budget

For the spinach pesto

• 1 large handful fresh baby spinach leaves, plus 16 small spinach leaves for serving

• Olive oil

• 1 lime

• Fine sea salt

• Ground black pepper

For the soup

• 1 liter / 4 1/4 cups vegetable broth

• 1 butternut squash (about 3 pounds), peeled, seeds removed, and cut into cubes

• 1 star anise

• 2 bay leaves

• Fine sea salt

• Ground black pepper

• Crème fraîche, to taste

For the chestnut purée and topping

• 200g / 7 ounces vacuum-packed whole cooked chestnuts

• 120ml / 1/2 cup heavy cream, whipped until stiff

• 2 teaspoons granulated sugar

• 1 tablespoon freshly grated, or very finely chopped, orange zest

For the scallop carpaccio, keep the scallops in the freezer for a couple hour; this will make it easier to cut them.

For the soup, bring the broth to a boil then add the squash, star anise, and bay leaves, season to taste with salt and pepper, reduce the heat, and simmer for about 30 minutes or until the squash is soft. Remove and discard the star anise and bay leaves. Using a blender stick or blender, purée the soup until smooth then season to taste with salt, pepper, and crème fraîche and cook, stirring constantly, until it reaches the desired taste and texture; cover the pot and keep warm.

For the chestnut purée, set 3 chestnuts aside then purée the remaining chestnuts until smooth (add a little water if necessary) and, using a spoon, gently mix with the whipped cream.

Crumble the 3 reserved chestnuts. In a small, heavy pan, heat the sugar over medium-high heat until caramelized then add the crumbled chestnuts and orange zest; stir and keep warm for serving.

For the spinach pesto, purée the spinach leaves and a little olive oil in a blender until smooth. Add more olive oil until the texture is quite runny then season to taste with freshly squeezed lime juice, salt, and pepper.

Take the scallops out of the freezer. Using a large, sharp knife, cut the scallops very thinly; if they are too hard to cut keep them at room temperature for a few minutes.

Arrange the scallop slices on 4 large plates, drizzle with a little spinach pesto (you might not need all of the pesto), sprinkle with a few spinach leaves and a little caviar. Fill the soup in 4 deep bowls and arrange the bowls on the large plates with the carpaccio. Arrange the caramelized chestnuts and a dollop of the puréed chestnuts on top of the soup and serve immediately.

Meet In Your Your Kitchen | Husarenkrapferl - Stefanie Hering's Christmas Family Cookies

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Innovation - but always based on tradition. Never neglect tradition." - Stefanie Hering

There's something very calm and focussed about this woman. Stefanie Hering is the opposite of agitated. Things feel possible, manageable, even in times of disruption she doesn't forget that the potential to create joy and beauty always lies in her hands, literally.

Stefanie is the founder of Hering Berlin, a traditional Berlin based ceramic manufacturer who changed the way we experience porcelain tableware. Lenny Kravitz, Nicole Kidman, Oprah Winfrey, and the chefs of more than 250 Michelin starred restaurants fall for her bold and uncompromising design. Tom Aikens, Heinz Winkler, Thomas Keller, Daniel Boulud, they all trust the designer's vision to present their culinary creations, allowing her to create a frame for their food that's anything but shy yet doesn't distract from the chefs' work.

"We were at the fair in Chicago and there were Charlie Trotter and Thomas Keller talking, saying It’s bloody expensive but damn good." - Stefanie Hering

The first plate from Hering's manufactory that I held in my hands many years ago gave me a sense of a designer who had traveled into the future and came back with an approach to design that dared to question the prevalent, established ideas of porcelain. It was a plate of the Cielo collection, the rim perforated with a pattern of small holes that are drilled into the unglazed biscuit (or bisque) porcelain by hand.

It takes 80 steps to make this plate. So, 80 times, this plate can break or crack, but also, 80 times, the craftsperson gets the chance to approach perfection in a plate that seems so fragile, so delicate, but that is so robust. When I anxiously asked Stefanie how to clean it, she answered "Just put it in the dishwasher." She's pragmatic and never forgets that good design should work but also create and accumulate fun and satisfaction in your kitchen.

Hering's success came sudden, almost too sudden. When Bergdorf Goodman ordered their products for their NYC department store, when MoMA put a picture of one of Stefanie's objects on their annual catalogue, she became famous and noticed that she would soon reach the limits of her manufactory's oven capacities. The time had come to expand and grow, which she managed to do several times in her career, which also included setbacks. But somehow Stefanie always manages to connect with that deep trust in herself and her work that she was already aware of when she was young.

Stefanie is her hardest critic, she wants to excite and surprise her customers with her creations, she wants to impress them with her high standards of hand-crafting, but most importantly, when she started her career, she said to herself "I'll stopp doing this job as soon as it bores me and I don't enjoy it anymore. That's 30 years ago and it never bored me a single day."

"Food is love. It’s an elixir. It’s something I could never live without." - Stefanie Hering

It's tempting to romanticize a career like Stefanie's. Working with a craft that is so rewarding in the process of creating and also in the final products that become a part of many people's everyday life all over the world, yet Stefanie doesn't hide the tough times and painful decisions. The more successful a company becomes, the higher the risk, the more people are affected by your decisions. You do need to stay calm within yourself to deal with the pressure, the uncertainties, the fact that the final responsibility will always be on your plate.

Stefanie shared one of her Christmas family cookie recipes with me, the Husarenkrapferl that she's been baking for her children for years, can now fill your pretty cookie jars. These are Austrian-style thumbprint cookies, however, Stefanie doesn't use her thumb but the stick of a wooden spoon and she fills the cookies twice, before and after baking them.

The podcast episode with Stefanie Hering is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Stefanie on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Husarenkrapferl

by Stefanie Hering

Mind that the dough needs to cool in the fridge for at least 1 hour.

Makes about 40 cookies

• 140g / 1 cup plus 1 tablespoon all-purpose flour

• 70g / 1/2 cup plus 1 tablespoon ground hazelnuts (or almonds)

• 70g / 1/3 cup granulated sugar

• 1/4 teaspoon ground cinnamon

• A pinch of salt

• 140g / 1/2 cup plus 1 tablespoon unsalted butter, at room temperature, cut into small pieces

• 2 large egg yolks

• 150g / 5 ounces black currant jelly (or any other red jam or jelly)

• Confectioners' sugar, for dusting the cookies

In a large bowl, combine the flour, ground hazelnuts, sugar, cinnamon, and salt. Add the butter and egg yolks and, using a knife, chop the butter and egg yolks to combine them with the flour mixture until crumbly. Quickly crumble the dough with your fingers and squeeze and form it into a ball and then into a thick log. Wrap the dough in plastic wrap and put it in the fridge for at least 1 hour.

Preheat the oven to 175°C / 350°F and line 2 baking sheets with parchment paper.

In a saucepan, briefly warm up the jelly over medium heat, whisking constantly, until liquid; this will make it easier to fill the cookies.

Cut slices of dough off the log and, using your hands, roll each piece into a ball, around the size of a small walnut. Spread the balls of dough on the prepared baking sheets, leaving enough space between them as they will expand during baking. Using the stick of a wooden spoon, make a small hole in the middle of each cookie.

Using a teaspoon or an icing bag with a small tip, fill the cookies with the jelly then bake for 15-18 minutes or until the cookies are golden and tender; mind that they don't get dark. Let the cookies cool on the baking sheet for a few minutes then transfer to a large plate or cooling rack. Dust them with confectioners' sugar and fill up the holes with a little more jelly. Let them cool completely then enjoy them or gently layer them in a cookie box or jar.

Meet In Your Kitchen | Cynthia Barcomi's Pecan Pie with Chocolate and Cranberries

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

“I do feel that with time I have learned the necessity to calculate my risk. In the beginning I was uninterested in calculating risk, I wasn’t even necessarily interested in spending the time of thinking How risky is this. I was much more focussed on what I wanted to do.” – Cynthia Barcomi

Before I moved to Berlin I used to have a little ritual, every time I came here I made it a point to visit Cynthia Barcomi's Deli at Hackescher Markt. I was in love with this place, obsessed with her chocolate cherry muffins, with her tuna sandwich made with the juiciest potato bread, and the world's best New York cheesecake. Whenever I set on the black and white leather benches in the tall lofty room of her Deli, Cynthia managed to make me feel home and taken care of but at the same time hungry and excited for everything that was new to me in this big city.

There was a lot that this American lady taught me - without ever meeting her: my first carrot cake was hers and the frosting of that cake seemed like a miracle for a German girl in the nineties, almost impossible that something tasting so good is only made of cream cheese, lemon, butter, and sugar. Four simple ingredients creating sweet magic. No one masters the genius simplicity of comforting American-style baking like she does, at least in my world. She approaches her recipes like everything else in her life: with curiosity, discipline, passion, and stubborn persistence. Cynthia only stops working on a recipe - be it for her café, for one of her nine books, or for her TV shows - when she's 100% sure that she nailed it. She never compromises.

"There was definitely a time when I was like I have to do this and this, more and more, and now I kind of feel like it is really important for me to stay focussed. And it is really important for me to protect this part of myself, which feels incredibly inspired and curious and creative and all these different things, where I know if I get too bogged down by the many other things that are going on in the world or in my life that I cannot access that."– Cynthia Barcomi

Cynthia came to Berlin in the nineties, tumbling out of a rather protected childhood in Seattle, Washington State, and a few wild years in New York City, studying philosophy, theatre and drama at Columbia University and becoming a dancer at the same time. Those were the eighties and Cynthia lived the Flashdance-life. Although it can't really get much better than that Cynthia felt pulled to Europe, to Pina Bausch, Paris, Florence, and at one point to Berlin.

Always moving, she can't stand still. With two kids, she started looking for a more steady life in the food world (maybe the only thing she ever miscalculated), so she decided to roast her own coffee beans and open her first café in Kreuzberg. Today this wouldn't be such an adventurous career move, but back in 1994, this was a risky endeavor. There were no American-style cafés, people didn't really care much about American cakes, pies, and cookies, there was simply no demand for it. Germans drank their old-fashioned filter coffee in questionable quality, and were happy with it, and enjoyed their German cakes for their Kaffee und Kuchen. So now Cynthia popped up in the city, ready to conquer and change it all - and she succeeded.

"I think it’s really important that you do stay true to yourself and that you spend less time comparing yourself and your work to other people, which I think is going down a rabbit hole that will suck all the energy out of you. And I really do encourage especially women to kind of not have quite so much shit in their head and just do it."– Cynthia Barcomi

Three years after starting her first café, she opened her Deli, which is the reason why I moved to the area where I live now. I had to be close to that place. Almost 30 years ago, Cynthia changed they way people eat in the capital. Less competition may make it sound easier compared to today but this also meant that the risk was much higher. She had to pioneer a market that was so unfamiliar with her vision that even the banks told her "Look lady, if this were a really good idea, we'd already have it." Her answer was "What are you talking about. Society lives from new ideas. We wouldn't have washing machines, we wouldn't have cars, we'd be lighting fire, we'd be cavemen. I mean come on. Jesus!" So she just put a plate of her cookies on the guy's desk and at one point she got the loan.

Sometimes in life you have to swim against the current, ignoring the anxious voices around you. It worked out in Cynthia's case but it wasn't always a smooth journey. Last year she had to close her Deli to save her business. A decision so painful that it still hurts her to talk about it. A chapter came to an end, after writing a beautiful story that will always be a part of Berlin, but Cynthia wouldn't be the person who she is if she didn't get back on her feet to write another story - to be continued.

Cynthia shared the ultimate Christmas or New Year's Eve dessert with me: Pecan Pie with Chocolate and Dried Cranberries.

The podcast episode with Cynthia Barcomi is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Cynthia on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Pecan Pie with Chocolate and Dried Cranberries

by Cynthia Barcomi

Makes one 23cm / 9" - pie

For the crust

• 125g / 1/2 cup cold unsalted butter

• 25g / 1 1/2 tablespoons vegetable shortening

• 180g / 1 1/4 cups all-purpose flour

• 25g / 3 1/2 tablespoons cornstarch or wholegrain flour

• 1 teaspoon granulated sugar

• 1/2 teaspoon salt

• 75ml / 1/4 cup plus 1 tablespoon ice cold water

For the filling

• 100g / 1/2 cup muscovado sugar

• 3 large eggs

• 200ml / 3/4 cup plus 2 tablespoons maple syrup

• 1/4 teaspoon salt

• 1 tablespoon vanilla extract

• 25g / 1 1/2 tablespoons unsalted butter, melted

• 100g / 3 1/2 ounces dark chocolate, coarsely chopped

• 100g / 3 1/2 ounces dried cranberries or dried cherries, lightly floured

• 200g / 7 ounces pecans, left whole

For a light and flaky crust, cut the butter and the shortening into small pieces and chill in the fridge while you prepare the rest of the ingredients.

In a large bowl, combine the flour, starch, sugar, and salt. Blend in the cold butter and shortening with your fingertips or a pastry blender until the mixture resembles coarse meal. Add cold water and stir with a fork until a dough just forms. Transfer the dough onto a lightly floured work surface and quickly knead the dough into a circle. Wrap the dough in parchment and chill for about 2 hours (the dough will keep in the fridge for several days and in the freezer for several months).

Preheat the oven to 200°C / 400°F (convection setting). Have a 23cm / 9"-pie or tart form at your side. No need to butter it.

On a lightly floured work surface, roll out the dough to about 3mm / 1/8" thick. Work with a light dusting of flour on your rolling pin and on your work surface. Do not use too much flour or the crust will become hard and dry. Place the rolled-out dough into the pie dish and gently press into the sides. Trim the edges to an about 5mm / 1/4" overhang. With your fingertips, crimp the edges. Chill while you make the filling.

Make the filling. In a large bowl, whisk the brown sugar with the eggs, then stir in the syrup. Add the salt, vanilla extract, and melted butter and stir to combine.

Place the chopped chocolate onto the bottom of the pie dough, followed by the dried fruit, and the pecans. Carefully pour the egg mixture over the pecans. Bake for 10 minutes at 200°C / 400°F, then reduce the heat to 190°C / 375°F and bake for another 10 minutes. If it seems to be getting brown too quickly, cover the pie with parchment. Reduce the heat once again to 180°C / 350°F and bake for another 14–16 minutes until golden. Leave to cool on a rack for several hours before serving.

Meet In Your Kitchen | Krautkopf's Roasted Kale, Apples and Potatoes

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"It's really the story of simplicity. You can create great taste with just a few really good ingredients. You won’t need much." - Susann Probst

When I hopped onto the empty platform after a 2.5 hour train ride I found myself in front of an old red brick building with broken windows and a faded sign painted over the door. I smiled as I thought of the last sentence I had written to Susann Probst and Yannic Schon of Krautkopf"If you won't manage to pick me up in time, don't worry, I'll walk around in the village." There was no village.

The first Meet in My Kitchen Podcast On Tour took me right into the picturesque countryside of Mecklenburg Vorpommern (Mecklenburg-Western Pomerania) in the north-east of Germany. Golden hills draw their rolling lines into the landscape right where the cloudy sky begins, old trees frame the endless alleys, and villages are rare. This is the place that a young couple chose as their new home, after 10 years in Berlin building up one of Germany's most successful food blogs, publishing a cookbook, and releasing a recipe app.

An old post-war Siedlerhaus (settlers house) rustically built in 1948 out of leftover bricks and beams, compiling of a barn, a couple rooms, and a vast amount of land made Susann and Yannic fall in love with a region that couldn't be more of a contrast to buzzing life in Berlin. However, exactly that - and the creative potential of the two old buildings and the huge garden - were the reason why they both felt ready for a new chapter in their life.

"You see what is in season just because that’s how you planted it. There was all this creativity happening, you went outside and looked into your harvesting basket or in general, you looked at the plants and what was going on there." - Yannic Schon

The Krautkopf cosmos is the inspiring symbiosis of two minds, well attuned, who express themselves through photography, food, design, and now also gardening. Susann and Yannic found a new playing field for their creative energies initiated through the big move in 2020.

The house's interior brings together warm hues, all shades of earthy colors, it plays harmonically with darkness and light, and it treasures all the old features. The dining room feels like a cozy cave, the kitchen, which used to be the barn, still has the old uneven brick flooring, the little lattice windows letting in beams of light. It wouldn't really surprise you if you saw a sheep munching on hay next to you. It's all very rustic but then at the same time it doesn't have the dusty layer of the past covering up the fact that it's 2021. It's minimalist and modern without neglecting the past, here, the presence lovingly embraces the past.

Susann and Yannic always keep all creative decisions in their own hands, be it a blog, a book, a sofa, or the new field of gardening. They read and learned everything they could possibly find about seeds and seedlings, flowers and orchard meadows, bees and bushes. The couple created a garden that combines all the romantic ideas of living in the countryside with the modern desire of a sustainable life with nature and not against it. The huge vegetable garden offers every ingredient a cook could ask for. Tomatoes, zucchini, squash, peppers, peas, beans, and potatoes - all popping when their season has come. There's really everything right at hand in front of the kitchen door that a cook could ask for - and it all looks so perfect and pretty.

When Susann and Yannic worked on their new book, Erde, Salz und Glut (soil, salt and heat; only in German) they just had to walk into their garden to create all the colorful recipes circling around vegetables that fill their book's pages. The concept for the book came up during a trip to Scotland. Living in a tent and reducing ingredients, tools, and techniques to a minimum for their travel cooking, the ingredients basically only needed salt and heat. When they moved to their new house shortly after the trip and when gardening and harvesting became such a big part of their everyday life, they added 'soil' to the book's title.

The recipe they shared with me is from their new book. It's a celebration of their garden and of their favorite season, of autumn, its flavors and its colors: Roasted Kale, Potatoes and Apple.

The podcast episode with Susann and Yannic is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Susann and Yannic on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Roasted Kale, Potatoes and Apple

by Susann Probst and Yannic Schon (from Erde, Salz & Glut)

Serves 2

• 700g / 1 1/2 pounds small waxy potatoes (with skin)

• 2 tablespoons vegetable oil

• 1 medium red onion, peeled

• 2 medium baking apples

• 100g / 3 1/2 ounces kale

• 1 handful walnut kernels

• Salt

• 2 tablespoons walnut oil

• 1 tablespoon mustard

• 70ml / 1/4 cup plus 1 teaspoon apple juice

• 4 medium sprigs tarragon

Preheat the oven to 180°C / 355°F.

Cut the potatoes into 4 wedges each. Drizzle 1 tablespoon of the vegetable oil on a baking sheet, add the potatoes, toss them in the oil and spread them out. Roast the potatoes, on the middle rack, for 10 minutes.

While the potatoes are roasting, cut the onion into slim wedges, cut each apple into 8 wedges then cut out and remove the core. Trim the kale leaves and tear large leaves into smaller pieces. Chop the walnuts roughly.

Add the onion, apples, and kale to the potatoes, add 1 tablespoon of vegetable oil, mix with your hands, and season to taste with salt then bake for another 15 minutes or until the potatoes are golden and just cooked through. Add the walnuts and roast for 1 more minute.

In a small bowl, whisk together the walnut oil, mustard, and apple juice and season to taste with salt. Remove the tarragon leaves from the sprigs then drizzle the dressing over the roasted vegetables and sprinkle with the tarragon. Serve immediately.

Meet In Your Kitchen | Kiduk Reus' Bonanza - The Perfect Coffee

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"There was no movement there. We were the movement." - Kiduk Reus

When a friend took me to Bonanza Coffee on Berlin's buzzing Oderberger Strasse back in 2006, I felt disturbed and suspicious about the whole thing. This had nothing to do with my beloved old-fashioned Italian-style espresso places where I'd usually have a cup of the dark, thick, bitter drink, a bite of flaky sfogliatella, while Italian opera was soothing my mind, playing in the background. It took me years to understand this new kind of coffee, to taste, to smell, and appreciate the whole complex flavor and aroma profile; to accept that an old tradition was taken in the hands of a bunch of young people to experiment and to create something different with the good old coffee bean that's been a part of our culinary heritage since at least the 15th century.

Young Kiduk Reus, one of the founders of Bonanza, was one of those kids - curious, brave, and fearless, and ready for a new chapter in his life. After studying design at the Willem de Kooning Academy in Rotterdam and at the Rietveld Academy of Arts in Amsterdam, after successfully working in the advertising industry, he felt that Berlin was calling his name in 2004. He packed his bags, the vague idea of starting a speciality coffee shop at the back of his mind. That was the beginning of a time that would later become known as the worldwide Third Wave Coffee Movement.

"I did it all myself. I fixed it. It wasn’t like the machines were actually working. I had figured out how to get them running and put modern equipment into it so it ran even better. And honestly, that even also took off. That actually saved our business in the end because what happened one day, it became a trend this thing with the cast-iron machines. And then I had a whole side business on that in the evening, which financed the whole Bonanza thing. I must have helped over 250 roasteries worldwide getting their equipment. It was huge." - Kiduk Reus

Born in Seoul, South Korea, adopted at the age of 4 by an American mother and a Dutch father, Kiduk grew up in the Netherlands in a town famous for cheese, in Gouda. Food played an important role. He remembers being a picky child knowing exactly what he wanted to eat and what he didn't. His palate was already refined, a skill that would come in handy later in his life. In the following years, Kiduk learned what would become a mantra in his life: I need this, it needs to be better, I improve it. And then, miraculously (or not), other people pick up on it.

Understanding that he has to be the motor to bring movement to his ideas, he always had the soul of an entrepreneur. Not waiting for others to come up with something great or to improve something existing, he jumped in first to create what he needed to move on and fulfill his mission. So when he started the first Bonanza coffee shop together with his partner he knew he wanted to roast his own beans as soon as possible to simply reach and keep the quality that he had in mind.

Coincidentally, Kiduk noticed that some old cast-iron equipment - stored in an old airplane hangar by a friend of his and that he had access to - was the best possible equipment for roasting coffee beans. So he jumped on the occasion and spontaneously started a business that would in the end finance Bonanza for a long time. He bought the old parts and machines, added new parts to make them work even better, and became the Berlin man to supply roasting machines to all the big names in the speciality coffee roasting business worldwide. Blue Bottle, Seven Seeds, and about another 250 coffee roasters went to Kiduk Reus' workshop and got their vintage equipment, customized by Kiduk himself and his growing team of mechanics.

Kiduk says he listens to his mind more than to his feeling. His intuition is definitely absolutely reliable. Many of his decisions seem random at first but then turn into something great. The street where his first shop is on, on Oderberger Strasse, was called Street of Death by house owners and estate agents as none of the businesses lasted long. This street changed a couple years after Kiduk arrived. Leading to Mauerpark - a park that would become famous and turn into a weekly festival scene attracting 30,000 people on a Sunday, all passing by Kiduk's coffee shop - this street would become one of the most buzzing spots in the city. In hindsight, he couldn't have chosen a better location.

"I get also pushback from my staff because they are again more like It should be like wine, it should be the terroir, it should be the way we’re roasting it, you should be tasting the processing and the varietal! And I’m like But this is so boring, we’ve been doing that all the time, can we not do this!But no, that is not a serious drink! and then I look at the cashier and I’m like Aha, you didn’t sell any of it! No, we recommend them away from that drink, and I’m like Ok." - Kiduk Reus

When you pay so much attention to each single bean, when you know the farmers, when you set the quality bar so high, you want your customers to taste the whole range of flavors packed into that little bean by nature. Bad beans strongly roasted taste bitter, which covers up bad taste, but you don't want that to happen with good beans.

And now coffee geeks like Scott Tedder from Leeds (pictured below during a coffee tasting to prep for a coffee competition), Bonanza's head roaster and green bean buyer for years, come in to define the perfect roasting process that each bean will go through so that I can actually enjoy the complete complex flavor profile. This means that I have to - or rather want to - question my rigid ideas of how an espresso should taste. I want to give people like Scott a chance to show me something I haven't experienced before and to allow my taste to develop. And I must admit, it did change. The coffee beans that I buy now aren't as dark, aren't roasted as strong anymore. I'm slowly discovering the profiles of good coffee beans.

Kiduk and I might always be a little more experimental and willing to compromise than Scott when it comes to creating new drinks including espresso or hand-brewed coffee, but that's fine. A baker will always tell you to eat the warm bread just with butter, a farmer will recommend to enjoy the soil-studded carrot on its own, the wine maker wants you to stand in between the vines to feel the terroir when you take the first sip. It's an appreciation for nature and its miraculous creations, for the pure flavor. Maybe there's also a little pride involved - which isn't a bad thing - that they all manage to make nature's produce shine without distracting from the inner qualities.

Kiduk showed me how to hand-brew the perfect coffee with affordable equipment (you can find the recipe below). You can work with the most basic equipment you have in your kitchen but it's definitely worth investing a) in a digital gram scale and b) in good coffee beans from a coffee roaster who understands what you're looking for in taste and who will also grind the beans for you. However, go for small quantities as ground beans will lose their aroma quicker. You will slowly discover flavors in a hand-brewed coffee that you never tasted before and that's quite an experience. It turns making and drinking coffee into a ritual, like making a cup of special tea.

The podcast episode with Kiduk Reus of Bonanza Coffee is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Kiduk on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

The Perfect Hand-Brewed Coffee

by Kiduk Reus / Bonanza

Makes 2 small cups, or 1 large cup

Equipment

• 1 coffee paper filter (such as Melita, Hario or Kalita)

• Coffee dripper / filter (such as Melita, Hario or Kalita)

• Glass hand drip coffee pot (or any other heat resistant glass pot)

• Digital gram scale (Kiduk uses an Acaia scale)

• Kettle with spout (or pour the boiling water into a tea pot with a spout)

Ingredients

• 220g water (at 95°C / 203°F)

• 16g coffee, medium grind (most speciality coffee shops will grind your coffee beans if you don't have a coffee grinder at home; the baristi at Bonanza will happily grind the beans for you if you happen to be in Berlin)

Type of coffee* used by Kiduk (which is also Scott Tedder's competition coffee)

• Country: Costa Rica 

• Producer: William Mora

• Varietal: Geisha

• Processing method: natural / anaerobic (anaerobic coffee is fermented / processed in an environment that lacks oxygen)

* Ask your local speciality coffee shop for recommendations for coffee beans suitable for hand-brewing.

Place the paper filter in the coffee dripper, put the dripper on top of the heat resistant glass pot then place the pot on top of the scale.

Fill roughly 240ml / 1 cup of water into your kettle and bring to a boil. Let the water cool in the kettle for a minute until the temperature drops down to roughly 95°C / 203°F.

Add the ground coffee to the paper filter. Tare the scale so that it's on zero then wet the coffee with a little of the hot water. Wait a few seconds then pour 110g of water on top of the coffee in the paper filter, pouring circular, and wait a minute. Pour the other 110g of water on top, this time straight in the middle. Don't pour the water in at once, let it drip through the coffee gradually and evenly and make sure that the ground coffee doesn't swim in water. The brewing time (or water to coffee contact time) should be around 2:20 minutes.

Pour the coffee into 2 cups and enjoy immediately.

Meet In Your Kitchen | Daniel Schreiber's Sourdough Waffles with Plum-Apple Jam

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Through food we connect with the world’s gift and also with the gift of the knowledge of other generations." - Daniel Schreiber

Daniel Schreiber writes books that touch a sensitive spot. He writes about his own experiences yet these are experiences that we all share in one way or the other. In his last three books - 'Nüchtern' (Sober), 'Zuhause' (Home), and 'Allein' (Alone) - he touches the fears we know but learned to sail around, he writes about his own life but reminds us of our own.

Every word he chooses says the truth, very direct, very blunt, you can feel that, and by this, in a way that is hard to describe, he creates a fragile beauty. It's the beauty of togetherness, that we are all in this together, that we're not alone, we're not the only one struggling, and that we can share our struggles and be open about them. It sounds almost too sweet but despite the pain that is present in his books, there is so much warmth. Like in real life.

It's like your favorite tea cup, it's cracked, it's chipped, you glued it back together, but when you feel its uneven surface drinking your tea in the morning, you don't think of the pain you felt when it broke. Each crack makes it even more familiar, makes it even more a part of yourself, your story, and who you are. You learn to love these cracks. Daniel manages to transport this feeling in his books. Each crack we have makes us the person who we are. It's a long and beautiful story of life, love, and learning, and yes, sometimes it also hurts.

"When I came to New York it was quite a depressive period for me but something happened at that time in connection with food that helped me a lot. I started cooking through the Larousse Gastronomique and practically cooked every evening. I went shopping to the market or supermarket every day to try out new recipes. That gave me a lot of strength." - Daniel Schreiber

And what does food have to do with it? Daniel's eyes start sparkling when he's talking about his mother's garden in a tiny village in Mecklenburg-Vorpommern (Mecklenburg-Western Pomerania) where he grew up. When he talks about picking fruit and vegetables and filling a bucket up to the rim with the harvest to take home to his kitchen in Berlin every time he visits his parents. His mother's cooking and recipes - some of which she keeps secret until today - laid the foundation for Daniel's love for cooking. A love that taught him that there's light even in the darkest of times - and he can choose to switch it on.

Food and literature were held up high in his family's house and became his companions on his own journey. Studying literature in Berlin and New York City put the young man in touch with buzzing metropolitan life and helped him shape his identity as a young man. His original academic dreams faded and instead he worked for newspapers and magazines. He wrote a celebrated Susan Sontag biography followed by three books, weaving his own experiences into a scientific, psychological, and philosophical context.

"Most of us have problems to say what we really want to say. Society and our families don’t educate us to really find an authentic relationship with ourselves. We have to fulfill certain roles, certain expectations, that we ourselves and society force upon us, economical and social expectations. And these internalized expectations and roles are in our way most of the time." - Daniel Schreiber

No matter how rocky his life got at times, no matter how far he drifted away, Daniel always searched for and found the way to the kitchen and with this, a way back to himself. Working as a private chef, cooking and catering for families and events in Manhattan and the Hamptons, strengthened his confidence as a cook and sparked his curiosity. Cooking through a vast collection of books, experimenting with recipes, turned Daniel into a person who knows the tastiest recipes for almost every dish you can think of.

His sourdough bread and waffles reach perfection in taste and texture, the homemade jam collection on his kitchen shelves can easily compete with a professional jam manufactory. Whatever he sets his mind on becomes his passion. His terrace looks like a dense green jungle speckled with colorful blossoms in all shapes and sizes - and he can tell you the name of every single plant there is in his green kingdom. He turns piles of wool into the favorite scarves, quilts, and sweaters of family and friends. And he puts words and letters together in ways that I want to read his books even when they force me to face my own fears.

Daniel shared two recipes with me that are perfect for an autumn brunch or cozy teatime: Sourdough waffles, crisp on the outside and spongy inside, crowned by dollops of crème fraîche and crimson colored jam made of dark plums and firm apples infused with star-anise and vanilla.

The podcast episode with Daniel Schreiber is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Daniel on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Sourdough Waffles with Plum-Apple Jamand Crème Fraîche

by Daniel Schreiber *

* The waffle recipe is adapted from a New York Times recipe and the jam recipe is adapted from a recipe by Christine Ferber.

For the plum-apple jam

Mind that the jam needs to sit overnight before you finish cooking it the next day.

Makes 6-7 small jars

• 680g / 1 1/2 pounds dark plums (Zwetschgen, Italian Prune Plums), cut in half and pitted (weight without pits: 500g / 18 ounces)

• 750g / 1 2/3 pounds firm, sour apples (Granny Smith, Golden Delicious, Idared), peeled, quartered, cored, cut crosswise into very thin slices (final weight: 500g / 18 ounces)

• 800g / 1 3/4 pounds granulated sugar

• 2 star-anise

• 1 vanilla pod, split in half

• 2 medium lemons, juice only

• 7 small jars with their lids, sterilized

The day before you want to cook the jam, combine all the ingredients in a tall, large pot and let it sit for 1 hour. Over high heat, stirring gently, bring the jam to a boil. When the jam starts bubbling and rising, immediately remove the pot from the heat, cover with a lid, and let it sit overnight.

The next day, place a saucer in the freezer. Remove the lid from the pot and bring the jam to a boil over high heat, stirring gently. Cook the jam for 10-15 minutes or until it thickens and reaches its setting point. To see if the jam reached its setting point either use a sugar thermometer, the temperature should be 105°C / 220°F, or place a small spoonful of jam on the chilled saucer that you kept in the freezer, wait 20-30 seconds then push the jam with your finger. The jam should wrinkle up. Remove and discard the vanilla pod and star-anise. Using a ladle, fill the jam into the sterilized jars, close them tightly with their lids, and store in a dark place.

For the sourdough waffles

For this waffle recipes, you make use of the sourdough starter that you usually discard every day when you refresh your sourdough starter. Just make sure that you take 240g / 1 cup sourdough starter aside before (!) you refresh your starter. Mind that you need to prepare the batter the night before you want to bake your waffles and finish it the next day.

Serves 2-4

• 240g / 1 cup sourdough starter that hasn't been refreshed (fed)

• 220g / 1 cup buttermilk

• 120g / 1 cup all-purpose flour (German flour type 550)

• 1 tablespoon light brown sugar or granulated sugar

• 1 vanilla pod, split and scraped, or 1/2 teaspoon vanilla extract

• 1 large egg

• 60ml / 1/4 cup olive oil

• 1/2 teaspoon fine salt

• 1 teaspoon baking soda

The night before you want to bake the waffles, whisk together the sourdough starter, buttermilk, flour, sugar, and vanilla seeds in a large bowl until smooth. Cover with plastic wrap and let it sit at room temperature overnight.

The next day, when you're ready to bake the waffles, preheat a waffle iron (ideally a square Belgian waffle iron). Add the egg, olive oil, salt, and baking soda to the sourdough mixture and whisk to combine.

Pour a ladle of the batter into the hot waffle iron and bake until golden brown and crisp. Transfer the waffle to a cooling rack and let cool for a few minutes. Continue baking more waffles with the remaining batter.

For serving

• Crème fraîche

Place a dollop of crème fraîche and a dollop of jam on a warm waffle and serve immediately.

Meet In Your Kitchen | Cookies & Co's Ricotta Lemon Cake with Yuzu Cream

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

“Food is existence. It’s therapy. In our case, food is a way of expression. It’s a reflection of our personalities and our believes. Food in general is pure pleasure.” – Mira and Ori

She loves baking, he loves coffee. She grew up in the Soviet Union before it became Russia, he grew up under the hot sun of Israel. She calls herself a lazy perfectionist - she's anything but lazy - and dances around with her two little kids while preparing filigree cakes for the bakery, tired but happy. He tells you about the most painful moment in his life and how it became one of the most beautiful moments of his life. Mira Koretsky and Ori Kidron of Cookies & Co are two opposite poles, two planets orbiting and dancing around each other. There's so much energy, so much trust. They are one of the most positive couples I've ever met and together they are riding life's turbulent waves as they come.

Cookies & Co is one of Berlin's highly praised cafés / bakeries. The two owners never compromise to please everybody. Instead, they attentively take care that their place keeps its unique soul. A lot comes from Mira's style of baking, which - despite its perfect look and taste - never loses its charm. She's a professional baker with the soul of a flexibel home baker. Unpredictable influences cause that not every pastry looks the same. Taste and texture vary slightly according to the seasons or changing weather conditions, which means that every cookie, every cake, and croissant is unique. This is not a baking factory, it's the opposite. All pastries are made by Mira and her assisting pastry chef, Lior - who is at least as passionate about baking as he is about Beyoncé. The two bakers share the same quality standards and values and also curiosity to dive into unexplored baking adventures.

"Once you move your body, you’re moving forward. That’s the circle of life. As long as there is movement something is happening." - Mira

Maybe it's because Mira grew up in a political system that didn't allow culinary abundance but had a strong baking tradition, her recipes simply work and impress even if she left out the firework. However, let her start her firework and you will see the most colorful sweet feast. Fascinated by Japan's modern baking culture, she tops her perfectly moist Ricotta Lemon Pound Cake with a flowery-sour Yuzu Cream (recipe below). Her Black Forest Cake is refined with miso and the bakery's popular Compost Cookies stay true to their name: take a thick and chewy cookie and add chunky pretzels, chocolate, and potato chips to it. It sounds funky but it's so good!

One of the masterpieces from the Cookies & Co bakery, it's like the movie star that everybody wants to take a picture of, is their glorious, beautifully laminated Croissant with Yuzu Filling and flamboyant purple Italian Meringue. It's a diva, you're almost too shy to cut it. It's dramatic, it's loud but it keeps its promise: it looks like something that will excite you and it definitely does. And then the husband comes in, serving you a cappuccino or espresso that is just right. Ori is the barista in the family, obsessed with good coffee, and also taking care of the guests while his wife is getting creative in the kitchen. Sometimes Ori has to slow Mira down otherwise the guests would never see their beloved Cookies & Co classics on the menu again. If she could, Mira would change the menu every day. Luckily, he stops her so that we can enjoy her creations more than once.

"And you’re thinking to yourself, how do I deal with this now, how do I go on, how do I make the most out of this, how do I optimize myself 'cause this requires so much more out of me, out of us as people, as parents, actually being there for someone who needs you so desperately. And you don’t even know in what sense, what is going to be required of you. Then all of a sudden came a song by Sade. It’s called Long Hard Road and the chorus says There’s a long hard road ahead but a voice inside me said it's gonna be alright. It was just exactly what I needed at that point. And I just started crying right there in the street and as emotional as all of this was, I remember telling myself this is one of the most beautiful moments I have ever had in my life." - Ori

There are many bakeries offering perfect pastries all over the world but the ones we stick to, we keep going back to, are the ones that touch us, the ones that have a soul. Mira and Ori do almost everything on their own, keeping the quality level they once defined for themselves without compromises. Even if their energy is running low, they keep the motor running constantly. They are young parents, their youngest daughter was born with trisomy 21. The situation challenged them but they decided to face it with the same stubborn energy and positivity that they, individually and as a couple, activate every day to deal with all facets of life. They are honest, they know the gifts they got. They don't look for the easiest way but they always find a beautiful way to enjoy life as it is: an endless circle of ups and downs. And in Mira's and Ori's case it's a dance.

Mira shared the recipe for her Ricotta Lemon Pound Cake with Yuzu Cream with me. You can either bake the cake in a loaf tin and serve it with dollops of the fruity cream or go for the pâtissier-style serving and bake the cake in a deep baking dish, cut out circles, and pipe the cream delicately on top. Just like they do at the Cookies & Co bakery.

The podcast episode with Mira and Ori is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Mira and Ori on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Ricotta Lemon Pound Cake with Yuzu Cream

by Mira Koretsky / Cookies & Co

It's best to prepare the yuzu cream the night before you serve the cake.

For the yuzu cream

• 2g / 2/3 teaspoon powdered gelatin

• 1 tablespoon cold water

• 80g / 3 ounces white chocolate

• 120ml / 1/2 cup heavy cream (divided into 2 x 60ml / 1/4 cup)

• 70ml / 1/4 cup plus 1 teaspoon yuzu juice

For the pound cake

You can either bake the cake in a 26 x 12cm / 10 x 5" loaf tin or for the pâtissier-style serving, cutting the cake into circles or squares, use a baking dish of roughly double the size.

• 170g / 3/4 cup unsalted butter, at room temperature

• 350g / 1 3/4 cups granulated sugar (or 300g / 1 1/2 cups sugar if you prefer it less sweet)

• 3 large eggs, at room temperature

• 360g / 13 ounces ricotta, at room temperature

• 1 tablespoon freshly squeezed lemon juice

• 200g / 1 2/3 cups all-purpose flour

• 2 teaspoons baking powder

• 1 teaspoon salt

For the yuzu cream, stir the gelatin into the water in a small bowl and let sit for 5 minutes. In a small saucepan, melt the white chocolate in 60ml / 1/4 cup of heavy cream over medium heat, whisking constantly; remove the pan from the heat. Add the cream mixture to a blender (or leave it in the saucepan and use a whisk), add the remaining 60ml / 1/4 cup of heavy cream, the yuzu juice, and the gelatin-water mixture and blend, or whisk, until smooth; cover and let sit overnight.

The next day, preheat the oven to 160°C / 325°F. Butter and line a 26 x 12cm / 10 x 5" loaf tin with parchment paper, or a baking dish of roughly double the size.

In the bowl of a stand mixer, fitted with the paddle attachment, beat the butter and sugar until light and fluffy. Add the eggs, one at a time, incorporating each egg before adding the next one, and continue beating for a few minutes until creamy and light yellow. Mix in the ricotta and lemon juice then add the flour, baking powder, and salt and mix until smooth and shiny. Transfer the dough to the prepared loaf tin or baking dish and bake for around 40-50 minutes, checking after 30 minutes, or until the cake is golden; if you insert a skewer in the middle of the cake it should come out clean. Let the cake cool completely.

For serving, whisk the yuzu cream to fluff it up. You can either cut the cake into slices and serve the yuzu cream separately or cut the cake baked in a baking dish into circles (using a round cookie cutter) or squares and, using a piping bag, pipe the yuzu cream on top.

Enjoy!

Meet In Your Kitchen | Marta Greber's Chocolate Chickpea Cookies for Breakfast

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"Food is comfort. Food makes me happy." - Marta Greber

Marta is an adventurer - driven by curiosity and trust. She explored New Zealand in a camper van with her 2-year old daughter and even when the van broke in the middle of nowhere she felt they were safe. She travelled around South America on her own, taking precautions and cutting her hair short as matches and adorning her face with not the cutest glasses to cause anything but attraction. Marta avoids risks but she doesn't miss a chance when she sees it. Australia, South East Asia, Europe, there isn't really a dirt road she hasn't been on yet.

When it comes to very spontaneous, very intuitive decisions that always lead to a good ending, no one beats the Grebers: be it on her own or together with her husband, Tomasz, and their daughter, Mia, living in their camper van called Thelma - Marta says she's Louise but hopes for a better ending than in the movie; be it backpacking, or moving to a new country for good.

I first heard of Marta when I started my own blog and found endless inspiration in hers, on What Should I Eat for Breakfast Today?. Her photography drew me into her digital wonderland of breakfasts and traveling. Her pictures are full of joy, depth, and color. Marta has a great talent, she can tell a story in a single picture. Once, many years ago, she shared a picture of a dish that was shoot on an old Yves Klein-blue door. The contrast of the blue surface and the spring green food made the dish almost pop out of the screen. Marta is the reason why both of my books have blue covers. 

Always drawn to breakfasts - years ago she told me it's the only time of the day that you can really plan - it was in Australia when she felt overwhelmed by the variety and excitement that this meal of the day can bring to your life and table. Banana bread and pancakes, Dutch baby and chunky cookies, Finish pannukakku, shakshuka, Portuguese pastel de nata - her insatiable Wanderlust and appetite became the endless source of inspiration for her food blog, one of the most popular blogs in the last 10 years.

"It’s about living in a van. Imagine when it’s raining, you sit in your apartment, you have this awesome window, you look through the window, you look at people running on the street and hurry somewhere and I am always in a different place. So when it’s raining I’m looking, for instance, at the sea, and at the storm over the sea. There’s the wind, the beach is empty, a bird is fighting with the wind. For me it’s amazing and whenever things like this happen, it’s like each second day, I tell Tomasz: This is the reason why we’re here!" - Marta Greber

Her life wasn't meant to be so adventures from the beginning. Marta grew up in Poland, still experiencing the communist system in her childhood years. She studied law, married early, and for a long time she didn't even question that she would live a settled life in Poland. However, her first long trips to the US, staying in Las Vegas as part of a work and travel program for Polish students - there couldn't have been a bigger contrast between her country's communist past and this flashing capital of capitalism - living in and exploring Australia together with her husband followed by various adventures in South East Asia, they all changed her. 

So as she went back to Poland, reflecting about where she sees herself at that point in her life, after all those impressions and experiences, she decided to take the time to figure exactly that out. She didn't want to be a lawyer but she had no idea what the next steps should be, she couldn't see her future yet as a successful blogger, photographer, and journalist but she grabbed the chance to find that out.

When you hear her talk about her beloved mornings when the family is on the road, stepping out of her camper van welcomed by silence and the sun rising over a lonely beach, or misty hilltops, her cup of coffee in one hand, she's the happiest person in the world. And I totally understand why. To see someone being so brave to actually make all those radical changes in her life and to do what many just talk about, to see the peace she found, this is very touching. There's so much I learn from this woman and I'm sure this will never change.

Recently Marta had to change her diet and she reduced her consumption of flour but she didn't want to spoil the fun so she got experimental. For the Meet in My Kitchen podcast, she shared a flourless cookie recipe with me, made of chickpeas, peanut butter, bittersweet chocolate, and a squeeze of lemon. The cookies taste so good and have such a moist texture that we emptied the tray before the cookies had a chance to cool. The recipe is adapted from one of Marta's blogger friends, Texanerin. 

Giving up their apartment in Berlin - actually while we recorded the podcast - and now moving to Lisbon, the Grebers are ready for a new chapter in their life. This is the reason why we shot the recipe in my kitchen and not in Marta's. Thank you, Mia, for being an awesome kitchen assistant, reliable cookie tester, and for patiently waiting behind the closed kitchen door until Marta and I finished the podcast recording before we could start baking together.

The podcast episode with Marta Greber is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Marta on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Chocolate Chickpea Cookies

by Marta Greber

Makes about 22 small cookies

• 240g / 1 1/3 cup drained and rinsed canned chickpeas

• 175g / 2/3 cup smooth peanut butter, at room temperature

• 60ml / 1/4 cup agave syrup, or maple syrup

• 1 teaspoon baking powder

• A pinch of salt

• A squeeze of lemon

• 100g / 3,5 ounces bittersweet chocolate, roughly chopped

Preheat the oven to 175°C / 350°F (preferably convection setting) and line a baking sheet with parchment paper.

Combine the chickpeas, peanut butter, agave syrup, baking powder, salt, and lemon juice and, using a food processor or blender stick, briefly puree but keep the mixture a little chunky. Using a large spoon, fold in the chocolate.

Shovel a spoonful of dough into your hand, form into a ball, and transfer to the prepared baking sheet. Slightly flatten the dough with a teaspoon. Repeat to make around 21 more cookies, leaving a little space between them.

Bake for around 10 minutes or until golden; they will still be very soft and moist in the center. Let them cool for at least 10 minutes before you transfer them to a cooling rack; they will stay quite soft. Enjoy!

meet in your kitchen | Phia & Josh bake Mum's French Cake

This is the start of a new series of features on the blog - meet in your kitchen! I will be meeting artists, chefs - people with a great passion for what they do, in their kitchen, to cook or to bake while we talk about their culinary life, current projects and inspiration.

I'm very excited to start with two artists who I first saw live a couple years ago, Phia and Josh! Phia performed on a houseboat on a big lake outside Berlin and mesmerized me with her singing, her Kalimba and the loops she created during her show.

The two artists grew up in Melbourne and decided to move to Berlin three years ago to grow as artists and touch new musical ground. They soon found that their ideas worked well together and the time was ripe for a colaboration. Phia, the singer who plays the kalimba and Josh, the guitarist and producer understand and enhance each other and in a few months they will share their musical vision on the first Phia album!

Although the two are very busy in the studio at the moment they took some time out and invited me to their Berlin kitchen. They arrived in the city with little more than a suitcase and had to piece together everything from scratch. The furniture and every single pot, plate and mug has its own story, mostly coming from friends who moved back home or flea markets, a unique space full of soul and personal memories.

Phia's family is very passionate about cooking, both her parents love to be creative in the kitchen. She chose to share a very special recipe with me that she used to bake with her mother when she was a child, a recipe rich in young kitchen memories! It's Mum's French Cake, a spongy and fruity cake which is as delicious as it is quick and easy to bake, a perfect candidate for those spontaneous late night (or early morning) baking sessions! Phia covered the cake with apples, but plums are another of her favourites for this recipe.

Mum's French Cake

"I chose a really simple cake recipe that my mum taught me. I’m not the most confident baker but this one is so simple. Depending on how large you want the cake, you take 1-3 eggs and weigh them, then put in the same weight of flour, melted butter and sugar. Then choose whatever fruit you want to put on top. My mum actually brought the recipe home from a French class she was in when I was younger.  So the first time we made it we did it in French: “… deus oeufs ...” etc!"

For an 18cm / 7" springform pan you need

• apple, quartered and thinly sliced, 1

• organic eggs 2

weigh the eggs with their shells and measure the same weight of the following 3 ingredients:

• plain flour

• butter, melted

• granulated sugar

  plus

• baking powder 1 tablespoon

• a pinch of salt

Set the oven to 180°C / 355°F and butter the springform pan.

Combine the dry ingredients. Mix the eggs and butter for a few minutes till fluffy and add the dry mixture, mix until well combined. Pour the dough into the springform pan, arrange the apples in circles and bake for 25 minutes or until golden. Check with a skewer, it should come out clean. Serve warm!

You both grew up in Australia, what are your food memories? 

Josh: Australia is a fairly wealthy country with really good weather and at various times a great influx of immigrants from around the world (although not currently because of our extreme rightwing government). This has meant that food is in wide variety and really great quality. You could find Indian, Afghan, Vietnamese, Italian, Greek, Chinese, Turkish, Thai, African, Lebanese, Japanese and a lot more (as well as modern fusion) to a beautiful standard all within close proximity. Restaurants just don’t survive if they’re not doing it the way it’s done in the home country. I guess we’re spoilt in a culinary way. This standard or commitment to food is still lagging very much in Germany which I find surprising because there are a lot of people from around the world living there. I’m not saying it doesn’t exist but I still have not found a decent curry.

What effect did the move to Berlin have on your cooking?

Phia: I’ve become a lot more confident since moving here! Last year I became really bored with the recipes that I knew, so I bought a couple of cookbooks and made some new meals. My favourite was Yotam Ottolenghi’s “Plenty”, a vegetarian cookbook. He has this delicious soup made with chickpeas based on a Tuscan ribollita which I make a lot now.

What was the first dish you cooked on your own, what is your first cooking memory?

Josh: I started lifting weights after high school, trying to get buff. At the time I was known as “Mr. Vegetarian” because I was pretty big but still vegetarian. My memory of cooking by myself (that wasn’t frozen dim sims or pizza) was a taco filling that was packed with kidney beans and chickpeas for protein.

What are your favourite places to buy and enjoy food in Berlin? 

Phia:We are really spoiled for choice in our part of Neukölln. All of these are within walking distance of us:Favourite coffee: Five Elephant, a super nice place in ReichenbergerstrasseDelicious and cheap tapas: Gaston on WeserstrasseBest gelati: Fräulein Frost on PanierstrasseFresh fruit and veggies: the turkish market on Maybachufer

Josh: Everything Sophia has said plus ‘Il Casolare’ - excellent pizza and atmosphere by the canal.

You live and work in Berlin at the moment, what are your upcoming projects?

Josh: The Phia album is still in full swing, still producing… we’ve mixed some of the tracks and still going over the editing and post-production stuff for quite a few of them. Final mixing should happen at the end of August. 

I’ve been producing some music for a few other artists too.

I’m also working on my own project ‘Josh The Cat’. I sing songs, tell stories, dance a little bit with my guitar. Influenced by Bowie, TuneYards and Radiohead but people say it’s sounds a bit like The Whitest Boy Alive with a loop pedal and I look like the guitarist from Incubus. I recently heard The Whitest Boy Alive have disbanded so maybe there is an opening for me.

What or who inspired you to become musicians?

Phia:I grew up in a household filled with music. My mum and my sister and I used to sing three part harmonies, I learnt piano, sung in lots of choirs and did musicals. It never occurred to me that I could be a professional musician though. At school I thought I would be a teacher, or a writer. After high school I made a spontaneous decision to enter a music university rather than the law degree I had been accepted into. I thought I’d complete a year and then go back to academia, but I stayed!

Why did you choose Berlin as the place to live and work?

Josh: I wanted to shake up my life a little. I’d played in a few different bands in Melbourne ranging from Synthpop, FreeJazz to Instrumental soundscape. It was either NYC, Tokyo or Berlin and Berlin won. It’s a great base for branching out, there’s a lot of creatives to bounce off and I find the East meets West, the old crashing into the new, inspiring.

You just finished recording your album, what were your biggest influences during the writing and recording process? 

Phia: The songs on the record definitely reflect the period of change of moving from Melbourne to Berlin. Some were written just before the move, and some after, and I think you can hear a continuous thread throughout the album of conflicted feelings change brings. The joy of expanding our experiences to the pull of homesickness. 

Our lifestyle has been so different since moving to Berlin. The people we’ve met, the places we’ve toured, even just day-to-day living in Neukölln and having the luxury of working on music. You can definitely hear that on the album.

What did you choose to share on eat in my kitchen and why?

Phia:I chose a really simple cake recipe that my mum taught me. I’m not the most confident baker but this one is so simple. Depending on how large you want the cake, you take 1-3 eggs and weigh them, then put in the same weight of flour, melted butter and sugar. Then choose whatever fruit you want to put on top. My mum actually brought the recipe home from a French class she was in when I was younger.  So the first time we made it we did it in French: “… deus oeufs ...” etc!

If you could choose one person to cook a meal for you, who and what would it be?

Phia: Merril Garbus from Tune-yards. I bet she’d have some killer recipes.

Josh: The RZA from Wu-Tang Clan comes to mind. It would be good to have a chat with him too.

You're going to have ten friends over for a spontaneous dinner, what will be on the table?

Phia:Definitely a big salad, maybe with orange and chickpeas, lots of wine, maybe some roast veggies or a baked dish.

Josh: Depends what is in the house. I find lentil soup very satisfying and hopefully the guests would too.

What was your childhood's culinary favourite and what is it now?

Phia: I wasn’t the most adventurous eater as a child so it was probably that Australian staple borrowed from our Italian immigrants - spaghetti bolognaise. Now I love eating new foods from the countries we go on tour. Last year I tried perogi in Poland for the first time, which was amazing.

Josh: My favorite food is Indian or Sri Lankan, I love the spices they use and the vivid flavours. Although I’m not vegetarian I prefer vegetarian food and this goes well for me with all the lentils, vegetables, chickpeas and the occasional paneer their food has. I don’t remember particularly liking food as a very young child but I guess I’ve liked any food from Asia since about the age of 12 or 13. I’ve always hated asparagus and it still makes me gag.

Do you prefer to cook on your own or together with others?

Phia: When I wasn’t so confident I needed to do it on my own, I didn’t like being watched! But now I love learning from others and it is fun to cook together.

Josh: I think someone who is good with food generally needs patience or at the very least a sensibility for how all the elements interact. I don’t really have that. Or perhaps my problem is that I usually try to ignore I’m hungry until I am absolutely ravenous and by that point I have no patience for preparing things properly. So cooking for myself comes out of necessity and cooking with others is probably more fun because it has probably been planned ahead. By others, I mean Sophia, who has good ideas generally, plans ahead and never allows herself to get so hungry as to become irrational and hasty as I do.

Which meals do you prefer, improvised or planned?

Phia: I’m definitely a meal planner - no improvising in the kitchen for me!

Josh: I would admit that conceptually a planned meal should work out the best but I haven’t properly tried that.

Which meal would you never cook again?

Josh: When I was at university I was known by my housemates for my signature dish: “bachelor’s special” which ingredients consisted of pretty much everything cooked in a saucepan served over some sort of carbohydrate. I think I’ll leave that one in the past.

Thank you Phia and Josh!

Here you can listen to Phia and Josh's music and find out when the album will be released: www.listentophia.com