NOON is OUT (and on Broadway)!

I just arrived in New York, happy and overwhelmed, on the publication day of this book that means so much to me.

Noon (and NOON) is a gift to yourself, shape that time of the day so that it fits to your own cravings. Make it yours! Use this 1 hour, or these 30 minutes, to make yourself feel good. We plan so much in our lives, every day, we just refuse to often do so when it comes to our own, our very personal needs. And we all need a break but we associate the creation of that break with even more work. So the solution is to find ways (recipes) to reduce that work and time for the preparation of our lunch so that we actually have more time for ourselves when we finally sit down; time to relax and enjoy. I hope NOON can offer you these recipes, but even more, I hope it offers you inspiration to make noon yours.

If you don’t have your copy yet, you can find all the links to order it online here, or support local and buy, or order the book from any bookstore all over world. The chapters in NOON cover Salads, Vegetables, Soups, Sandwiches, Pasta, Seafood, Meat, and Grains & Bakes - so your midday break will definitely be sorted!

Good noon! Meike xxx

The picture of me on Broadway was taken today - right after I had landed in New York - in front of Rizzoli Bookstore where I‘ll be in conversation with Hetty Lui McKinnon on Thursday, September 7th at 6pm - come join us! (For more information, click here)

If you won’t be in New York this week, but if you happen to be in London on October 5th, you can join my conversation with Helen Goh at Building Feasts, hosted by Hanna Geller, with Lallier Champagne and snacks from NOON! (For more information, click here)

Knoedel, Mountains and a Road Trip in South Tyrol

I went to South Tyrol for a little road trip, to sip on crisp mountain air and get lost in lush landscapes. The region’s faces change as quick as the weather, from serene soft hills to secluded villages and rugged mountain ranges. To me, no mountains are as majestic, as imposing as Northern Italy’s Dolomites. Their raw beauty makes you speechless. The French architect Le Corbusier called them “the most beautiful architectural artwork in the world.”

My expectations were high when I hopped off the plane and into my rental car. I know this region since my childhood days, this is where I used to spend my skiing holidays since I was nine years old, thanks to my stepfather who introduced my family to the picturesque village of Corvara. The food of the Dolomites, its monumental rock formations, the rustic architecture in the tiny mountain villages, all this left a deep love for this region and many marvelous memories inside me.

Although Corvara wasn’t marked on my travel map this time, I discovered new places, met so many inspiring people, and created new memories. My road trip started in Bolzano, South Tyrol’s capital, and I stayed at the newly renovated and utterly gorgeous Parkhotel Mondschein. The charming terracotta-colored Art Nouveau facade doesn’t show that the building’s oldest part dates back to 1320. The hotel is right in the medieval city center, set in a peaceful park with an almost Mediterranean vibe. The green oasis, dotted with palm trees, pretty umbrellas, and comfy sun loungers, was my first stop - for a welcome aperitivo - and my last one - for a luxurious breakfast. I could have stayed forever, chilling on the lounger, staring into the dramatic sky, and sipping on my elderflower cocktail.

So I was almost late for dinner, but Norbert Kier and his Enoteca Italia & Amore soon made me forget about my comfy lounger. It was just a short walk from my hotel, but it gave me the chance to enjoy the beauty of Bolzano’s historic center; chunky cobblestones and ice cream-colored buildings, and thunderstorm clouds that seemed ready to burst anytime - they didn’t, thankfully.

I set outside on the restaurant’s terrace, starting off with Battuta di Fassona (a beef tartare from the Fassona Piedmontese breed, which comes from Slow Food-certified Fassona cow farms), sandwiched with stracciatella di bufala, mustard, and pistachios. As I couldn’t decide which starter I should go for, Norbert also served me a Carpaccio di Fassona topped with summer truffle. Paccheri Pasta with Fish Ragù was placed in front of me next, simply divine, and so was the Quail with Swiss Chard and Lemon. I finished my lavish first dinner with Panna Cotta with Aniseed and Candied Cherries, which was so good and - as Norbert told me - it was made without gelatin, just with very rich, fatty heavy cream.

The restaurateur used to visit all Michelin 3-star restaurants around the globe every year. Norbert was always hungry for the new, for the next big thing, for the exciting. Now, he says, he’s not going anywhere anymore, now, he stays in Bolzano where he and his chef, Giuseppe Avitabile from the Amalfi Coast, want to show their guests what you can do with the region’s outstanding local produce. I’m hooked, I’ll come back.

My road trip began the next morning and reminded me that South Tyrol is so much more than breathtaking landscapes and an extraordinary cuisine. South Tyrol teaches you to listen to the silence, to breathe in, and just enjoy what nature reveals in front of you. And if you also listen to the people, to the Südtiroler (South Tyroleans), you can learn a lot about family and community, about bonds grown and tightened over generations; about traditions being lived, questioned, and sometimes readjusted.

In South Tyrol, you don’t just create for yourself, you create to preserve, or rather, you create to pass something on to the next generation. And maybe here lies the origin of the South Tyroleans’ focus on quality: they want to pass something on that has a value for the next generation. Maybe it’s pride, but also a sense of responsibility.

Right after breakfast, I left Bolzano to drive deeper into the mountains, to a farm in Partschins, close to Merano. The roots of the Oberbrunnhof date back to the 14th century. The rural farm has already been in the hands of farmer Manuel Laimer’s family for five generations. In 2004, Manuel’s grandmother passed Oberbrunnhof, its land and its traditions, on to her grandson and his wife, Caroline. Since then, the farm kept flourishing in the couple’s hands, and the family kept growing - three children guarantee that, potentially, the foundation for the next generation of farmers has been laid.

Both Caroline and Manuel stay very close to the traditions of this place; not because they have to, they do it out of free will and very passionately. Following the farm’s long breeding tradition, a herd of Tiroler Grauvieh (Tyrolean Grey), a typical Alpine cattle breed, enjoys the panoramic view from their meadows, while chickens run around them in respectful distance. Caroline affirmed that the Grauvieh is peaceful, as long as you follow farm rule no. 1: never approach a cow from its back, always from the front. The cattle is the farm’s pride, but the farm’s restaurant is what pulled me towards Oberbrunnhof.

Caroline is a home cook turned chef, she also serves and entertains her guests, treating them with traditional South Tyrolean dishes, such as Cheese Knoedel with Krautsalat (you can find her recipe at the end of this post), Brotsuppe (bread soup), Saures Rindfleisch (sour braised beef), speck and sausages from the farm, and her famous Apfelstrudel (apple strudel). The traditional spiced bread served along the dishes is baked by Manuel in a tiny room with an old wood-fired oven. The wall on one side of the room is covered with rustic wooden shelves where 200 fluffy pieces of dough, shaped into small ovals, sit and rise slowly. Once a week, Manuel starts the fire at 5am so that he can bake the little loafs at around noon.

The couple works constantly, from morning until night, there’s no holiday and no day off, but they don’t seem stressed. Life on the farm follows the family’s pace, not the other way around. It’s a lot of work, also hard physical work, but Caroline, Manuel, and their three children managed to create a very satisfying life for themselves. They don’t romanticize it, they just found their place.

You can visit the farm’s restaurant by reservation, but you can also stay for longer in their holiday cottage, Chalet Waldbrunn.

The hard part of being on a road trip is that, once you got comfortable at one place, you have to move on again. The great part of being on a road trip is that new adventures, more beauty, and more fantastic food are waiting for you at your next destination. So I hopped in my car, turned on the radio to listen to Italian pop music, and enjoyed the stunning scenery on my way to a tiny village with the poetic name Unsere Liebe Frau im Walde (Our Dear Lady in the Forest).

Unsere Liebe Frau im Walde is South Tyrol’s oldest pilgrimage site. Various legends circle around a Marian apparition in the 12th century, attracting pilgrims from near and afar since then. A Hospitium for the pilgrims was set up by monks and, with rising popularity, a Baroque church was built next to it in the 14th century. The guesthouse still exists and became a hotel at one point. The name couldn’t be more typical for SouthTyrol, it’s called Zum Hirschen (Hirsch means deer in German), yet the hidden retreat is anything but an ordinary hotel.

Run by a very charming mother-daughter-son trio, it’s a place where history is being respected, but interwoven with the needs and longings of modern travelers, searching for peace and tranquility - and for excellent food. The green hills and woods surrounding the Hirsch raise Wanderlust, two mountain lakes, Lago del Monte Luco and Lago di Tret, call for a bike ride and a refreshing swim.

Mamma and patroness Edith Kofler is the hotel’s guardian angel, guide-running the hotel with patience and a smile on her face, and with utmost trust in her children’s decisions. Ingrid and Mirko Mocatti, now the 3rd generation of hoteliers in the family, are two siblings who respectfully divide their responsibilities, but also ask each other for advice.

Ingrid is responsible for the hotel restaurant’s refined yet comforting cuisine, rooted in South Tyrol and the neighboring Trentino region. At Cervo, local ingredients and a deep knowledge of wild herbs are at the core of the menues that follow the rhythm of the seasons. In many of the young chef’s dishes, you can find traces of Hildegard von Bingen’s herbology. The famous German Benedictine abbess, an emancipated polymath, composer, philosopher, medical writer and practitioner, lived in the High Middle Ages and studied and cultivated a holistic approach to well-being.

Working with the past, but also with her own curiosity and her strong belief in the Slow-Food movement, Ingrid creates drinks and dishes that nourish the body and the soul. Her fir needle lemonade, served at my arrival, felt like a hug; her stunning Onsen Egg with Herb Salad and Potatoes was a traditional yet at the same time modern culinary interpretation of a walk through the woods (and yes, you can eat baby fir cones).

Nature’s generous in South Tyrol, you just have to keep your eyes open. And that’s what Ingrid does. Nettles are turned into tagliolini with deer ragù, a fir needle-herb oil refines the creamy Bergwiesenschaumsuppe (mountain meadow soup) with smoked mountain char, meat and grains come from local producers, traditional farmers and mills. And the dessert of Topfenknoedel (ricotta dumpling), to finish off my divine dinner, made my heart jump.

With virtuosity and a clear, calm vision, Ingrid manages to incorporate the values of this historic place in her cooking. Her brother, Mirko, manages to translate these same values - in a very pure and simple form - into the hotel’s honest philosophy; he lets the values manifest themselves in modern design and architecture that respect the past, but aren’t put in chains by it. Every detail, every material, every piece of furniture is chosen responsibly and sensitively; every decision, every change is made with imperturbable trust, respect, and confidence.

The people who are shaping Zum Hirschen bring in so much of themselves, of their own character, so much love, passion, and devotion, that by doing so, they give this place a soul. It truly is a place that calms you down, there’s an ease that you can feel here; through nature’s beauty, through the clarity and serenity of the rooms, and through the food that tastes so good and makes you feel so good. In that respect, Zum Hirschen is still a Hospitium, staying true “to the ancient Greco-Roman concept of hospitality as a divine right of the guest and a divine duty of the host.”

Although Papà Giorgio stays more in the background, his wise words don’t:

“Inspiration is essential for every creative soul. Just like the sun, that’s breaking through the forest’s darkness, brings light, so does inspiration bring light to life. Here, in the secluded Val di Non Valley, I find strength and inspiration, time and again.”

The Dolomites are majestic, they seem out of reach, but you can get close to them, even without having to climb. The Seiser Alm is the perfect choice if you want to feel like an alpinist for a day - but without up-sailing. I wore my sneakers and a sunhat and was ready for a relaxed summery hike, past the imposing landmark Schlern (2.564 m / 8,412 ft) that looks like the bow of a ship, and towards the mountain range Marmolata - the “Queen of the Dolomites” (3.343 m / 10,968 ft). Their peaks seem to cut right through the clouds.

My desire to climb the queen was limited, my appetite for lunch was stronger. The open plateau of Seiser Alm is the largest high-altitude Alpine meadow in Europe, a blooming attraction in summer, turning into a winter wonderland as soon as the first snowflakes start to fall. On the culinary side, the mountain pasture offers romantic mountain hut vibes to dive into rustic mountain cuisine.

I visited Franz Mulser’s Gostner Schwaige, a 350-year old Berghütte (mountain hut) that couldn’t be any prettier in a fairytale. I was prepared for a frugal merende (lunch snack) of speck, cheese, and Schüttelbrot (crunchy spiced mountain flatbread) but the farmer, cheese maker, chef, and proprietor of the picturesque hut - he owns it since he was 21 years old and left his carrier in Michelin-starred restaurants behind - had different plans. I was presented a South Tyrolean feast!

Franz extended the humble merende into a lavish lunch of a spectacular Heusuppe (hay soup, which is really made of hay and flowers and also tastes like it) and Schlutzkrapfen (Tyrolean dumplings made with carob flour and filled with Alpine cheese fondue). The Kaiserschmarrn that followed was the best I’ve ever had (there’s a recipe for this torn pancake on the blog, click here).

Making cheese has long been a tradition in Franz’s family and also at Gostner Schwaige. Since its early days, the hut had been used for making cheese, and the recipe for Franz’s Tiroler Graukäse (grey cheese, rennet-free and very low in fat) dates back to these days. Whenever the temperatures are warm enough, the cattle grazes on the Alm’s meadows. However, cows are temperature-sensitive. When it’s too cold, they get stressed - I feel with them - releasing stress hormones, which would also harm the final cheese.

Franz strongly believes in the quality of the raw product, in the milk. He knows that only good milk can make good cheese. So it’s his job to make sure that his cattle stays happy and the milk quality stays constant. And then, according to the seasons, the flavor of the grass changes, the flavor of the milk changes, and so do the flavors and textures of the cheeses that he produces change. For him, tradition means to preserve the old, by using new knowledge and experiences, to gently guide tradition into the future. In his case, that’s a very tasty endeavor.

My trip came to an end, not a sad end, but one that left me filled with new memories and lots of inspiration. Before I checked in my last hotel, I visited the natural wine makers Carmen and Hannes Röck at their winery, Weingut Röck, for a spontaneous wine tasting. The siblings took over production from their father a few years ago, shifting from conventional to low-intervention wine making. They still work within their family tradition, but just like the other chefs, farmers, cheese makers, and hoteliers who I met, they had the freedom to find their own path. Their wines are outstanding and they taste the way they taste because Carmen and Hannes create and shape them. Passing on an established business from one generation to the next is never easy. It’s a story of letting go, of fears, of being brave and reckless sometimes, but first and foremost, it’s a story about trust.

The stunning Ansitz Fonteklaus, solid like a rock since 1706 and first mentioned in 1317, looks like a fortress and makes you feel like you found the safest place on earth. The hotel offers marvelous views, the prettiest rooms, and a gorgeous (and crystal clear) infinity swimming pond - which I had to share with two tiny frogs, but they didn’t seem to mind my presence. There were even more traditional South Tyrolean treats on the table for my last dinner at the hotel’s restaurant, cooked by chef Andreas. I happily indulged in them, and in the starry sky, before I slept as peaceful as a baby.

Thank you, Caroline, Manuel, Edith, Ingrid, Mirko, Giorgio, Franz, Norbert, Giuseppe, Carmen, Hannes, Erich, everyone at Parkhotel Mondschein, Zum Hirschen, and at Anistz Fonteklaus - all of you made this magical trip happen!

This post has been sponsored by Visit South Tyrol. The people and places featured in this post were chosen by me, the opinions are my own. Thank you, Dagmar, for helping me put this unforgettable road trip together!

Caroline’s South Tyrolean Cheese Knoedel with Krautsalat

by Caroline Laimer

For the knoedel

You can prepare the knoedel mixture a day in advance and keep it in the fridge. You can also shape the knoedel and freeze them, either cooked or uncooked (and cook them after defrosting them).

Makes 20 knoedel

• 80g / 3 ounces unsalted butter

• 70g / 2 1/2 ounces onions, finely diced

• 500g / 17 1/2 ounces stale white bread (about 1-2 days old, hard rind removed), cut into small cubes

• 400g / 14 ounces mixed aromatic hard cheese, grated (you can also add a little gorgonzola)

• 300 ml / 1 1/4 cups whole milk

• 20g fresh parsley leaves, chopped

• sea salt

• ground pepper

• 6 large eggs

• dried breadcrumbs, for sprinkling the baking sheet

In a large pan, heat the butter over medium heat and cook the onions, stirring occasionally, for about 15 minutes or until golden and soft; transfer the onions to a medium bowl and let cool for 5 minutes.

In a large bowl, mix together the bread, cheese, onions, milk, and parsley, then season to taste with salt and pepper, add the eggs, and mix with your hands until very well combined.

Line a baking sheet with parchment paper and sprinkle with dried breadcrumbs.

Wet your hands and shape the knoedel mixture into 20 large round knoedel, rolling them between your hands and gently pressing the mixture together, then transfer the knoedel to the prepared baking sheet.

In 2 large pots, bring salted water to a boil then add the knoedel, reduce the heat to a gentle boil, and cook for about 10 minutes, or until the knoedel are firm and cooked through. Using a slotted ladle, transfer the knoedel to a sieve and drain for a minute.

For the krautsalat

Serves 2

• 1 large handful very thinly sliced or shredded green cabbage

• caraway seeds

• sea salt

• sunflower oil or rapeseed oil (mild flavor)

• white wine vinegar

• ground pepper

In a medium bowl, sprinkle the cabbage with 1/4 teaspoon of caraway seeds and 1/4 teaspoon of salt then mix well with your hands and let sit for 10 minutes. Season to taste with oil, vinegar, caraway seeds, salt, and pepper.

Spread some krautsalat on a plate, arrange 1-2 knoedel on top, and enjoy while the knoedel are warm.

Meet In Your Kitchen | Erik Spiekermann's Lemony Mushroom Risotto

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

"I’m incredibly chaotic and I’m incredibly precise. When I do work like typesetting and stuff, I’m 100% precise. I do the shittiest detail that nobody would ever know, but I’m also incredibly chaotic in my approach." - Erik Spiekermann

Erik Spiekermann's greatest gift is that he never stopped thinking like a child. He's still driven by the same stubborn persistence, by a tireless curiosity, and the imperturbable will to find out what lies underneath the surface. The acclaimed designer and typographer, responsible for the corporate looks of brands like Audi, Bosch, and Deutsche Bahn, creator of Meta - the Helvetica of the 90s - and the man who decided that the BVG, Berlin's public transportation system, needs to be yellow, is basically still a child, just in the body of a man.

"My curiosity is my biggest feature. I’ve always been curious, so much so that I have been careless. I mean I’ve done things like hitchhike to fucking Norway at 9, which is stupid, it’s the dumbest thing to do if I look back now but I was curious and I was innocent, and innocent and curious are the same. You’re innocent about something so you wanna find out how it works. And I’m still curious and I will try everything because it’s interesting and I think curiosity is one of the greatest human features otherwise we wouldn’t have invented the wheel nor the fire." - Erik Spiekermann

When Erik was nine years old he hitchhiked to Norway on his own. He was part of a Boy Scouts group, his older travel companion didn't show up so he decided to go up north on his own. I asked what his mother said, and Erik's brief answer was "She didn't know, only when I came back weeks later, rather tanned."

As a teenage boy, he was already fascinated by press printing. He got his first printing machine from his father, a mechanic who Erik thinks passed his strong passion for heavy machinery and their mysteries on to him. Whenever he got the chance, he sneaked into a friend's printing firm at night, trying to figure out how all of this works. Setting type and ruining one plate after the other until he internalized the concept - letting any proof of his failed attempts vanish by dawn - but when he finally filled the white pages with his own hands and ideas he was hooked.

Post-war Germany wasn't an easy playing field for a pubescent boy and young man, chances had to be made by yourself and Erik created plenty of them. First in Berlin, then he moved to London in the 60s with his young family, always managing to convince the people around him that he has the ideas that they need.

"We need to make things, we need to touch things with our hands, otherwise we’re gonna become very funny sort of reptiles or robots." - Erik Spiekermann

It only takes a few seconds to understand how Erik always manages to get people's full attention - and their trust. He is very charming but he is also a road roller. For the podcast recording at my place, he ran up the stairs with his racing bicycle on his shoulder (mind he's born 1947), he wasn't out of breath at all but ready to dive into hours of talking about design, life, and food. Erik used to often bake with his mother, never measuring anything, but sensitively adjusting texture, taste, and smell by feeling. Even then he didn't need anyone to tell him what to do, just a mother who taught him to refine his senses and listen to them. He is still very protective of his ideas and visions, fighting for them if need be, summed up in one of his many popular quotes: "Don’t work for assholes. Don’t work with assholes."

After years of designing and teaching, Erik decided to go back to his roots. All his printing equipment burnt in a severe fire in London in the 70s. A painful chapter that he never felt he had closed, a story he still wanted to continue writing, so he founded p98a a few years ago. It's a Berlin based non-profit experimental letterpress workshop stuffed with old equipment dedicated to letters, printing, and papers. Together with a group of designers, he passes his knowledge and skills on to the next generation and enjoys the play of old traditional analogue equipment and new digital techno­logies. You can order books, or posters and postcards with Erik's quotes and wisdoms, and join workshops with the master himself.

Although Erik would have loved to share his no-recipe-cantuccini recipe with me, I was worried that no one would be in the mood for cookies in January so instead, Erik and his wife, Susanna, shared the recipe for their delicious Lemony Mushroom Risotto with me.

The podcast episode with Erik Spiekermann is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Erik on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Mushroom Risotto with Lemon and Thyme

by Susanna and Erik

Serves 4 to 6

For the risotto

• Fine sea salt

• Olive oil

• 1 medium onion, finely chopped

• 420g / 2 cups Carnaroli rice, or Arborio rice

• 240ml / 1 cup dry white wine

• 70g / 5 tablespoons unsalted butter

• 60g / 2 ounces Parmesan, finely grated, plus 30g / 1 ounce for serving

• 4 tablespoons freshly squeezed lemon juice, plus more to taste

For the mushrooms

• 450g / 1 pound cremini or white mushrooms, trimmed, torn into bite-size pieces

• Freshly ground black pepper

• 30g / 2 tablespoons unsalted butter

• 8 medium sprigs fresh thyme

• 3 small garlic cloves, crushed (optional, Susanna loves it, Erik doesn't)

For the risotto, bring 2.5 liters / 10 1/2 cups of water and 1 tablespoon of salt to a boil in a medium saucepan then remove the pan from the heat, cover, and keep warm.

In a large pan, heat a generous splash of olive oil over medium heat. Add the onion and a pinch of salt and cook, stirring constantly, for about 10 minutes or until golden and soft. Add the rice and cook, stirring, for 5 minutes. Add the wine and let it simmer for a few minutes then add a ladle of the hot salted water, the rice should be covered. Let it simmer very gently and, as soon as the liquid is almost fully absorbed, add more of the salted water. Keep adding a little water at a time, stirring gently once in a while. When the rice is al dente and the liquid is more or less absorbed, you might not need all the salted water, take the pan off the heat, and stir in the butter and Parmesan. Add more of the salted water if the texture isn't creamy (not soupy!) and season to taste with additional salt if necessary. Gently stir in the lemon juice, adding more juice to taste, then cover the pan and set aside.

For the mushrooms, heat a generous splash of olive oil over medium-high heat, briefly cook the mushrooms, stirring occasionally, for 2-3 minutes or until browned and still firm (not mushy!). Season to taste with salt and pepper, add the butter, 6 sprigs of thyme (keeping 2 sprigs for serving), and the garlic then reduce the heat to low and cook for a few minutes until the mushrooms are al dente but not soft.

Divide the risotto and mushrooms among bowls, sprinkle with a little Parmesan, some ground pepper, and the leaves of the remaining 2 thyme sprigs, and enjoy immediately.

Meet In Your Kitchen | Maria's Cannelloni al Ragù

This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it

“I think it’s amazing that we need to eat to survive but the way to survive is to do something that is amazing to do, that you can enjoy, that you have the privilege, the luxury, three, four times a day to do something out of necessity that you can enjoy as one of the I would say best things there is in life.” - Maria Gerace

The first time I met Maria Gerace she came to a Saturday lunch at my apartment, we started at noon and parted at 4 in the morning. Mussels, crêpes, late night pasta, and many bottles of vino - that was the perfect start of a friendship that would always circle around food, wine, and long conversations. When I go to Maria's kitchen she makes cannelloni for me - not a couple but 20 (you can find the recipe below, Maria uses crespelle/ crêpes for the cannelloni instead of cannelloni pasta). In her kitchen, she's my Italian mamma who always takes care that my plate (and glass) is never empty!

Maria grew up in a small town in Calabria, close to the sea, right at the tip of Italy's boot and far away from the life she was longing for. She was raised by her grandmother who planted the seed in the young girl's soul that a good life is always connected to good food and to people to share it with.

At a young age Maria was already used to patiently peeling pounds of fava beans in the evening in front of the TV; to making passata in the garage once a year with the entire family, each member having at strict role in the procedure - a hierarchy that only slowly alters with age. Food was never just prepared for oneself, but always shared with the whole family. The famous Sunday tomato sauce enriched with polpettine, a weekly ritual, which smell and taste is so deeply woven into her memory, was a frugal feast in her granny's kitchen that no family member dared to miss. The young ones brought their boyfriends and girlfriends, the aunts and uncles sharing laughs and stories, a constant flow of people pulled to the kitchen of a woman who held everything and everybody together like a magnet.

Once a year the family would gather and go on a 'pilgrimage' to slaughter a pig at a small village close by. The blood would be collected immediately to make sanguinaccio, cooked with cocoa, sugar, and spices it was turned into a rich chocolate sauce that the kids loved. Even for the young ones it was normal that every part of an animal was used, that the whole family would always be involved in every food endeavor, and that there were recurring culinary rituals that marked the flow of the year and made it special. Traditions that everyone was longing for.

Although her curiosity and hunger for life made her leave the south of Italy to study industrial design in Milan, to travel and experience the world and widen her view, to then settle in Berlin with her husband Jan and work as an eyewear designer, Maria's voice always mellows when she talks about her granny, about Italian food, and the sea.

The podcast episode with Maria Gerace is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests' recipes here on the blog under Meet in Your Kitchen.

Listen to the podcast episode with Maria on:

Spotify / Apple / Deezer / Google / Amazon / Podimo

On Instagram you can follow the podcast @meetinmykitchenpodcast!

Cannelloni al Ragù

by Maria Gerace

There are many steps involved in the preparation of this dish, so it makes sense to cook it in larger quantities.Cannelloni freeze very well. Follow this recipe and freeze them (in the baking dish) before (!) baking the crespelle in the oven. After defrosting them you can bake them following this recipe again. You can also prepare the ragù and the tomato sauce a day ahead.The crêpes and béchamel sauce (in case you don't use store bought sauce) should be made the day you finish the preparation and then either bake or freeze the cannelloni.

Makes about 20 crespelle / Serves 7-10 

For the ragù (you can prepare the ragù a day ahead)

• 100 ml / 1/3 cup plus 2 tablespoons dry white wine

• Extra virgin olive oil

• 1 medium onion, peeled and finely diced

• 1 medium carrot, peeled and finely diced

• 1 stalk of celery, peeled and finely diced

• 1 clove garlic, peeled and finely chopped

• 500g / 17 2/3 ounces ground beef (or mixed beef/ pork)

• 1kg / 2 1/4 pounds canned whole peeled tomatoes, crushed (or canned crushed tomatoes)

• Fine sea salt

• Freshly ground pepper

• Nutmeg, preferably freshly grated

For the crêpes 

• 600ml / 2 1/2 cups whole milk

• 1 tablespoon extra virgin olive oil

• 3 large eggs

• 225g / 1 3/4 cups all-purpose flour

• Nutmeg, preferably freshly grated

• Fine sea salt

• Unsalted butter, to cook the crêpes

For the tomato sauce (you can prepare the tomato sauce a day ahead)

• Extra-virgin olive oil to taste

• 1 clove garlic

• 500g / 17 1/2 ounces tomato passata

• Fine sea salt

To finish the cannelloni

• 1 liter / 4 1/4 cups thick béchamel sauce*

• Parmesan, freshly grated

• Nutmeg, preferably freshly grated

• 500g / 17 2/3 ounces Provola cheese, cut into cubes

* Here is my recipe for béchamel saucefrom my book '365'

• 1 liter / 4 1/4 cups whole milk 

• 1 large bay leaf

• Nutmeg, preferably freshly grated

• Fine sea salt

• Finely ground pepper

• 45g / 3 tablespoons unsalted butter 

• 45g / 1/3 cup all-purpose flour

For the ragù, simmer the white wine in a medium saucepan for 5 minutes to boil off the alcohol and reduce acidity. In a large pan, heat a splash of olive oil over medium-high heat, add the onion, carrot, celery, and garlic, and sauté, stirring occasionally, for about 4 minutes. Add the ground beef and a little olive oil and cook over high heat, stirring to break up the meat, for a few minutes or until the meat is browned. Add the wine and deglaze the pan, using a spatula to scrape any bits and pieces off the bottom, then add the tomatoes. Season to taste with salt, pepper, and nutmeg and gently simmer over medium-low heat for 1-2 hours; the ragù should be thick. Place a large colander in a deep sheet pan then pour the ragù into the colander to drain any excess liquid; for the filling, the ragù needs to be very thick and not runny. Set the sauce collected in the sheet pan aside. Let the ragù cool completely.

For the crêpes, whisk together the milk, olive oil, and eggs then add the flour and a pinch of nutmeg and salt and whisk, using a stand mixer or a whisk, until smooth and well combined. Let the batter sit for about 30 minutes.

For the tomato sauce, heat a splash of olive oil in a large pan over medium heat. Add the garlic and sauté for a few minutes then add the passata, season with a pinch of salt,and cook for 10 minutes. Remove the garlic then let the sauce cool for at least 15 minutes.

For the béchamel sauce, combine the milk, bay leaf, 1/4 teaspoon of ground or freshly grated nutmeg, 1/4 teaspoon of salt, and a pinch of pepper in a medium saucepan and bring to a boil. Immediately take the pan off the heat, remove and discard the bay leaf, and set aside. To make the roux for the béchamel, melt the butter in a separate medium saucepan over medium-high heat and as soon as it’s sizzling hot, whisk in the flour. Slowly pour the hot milk mixture into the roux and whisk until smooth. Simmer on low, whisking occasionally, for about 5 minutes or until the sauce starts to thicken. Season to taste with nutmeg, salt, and pepper and set aside.

To cook the crêpes, spread out 4-6 kitchen towels on a work surface. In a 20 cm / 8“-non-stick pan or cast iron skillet heat 1/2 teaspoon of butter over medium-high heat. Pour in a ladle of the batter, tilting and turning the pan so that the batter spreads evenly and very thinly. Cook the crêpe, flipping once, for about 30-60 seconds per side or until golden. Spread the crêpe on the prepared kitchen towels and continue cooking about 19 more crêpes with the remaining batter, adding a little butter to the pan and adjusting the heat as necessary.

Preheat the oven to 180°C / 350°F.

To finish the cannelloni, spread a little tomato sauce on the bottom of 2 large baking dishes, drizzle with a little béchamel sauce, and sprinkle with a little Parmesan. Season each crêpe with a little nutmeg and sprinkle with a little Parmesan. Place a generous spoonful of the ragù in the middle of each crêpe and top with Provola and a spoonful of béchamel sauce. Gently roll each crêpe into a tight wrap and arrange them tightly, side by side, in the prepared baking dishes. Cover the crêpes with the remaining tomato sauce, the sauce collected from the ragù, and the béchamel sauce, sprinkle with a little Parmesan, and bake for 30-40 minutes or until it’s bubbling and the top is golden brown. Let the crespelle sit for a few minutes before serving.

What shall we do? What shall we cook? What shall we buy?

In the last few days, as things became more and more worrying due to the worldwide pandemic situation, I thought a lot about my granny, my Oma Lisa. I thought about her life during war times and poverty, and I thought about her way of cooking that was fundamentally shaped during those times. The ingredients cheap and accessible, recipes made to feed and nourish a large family of six children without too much fuss. Lisa had to keep things running, cooking wasn’t a question of lifestyle, it was a necessity. But still, she managed to turn it into something so joyful and special that she instilled this feeling into all of her six children who then passed it on to her grandchildren - and I’m one of them.

It was a very rational way of cooking. Potatoes were a staple, they store well, are healthy, and versatile. Whenever I visited her she used them abundantly, for latkes (Reibekuchen), or with a dollop of quark with chives, or she mashed and served them with sauce, or fried with bacon and onions. In her times, vegetables were used according to the seasons, cabbage and legumes during the winter months, cucumber salad as soon as spring opened its wings. She was a food loving mother and grandmother who naturally followed the calendar in her kitchen, and we, her hungry children and grandchildren, followed her to the kitchen in awe and excitement.

Last week I was stuck in Malta, all flights to Germany were cancelled. There weren’t many other countries that still kept their borders open to flights in and out of Germany. I left via Budapest, scared for hours that my connection flight to Berlin would get cancelled and that I’d be stuck in Hungary for weeks. It worked out, yet that day was a changing point. It was the day I understood that the world had changed.

The biggest difference between my granny’s and my own kitchen is the large pantry she had in the cellar of her house. Cool and dark, it was home to endless shelves filled with jars of pickled and preserved fruits and vegetables, of jams and baked treats. Lisa lived on a farm before she moved to that house. Nature taught her well when she was a young woman. Humbly, wisely, and gratefully, all her life she used what nature gave her to eat. Nothing went to waste, everything had to be used. Lisa had a plump cherry tree in her garden. An old swing dangling from a thick branch was my happy place where I’d sit and dream while she was cooking. The harvest from that tree was always abundant and she made use of every single fruit. And she gave to others what she didn’t need for her family, or she swapped.

This memory came back as I found myself in my Berlin kitchen after Malta. I immediately started to think of my shopping and cooking plan for the weeks and months to come. And I reconnected with friends and family to see what they need. Staying calm and sensible, I tried at least. So what do I need to stock up on? I don’t have a large pantry. What dishes am I going to cook or what dishes should I cook? What should I buy and how much? I tried to channel my inner Oma Lisa and assimilate her skill to humbly adapt to whatever life puts in front of you. The women of her generation just got things done when they needed to be done, so why shouldn’t we do the same now? Although times have changed - our way of cooking has changed since her days - my decisions should be just as responsible and deliberate as hers. And beyond my personal worries in this situation, now more than ever is not the time to only think about myself but also about the people around me. In our little community we are staying in close touch and letting each other know if anyone needs something. We share and swap food and stories, like Lisa with her cherries. We talk about our fears, we laugh and cry together (on the phone), but we know that we’re not alone in this and that feels really good.

The list below reflects the way I cook, what I store in my pantry shelves, fridge, and freezer, it’s personal (that’s why you won’t find quinoa on this list). I hope it gives some help and inspiration but you should adapt it to your preferences. You can find many recipes that I will be using myself in both my cookbooks (365 and Eat In My Kitchen) and in the blog’s archive and I’m sure that the internet, all the great cookbooks that are out there, and especially the culinary chats with family and friends offer enough inspiration to cook and bake for years. At the end of this post are two recipes from 365 that indulge in the joy of pasta (recipe no. 59 and no. 102 from the book): one is based on pantry staples - Spaghetti with Sun-Dried Tomato and Pistachio Pesto - and the other is a seasonal celebration of ramp pesto and green asparagus crowned by a creamy burrata.

But let’s start with our SHOPPING:

I generally go shopping once a week. Especially now, I’m trying to minimize contact with others. In the first days after my shopping, I use the fresh vegetables, meat, and fish that don’t last long. Wilting greens and leftover bones are used for cooking broth, which I freeze in small portions. Pantry staples help out when the vegetable drawer is empty.

My cooking will gravitate around carbs in the weeks and months to come, adding fresh ingredients as they will be available. Roots, legumes (dried and canned, also for protein), and grains/ pasta will be my daily playing field.

-Essentials-

Pantry and window sill staples:

Olive oil, dark and white Balsamic vinegar, tahini, mustard

Sea salt (mine is from the Cinis in Gozo)

Spices (black peppercorns, bay leaves, fennel seeds, coriander seeds, nutmeg, juniper and allspice berries, cumin, cinnamon, cardamom, dried oregano and marjoram)

Nuts (pistachios, cashews, and pine seeds for snacks and pesto) and dried fruits (dates, prunes, and apricots are a great addition to minced meat)

All-purpose flour (I use white spelt flour/ Type 630), sugar, fast-acting yeast, baking powder, baking soda, oats (for baking and breakfast: cooked with water, tahini, a pinch of salt, and whatever fruit is at hand), plus fine durum wheat pasta flour and chickpea flour for special cooking projects

Additional note for baking with yeast (March 28th): I started a little kitchen experiment, I decided to grow my own sourdough starter. It's impossible to get yeast in Berlin at the moment, so why not use and cultivate the wild yeast that's naturally in the air and flour? Yesterday was Day 1 and you can follow the daily progress in my Instagram Highlight Stories called 'Sourdough'. I will update and share new stories every day.

Green and black olives, capers, sun-dried tomatoes, preserved artichoke hearts, anchovies, canned sardines (for sandwiches and pizza) and canned tuna (for mixed salads with hardboiled eggs)

Onions and garlic

Fresh herbs (basil, thyme, rosemary, sage, mint)

Citrus fruit (lemon and orange for zest and juice)

Roots/ winter squash:

Potatoes, sweet potatoes, beets, parsnip, and squash (Hokkaido and butternut squash are still available and store well)

You can roast roots/ squash in the oven or boil and mash with olive oil (or milk and butter) and add fresh herbs, spices, lemon zest, chopped olives. I boil a bunch of beets every week to add to salads or simply dice roughly and enjoy with olive oil and sea salt. Roots and squash make a minestrone a little richer (squash is often used in the Maltese minestra, roughly mashed for a thicker texture).

Legumes:

Dried and canned beans (butter beans, cannellini, cranberry/ borlotti, and kidney beans) and chickpeas; dried lentils that don't require soaking (French green Puy lentils, yellow, red, and black beluga lentils)

Dried legumes can be cooked in unsalted water with fresh herbs like thyme and rosemary (dried beans/ chickpeas need to first soak overnight) then add a splash of olive oil; or add them to soups/ stews; leftover green and beluga lentils can be turned into patties (drained then adding flour, egg, and seasoning)

Canned legumes can be used uncooked for salads and hummus, added to minestrone or other soups/ stews, or cooked briefly in a splash of olive and refined with spices. Then you can either serve them directly or mash with olive oil, something I became particularly fond of in the last couple months.

Fresh green beans, fava beans, and peas can be blanched in salted water and served immediately or frozen (I always have a large bag of frozen peas and fava beans in my freezer).

Grains and dried pasta:

Spaghetti, short pasta, lasagna sheets, polenta, whole grains (buckwheat, spelt, farro, couscous, bulgur), and rice

For pasta there are no limits, yet a bowl of simple spaghetti just with butter, Parmesan, and black pepper (Cacio e Pepe) can be heaven on earth. Leftover pasta can be used for Froga tat-Tarja (Maltese pasta omelette). Short pasta (rice size) can be cooked like a risotto (see Maltese Kusksu with Poached Eggs and Goat Cheese).

When I cook polenta, I like to cook more than I need and serve it soft and smooth on the first day as a side for vegetables or braised meat. Then on the second day, you can spread it in a baking dish (finger thick) and bake for a few minutes then cut into squares and serve with sage butter; or turn it into polenta lasagna: layer the baked polenta slices with Bolognese sauce (or any other red sauce) and Parmesan and bake in the oven.

Buckwheat, farro, and spelt may sound a bit uninspiring but taste surprisingly good when they are boiled in salted water and then served with a knob of butter and some salt stirred in (added fresh herbs or spices won’t harm it either)

Cheese (that stores well): 

Parmesan, pecorino, feta (plus mozzarella, raclette and blue cheese if available and needed)

-Fresh produce and products-

Fresh vegetables and fruit:

I buy fresh produce once a week according to what I need and what’s available and use it raw or cooked for salads, raw as a snack with pesto or sautéed in olive oil, to mix with legumes and pasta/grains, or for soups. I always cook more soup from the start and freeze any leftovers. Wilting vegetables are used for broth then frozen for soups and risotto. Red and white/ green cabbage stays fresh in the fridge for weeks and shredded they are a crunchy addition to salads.

Eggs, yoghurt, milk, butter:

I buy them fresh once a week according to what I need. I barely use butter, olive oil is my go to fat (it also stores much easier), however you can also freeze butter, which is helpful for spontaneous baking.

Meat and fish:

We usually eat meat or fish once a week. It will be one of the first things for us to skip if necessary, especially fresh fish.

If the meat is braised (beef or lamb shanks/ oxtail/ rough cuts for braising), I cook more from the start and freeze the leftovers, which are great for pasta and potatoes. Any leftover bones are turned into broth. I’m a huge fan of minced beef, be it meatloaf or small patties/ burgers, which taste great both cold and warm (there’s a leek and mountain cheese meatloaf in Eat In My Kitchen and a meatloaf with spices and dates in 365). One of my favorite minced meat dishes since my childhood days is Labskaus (also in 365), a stew made of potatoes, beets, minced beef, and pickled gherkins. It's a traditional dish that sailors used to eat on their travels during the times of the great ships (they made it with corned beef). In Northern Germany, some even add pickled herring. It sounds strange but I love it and it freezes well.

Coarse sausages (such as salsiccia) also freeze well (uncooked) and when you peel and cut them into small portions you can shape them into little polpette and turn them into the quickest meatballs.

Tomato sauce (canned tomatoes) with bacon and fennel seed is an easy substitute for classic Bolognese sauce (for spaghetti and lasagna, you can also add fresh fennel).

COOKING AND BAKING

Cooking is like building a house, it’s assembling blocks and you choose which blocks you want to use to make it your own. There are many ways to build this house, yet at the moment keep in mind that it’s important to strengthen your body and boost your immune system. We often underestimate the very simple, frugal dishes and now’s the time to rediscover them. A couple months ago I found a cauliflower recipe in Anna Del Conte’s Gastronomy of Italy. I’m generally not too fond of cauliflower but I love Anna’s honest Italian cooking so I gave it a go: She sautées onions and garlic, adds tomato pasta and broth (which makes a fantastic sauce) and cooks the cauliflower for around 20 minutes. At the end she adds parsley, I added basil. This recipe also works with broccoli, potatoes, and green beans, capers or anchovies would also fit.

Try to establish special traditions that keep feeding your curiosity in the kitchen, sparking excitement and inspiration, even in tougher times. Every Sunday, we bake pizza from scratch - the reason I always have flour and yeast in stock. The toppings vary, the pleasure is real. You can also introduce a special sandwich day for your family and declare a sandwich challenge/ competition (check out the blog's Sandwich Wednesday). Is there a cooking or baking technique you’ve been wanting to learn for years, like sourdough? Now go for it! Apart from sweet baking you can also opt for savory treats like quiche, which is just as rewarding and the vegetable filling easily adapts to the seasons (fennel, green beans, peas, squash, tomato, leek). And if you feel close to a breakdown, just bake cookies. Nothing is more satisfying than filling the cookie jars to the rim with your own creations.

-Regular kitchen projects-

Homemade pesto and hummus:

Pesto is a thing of genius, and so is hummus. Both last for days, freeze well, and turn all kinds of raw and roasted vegetables, cooked grains, poultry, fish, and sandwiches into a burst of flavor. I like to stretch the terms 'pesto’ and 'hummus’ in my kitchen and use it for every vegetable, legume, and herb that my food processor can turn into something dollop-able.

Inspiration for pesto: basil, ramps (the season just started), arugula, parsley-black olive, dried tomato-pistachio, tapenade (French black olive dip), cilantro-pistachio, blanched peas or fava beans, mixed leftover herbs, walnut-parsley

Inspiration for hummus: chickpeas, beet-chickpeas, white or fava beans, lentils (I’ve also seen carrot hummus but never tried it myself)

Preserved lemons:

If you can find small lemons, now’s the time for this rewarding kitchen project. I use them for sandwiches, pizza, sautéed vegetables, and pasta. For the recipe click here, it's also in Eat In My Kitchen).

Yeast dough:

Making pizza and focaccia (click here), or your own pretzel buns (click here / the recipe is also in the Eat In My Kitchen book), is better than any therapy and can be breakfast, lunch, or dinner for a couple days.

General links to recipes on the blog

You can also use the Search function at the top of the blog's Recipe page for inspiration (click here): search for any ingredient and it will show the related posts and recipes that I wrote about in the last few years.

• General pasta and grain recipes (click here)

• General salad recipes (click here)

• General vegetarian recipes (click here)

• General soup recipes (click here)

• General meat recipes (click here)

• General fish and seafood recipes (click here)

• General cake and dessert recipes (click here)

• General sandwich recipes (click here)

• Quiche, pizza, and focaccia recipes (click here)

Restaurants all over the world are struggling to survive at the moment. A lot of them offer take-out, which allows them to keep operating. Please support them if you can.

Cooking and baking goes beyond necessity, it nourishes our body but the effect it has on our mind and soul is just as essential. It calms us down and puts things in perspective when life feels utterly overwhelming.

Writing these words is a very strange experience. I find myself in a world that I wouldn't have imagined just a few weeks ago. A world I don’t really know how to deal with, not yet. When I’m absorbed in cooking or writing these days, not thinking about the current situation, it feels like visiting my old life, but I feel physically shocked when reality comes back to mind without warning. It feels like waking up from a dream. The only thing that helps is knowing that we’re all in this together. We are not alone. Despite my fear, there’s a beautiful, strong feeling of togetherness, unconditional help, and solidarity. I guess that’s the same feeling that helped my Oma Lisa to get through.

Stay safe, stay home as much as possible, stay away from others but stay positive and hungry for life.

Sending a big virtual hug,

Meike xxx

Spaghetti with Asparagus, Burrata and Ramp Pesto (from 365)

Serves 2

For the pesto*

• 2 ounces (60 g) ramp or ramson leaves

• 1 ounce (30 g) Parmesan, finely grated

• 1/4 cup (60 ml) olive oil

• 1/4 tsp fine sea salt

For the pasta

• 1 pound (450 g) trimmed green asparagus 

• 6 ounces (170 g) dried spaghetti

• Olive oil

• 7 ounces (200 g) burrata (or mozzarella di bufala), torn in half

• Fine sea salt

• Coarsely ground pepper

For the pesto, purée the ramp leaves, Parmesan, olive oil, and salt in a food processor or blender until smooth. 

For the pasta, bring a large pot of salted water to a boil and blanch the asparagus for about 3 minutes or until al dente. Using a slotted ladle or spoon, transfer the asparagus to a colander, reserving the cooking water in the pot, then drain and quickly rinse with cold water. Cut each stalk into quarters lengthwise.

Put the pot used to cook the asparagus back on the heat, adding more water if necessary, and bring to a boil. Cook the spaghetti, according to the package instructions, until al dente. Drain the spaghetti and return it to the pot. Add a splash of olive oil and toss to coat. Divide the spaghetti and asparagus among the plates. Add the burrata and drizzle with the pesto. Season to taste with salt and pepper and serve immediately.

* You can double the recipe and use the leftover pesto for sandwiches, potatoes, and salads.

____________________________

Spaghetti with Sun-Dried Tomato and Pistachio Pesto (from 365)

Serves 2

For the pesto*

• 2 ounces (60 g) sun-dried tomatoes, preserved in salt

• 2 ounces (60 g) salted pistachios, plus 1 to 2 tbsp chopped pistachios for the topping

• 1/4 cup (60 ml) olive oil

• 1 large clove garlic, crushed

For the pasta

• 7 ounces (200 g) dried spaghetti

• Olive oil

• Coarsely ground pepper

For the pesto, bring a small pot of water to a boil and cook the sun-dried tomatoes for 3 to 4 minutes or until soft. Remove the tomatoes with a slotted ladle or spoon and transfer to a plate; reserve the cooking water. Drain and rinse the sun-dried tomatoes under cold water, dry with paper towels, and transfer to a food processor or blender. Add 4 tablespoons of the cooking water, 2 ounces (60 g) of pistachios, the olive oil, and garlic and purée until smooth. If the pesto is too dry, add a little more of the cooking water.

For the pasta, bring a large pot of salted water to a boil and cook the spaghetti, according to the package instructions, until al dente. Drain the spaghetti, divide among plates, and drizzle with a little olive oil. Sprinkle with the pesto, chopped pistachios, and a little pepper and serve warm.

* You can use leftover pesto as a spread on bread.

Enjoy!

Meet In Your Kitchen | Emiko Davies & Marco Lami's Dolce Vita in Florence

Italy is a luscious feast, its abundant beauty captures all your senses. As soon as I cross the border into the boot, I don't even know where to start feeding my cravings, which food I should try first, which wine I should pick to fill my glass. You can't help it, you fall in love with this country, over and over again, every day. And when you leave, you don't know how you should ever put anything else into your mouth than the most perfect Truffle Carbonara from that tiny Trattoria in Orvieto, or the dark Chianti from that dreamy Fattoria enjoying spectacular views over San Gimignano. The kitchens and tables are always filled with the most wonderful treats waiting to be shared, the people have their own pace and a smile for you at any time, the past is treasured yet critically considered and wisely woven into the present.

We arrived in Florence on a cloudy day, the Tuscan hills spread out softly like open arms welcoming us to the next stop of our culinary trip around the world together with Zwilling. Before you even enter the region's capital, before the man-made Renaissance buildings, sculptures, and gardens take your breath away, it's nature's creations, the landscapes that you'll save in your head and never forget. It's a stunning scene, seemingly peaceful in warm, earthy colors, but like a romantic painting, you can feel that there's always the potential for more, a hint of drama in the air. Bright blue skies brushed with pastel-pink strokes are the background for cypress trees swaying silently in the warm wind, the darkest clouds part suddenly and let the sun break through to light up this glorious kingdom.

The farmers markets offer the most colorful produce. Fruits and vegetables grow happily under the Italian sun, and they are proudly celebrated in the country's various regional cuisines. Italian cooking follows one philosophy: use only the best products, don't distract from their quality, and be guided by sensible simplicity. Especially in the countryside, you can feel a lot of respect for nature and the will to go back to a more natural and sustainable way of growing produce and raising animals. The younger generation takes a look into the past to learn from the precious heritage of their ancestors. Traditional recipes are being modified yet never erased from the menu, they have always been an important part of the culture, they are memories of the childhood of every Italian and special treats for the rest of the world.

Somewhere in the soft hills behind Florence, between olive groves and cypress trees growing tall into the sky, you can find a heavy iron gate framed by a washed out yellow wall. If you walk though this gate, you'll see a group of old houses, a former farm, overgrown with ivy, the roofs covered in terracotta tiles, and the wooden shutters painted as green as the lush trees and bushes along the gateway. It's a little paradise in the heart of Tuscany, it's the home of Emiko Davies and her husband Marco Lami.

Emiko Davies is the renowned author of two celebrated cookbooks - Florentine: The True Cuisine of Florence and Acquacotta: Recipes and Stories from Tuscany's Secret Silver Coast - and she's also the voice behind her popular food blog of the same name. She lived in many countries, half Japanese, half Australian, and the daughter of a diplomat, she's seen the world, but when she met Marco, she lost her heart to this man and his home country. Emiko loves food and cooking, she has a background in art history and fine arts, so Italy, and especially Tuscany's traditional cuisine is a vast field for her to explore. She's fascinated by all the regions and landscapes, towns and villages, treasuring their own recipes. The style is Italian, always, but the interpretation is distinct. Everything is done for a reason in Italian recipes: the way an ingredient is used, the season and region that it is used in shapes every recipe. And its origin often lies in the past.

Emiko's eyes sparkle when she talks about historical cookbooks, about exhibitions at the Renaissance Palazzo Pitti in Florence showing still life paintings of solitary fruits at the Medici gardens. She finds inspiration for her creations at every corner, at the markets, in conversations with the farmers who share their family kitchen secrets with her. She often finds that many formulas, certain combinations and preparations, haven't changed since medieval times. The food that's been cooked in Tuscan kitchens for centuries still finds its way onto today's tables, the stories behind these recipes are still shared when the families sit together.

The cookbook author is lucky, she found her perfect match. Her husband Marco is the sommelier at the Four Seasons Hotel Firenze, he approaches wine with the same love, passion, and precision, with the same curiosity that his wife feels for food. He loves to dig into Italy's red and white classics and discover new tastes, the hidden gems from his country. To be able to chat about his finds and choices together with his guests and share the mutual love for good wine and food at the table is the greatest gift in his eyes. The story behind a wine maker, the philosophy, gets as much attention from him as the taste. "Ideally, you can taste the idea behind a wine."

Emiko and Marco, both experience food and wine with all their senses, but they also involve their intellect to discover new fields to learn from, to find new stories and flavors to stimulate their creativity. It's a passion vividly lived in their household and lovingly passed to the next generation. Their little daughter is already a skilled cupcake and cookie baker, watching what happens in her parents' kitchen with a curious eye. When we met, the young girl shared some of her baking secrets with me, just like her mother who prepared the fluffiest "naked ravioli" for us - Florentine spinach and ricotta gnudi.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world!

Ricotta and Spinach Gnudi

By Emiko Davies, from "Florentine: The True Cuisine of Florence"

(published by Hardie Grant, 2016)

Serves 4

• 350g / 3/4 pound firm ricotta, well-drained

• 300g / 2/3 pound cooked, chopped, well-drained spinach (if making from scratch, you need about 1 kg / 2 1/4 pounds fresh leaves)

• 2 eggs, beaten

• A pinch of salt, plus more for the water

• A pinch of ground nutmeg

• About 50g / 1/3 cup plus 1 tablespoon plain flour

• 50g / 3 tablespoons unsalted butter

• 20 sage leaves

• Salt and pepper for seasoning

• A handful finely grated Parmesan cheese, to serve

Mix the ricotta, finely chopped spinach, eggs, pinch of salt and nutmeg together in a mixing bowl. You should have a thick, compact mixture.

Place the flour in a shallow bowl.

With hands, roll walnut-sized spoonfuls of the gnudi mixture in your hands, and then in the flour until well-coated. Place on a lightly-floured board until they are all ready.

Prepare a large pot of water (salted with a spoonful of salt) and bring to a simmer. Carefully drop the gnudi into the water and cook for about 4-5 minutes or until they begin to float to the surface.

In the meantime, prepare the sauce by melting the butter in a wide pan over medium heat with the sage leaves. When butter is melted and before it begins to brown, add about 2-3 spoonfuls of the gnudi water and swirl the pan to create a thick sauce. Season with salt and pepper.

When gnudi are ready, remove them from the water with a slotted spoon and place in the sauce. Turn heat to low and swirl to coat the gnudi gently with the sauce. Serve immediately with the cheese.

Emiko, can you tell us a little bit about yourself?

I’m originally from Australia, but have been living in Florence since about 2005. I live in Stettignano, which is a little neighbourhood, hilltop town just outside of Florence and here from home I cook and write cookbooks and look after this wriggly one (her daughter, Mariú). I also write a lot of articles for other publications as well.

And you, Marco?

I’m originally from San Miniato, which is just outside Florence. I work with wine. I work as a sommelier in Michelin star restaurants and I help Emiko, or I try to help her as much as possible with cooking and looking after Mariú.

Why did you choose to dive into the cuisine of the Maremma region for your second book, Emiko?

The second book was basically inspired by 6 months where we lived in Porto Ercole, which is a little fishing village essentially, it’s quite small on Monte Argentario. It’s on the very, very, southern part of Tuscany, on the coast. It just struck me how different that part of Tuscany is from Florence and from the parts of Tuscany that are better known to most people. So I wanted to write about the cuisine there partly because it was so interesting being on the coast and having a cuisine that’s inspired by the seafood, as well as the mountains from that area. It’s really rugged and wild, and a mountainous area. And partly because it’s not very well known. So I wanted to tell the stories of this place that people don’t think of really as Tuscany. When most people think of Tuscany, they think of these rolling hills and olive groves and cypress trees around Florence, the Chianti or Siena, but I don’t think they think of the seaside, islands, and mountains, really.

How important is the connection between the recipes and the region where they come from?

In Italy, I think that every recipe is so connected to a place, either the landscape or the actual region. Even within Tuscany. This is something I wanted to show through the two cookbooks that I’ve written, even within one region the recipes can change from town to town. As many towns as there are in a region, you have that many recipes in many cases. With Aquacotta, talking about the Maremma, that was really evident. Even with towns that are only a 15 minute drive away from each other have their own versions of an aquacotta, for example, which is a soup. Florence itself, has dishes that you only find in the city of Florence. So not only are they Tuscan, they’re actually Florentine. Even a ten-minute drive outside of Florence, there are some dishes that you just won’t see anywhere else outside of that invisible boundary. That’s true for all of Italy – it’s the same! – which is why I really like to write about a place that I get to know by living here or even visiting. I find it just endlessly fascinating how a landscape, or the town culture or a city culture – but even smaller than a city, like what they call in Italian a paesina, a little town – changes from one place to the next.

So first it’s a place and then the recipes? 

Yes, although sometimes it’s the recipe first and I ask “why is the recipe just like that? Is it always just like that?” And then you get to know that landscape and “Oh! It’s because the landscape is this way, or there are certain things that grow there, or certain things that have always grown there, or there are certain things that you only see in a particular season.” Everything has a reason, I find, with Italian recipes. There’s always a reason why there’s that particular combination of ingredients in a recipe and it’s usually to do with the landscape.

So, what’s next?

I have a book that I’m starting to work on, which will be family recipes. There will be a little bit of Tuscany, but also a little bit of some other regions based on Marco’s family history. So we’re going to the south of Italy, and also going to the north of Italy, and then meeting back in the center.

How do you develop and approach new recipes for your books?

It depends on how I come across it to begin with. But the way I usually approach a recipe, it’s often inspired by the market or the season, or visiting a place that I’ve just been to where I’ve tasted something and I want to recreate that recipe. Or if it’s the market, it’s because I’ve seen something really wonderful at the market and I really want to do a recipe. Then I really have to delve into finding out what is really the most traditional version of that recipe and why is it that traditional. So I often go into the history of that dish, I look at historical cookbooks – I love reading historical cookbooks! – so I’ll look at those, maybe talk to people. If it’s at a market, often people at the market know something. Or if it’s not from this region, then I try and talk to somebody who is from that region. So for example, I’ve got sitting in my fridge at the moment a recipe for quince. I found these beautiful quinces at the market and I just couldn’t resist – they looked so beautiful! – I just bought a whole kilo of them and then I thought later, what am I going to do with them? I wanted to try a recipe from Mantova (Mantua) and I just happened to be at the market with a friend of mine who is from there. She told me her aunt’s recipe for Mostarda Montovana, which is a really spicy fruit compote that you eat with cheese. That recipe is one that dates back to about the 13th century and there are many different ways to do it but I was looking at the very traditional ways. It’s amazing because it hasn’t really changed much since then. The recipe that my friend, Anna, gave me is more or less the same recipe that is recorded in cookbooks from centuries ago!

Does it happen very often that you find recipes that haven’t really changed much over the past few centuries?

Yes, a lot! Particularly a lot of Tuscan recipes are like that with no changes over centuries. They’re the same and that is also something that I find really fascinating because I come from a country which is so young and doesn’t have that deep rooted food culture. It’s really a mishmash of things brought from all over the world, in one place. So I’m always fascinated by these old, old recipes that haven’t changed for several hundred years.

Where do you find inspiration for your creative work?

The inspiration for my work really comes from a lot of things. The market, yes, and the season. As soon as it starts getting a little bit chilly, I suddenly start wanting to make soups and stews and baking things, for example. But I also get a lot of inspiration from historical books and cookbooks. I have an art history background and a fine art background so I also love looking at still-life paintings. In Florence, at the Petit Palace, for example, there’s a collection of paintings of still life. One of the Medici dukes had an artist paint all the different varieties of fruit that they had in their garden. So there are these paintings of just figs, and there are maybe forty or fifty different types of figs, each one painted singularly, and the same with apples, paintings of just apples, all the apples they had. And all the lemon trees – they had quite a big citrus collection…

So when you don’t know what to cook, you go to the museum?

Yes! I find it amazing when you see these things and it’s hard to find a lot of those old varieties of fruit, but now they are starting to come back. Well, somebody’s decided to care about it and has started growing these heirloom varieties and you can start to see them sometimes at the market. So whenever I see something kind of unusual and it looks like something from a Renaissance painting then I go “What is that thing?! I really want to cook with it! What can I do with it?” There’s a little old lady that sells fruit and vegetables in Piazza Santo Spirito and she has these heirloom apples that are about the size of an apricot…

…which you know from the paintings…

Yes! I did actually find them in a painting. She said they’re called Francesca apples and they’re from Florence and I saw them in one of these paintings… It’s amazing!

Marco, what makes Italian wine so special?

That’s a big question! So the special thing about Italian wines is – actually it could be a bit of a double-edged sword – is how complicated it is. A lot of wines in the world, new wine regions, even old wine regions, are quite simple to understand. Italian wines, what makes them different, is quite similar to the food. Every region has its own grapes and each grape is treated in a different way to make different types of wines. There are a lot of different wines to be discovered. So there are a few famous wines, a few famous names, but what is actually interesting is what’s hidden under those famous names in each of the 20 regions.

Do you have a favorite wine region?

No, I don’t have a favorite region. I don’t even have a favorite wine! As soon as a wine sparkles my curiosity, or makes me think a little bit it becomes a favorite. I think the good thing right now is that a lot of tradition is meeting with a lot of innovation, and as a general rule, things are getting simpler. There are a lot of wine regions that aren’t really famous that are now coming out with amazing stuff at good prices, which is also important for wine. For example, some parts of Sicily, like Etna especially. It’s for me, right now, one of the best regions in Italy.

What do you love most about your job?

I love talking to people who know more about wine and food than me, so learning! And the idea that wine and food are going back to an idea of simplicity and good stuff.

Is it just about the taste or is the philosophy also important to you?

It’s not just about the taste. The philosophy is sometimes more important, for me at least – knowing the context of something. If you consider wine like food, you cannot just concentrate on the taste. It’s like saying, this tomato is delicious but we had to chop down bushes, etc. to make it. The philosophy behind it is important, the idea of the produce is very important. I think what makes the difference between a good wine and a bad wine is actually what’s behind it. I mean, it’s almost strange for me to isolate the taste. Sometimes something can taste very good, but it’s kind of soulless. If there’s an idea behind it, it almost sounds very romantic, but it’s almost like you can actually taste the idea behind the wine. So sometimes the idea is more important than the actual taste… if you can talk about an objective taste!

Emiko, can you please tell us about the pasta with broccoli please, it’s such a sweet story… the famous pasta!

(Laughing) Pasta with broccoli was a very improvised dish, but it was the first thing that I cooked for Marco when we were very early on in our dating phase, very early on. I really didn’t have anything in my fridge! At the time, I was living in this tiny, tiny apartment – the fridge was basically a mini-bar so to begin with I never had much in there anyway. Marco happened to be over and he happened to mention that he was hungry and I said, “Well, do you like broccoli?” and he said, “yes” which I found out later is….(Marco)…a total lie!It’s not his favorite food! If you couldn’t tell by the favorite things I like him to cook, he’s really into… he’s a protein man, less of an only vegetables man. But it was the only thing I had in my fridge so I made pasta with broccoli, a bit of garlic, some Parmesan cheese…

And did you like it, Marco?

I loved it.(Emiko, laughing) He said, “I’m going to marry you!” when he took a bite of it.

If you could choose one person to cook a meal for you, who and what would it be, Emiko?

It would maybe be my grandmother, my mother’s mother, who passed away about 10 years ago. I would just ask her to make me a normal dish that she would make on any normal day. Something that I have lots of memories of. When I was eating her food I was a lot younger – I wouldn’t have recorded everything like I do now when I’m eating with somebody, where I mentally note everything about the dish! I would definitely have another one of her dishes.

And you, Marco?

It would definitely be my grandmother and one simple dish that I’ve been trying to make as well as she used to but it never works out really. It’s the simplest thing. A piece of meat, crumbed with Parmesan, cooked in butter and white wine. For some reason, it just doesn’t come out as nice. And the best part is actually not the meat itself because it’s just a piece of meat, but it’s the sauce that you could probably finish off a whole loaf of bread in it.

Thank you, Emiko and Marco!

Meet In Your Kitchen | Jessica Koslow's Sqirl in LA & the Magic of Sorrel Pesto Rice

It's captivating to watch a craftswoman concentrating on her material, a carpenter choosing the right piece of wood, a tailor feeling the fabrics, or a chef taking about a new recipe and picking the right ingredients. Jessica Koslow is a craftswoman, but she's equally an artist gifted with a huge sense for freedom and creativity and this shines through every single one of her creations. She's also a scientist who critically re-thinks all the single components of a dish until the final result is complete, until the textures and flavors feel aligned, until it looks deliciously tempting. This woman is so much, which makes her one of the leading figures of a new powerful movement of female chefs in California, but also in the rest of the world.

Sqirl is located just around the corner from Vermont Avenue that leads straight to Griffith Park, the restaurant is almost unspectacular, pleasantly unpretentious and casual, but the dishes that come out of the kitchen can easily compete with Michelin starred restaurants. The open kitchen works smoothly, peacefully, every chef seems to deeply enjoy the part they have in the Sqirl universe, it's a bit like friends cooking, just more precise. Like the Sorrel Pesto Rice, inspired by Pierre Troisgros, the father of the nouvelle cuisine movement, that blew my mind: Kokuho rose brown rice, sorrel pesto, preserved meyer lemon, lacto-fermented hot sauce, watermelon radish, French sheep feta, and a perfectly poached egg spreading its shiny liquid yolk all over this vibrant composition. And the Sqirl Chicken Salad with Marin Sun chicken, bok choy, dehydrated citrus and root vegetables, grated carrots, and black garlic vinaigrette balances crunch and tenderness, sweetness and bitterness, it's a dish that excites and satisfies.

Jessica comes across as very relaxed, she laughs a lot, but when you ask her a question she pauses and takes her time to think, to answer with the same precision you can find in her dishes, in the same way that she designed her restaurant, and how she put her first cookbook together, Everything I Want to Eat: Sqirl and the New California Cooking. There is a vision that only she can see that seems to guide her in the right direction. She used to be a competitive figure skater which explains her discipline and dedication, and when she stopped at 19, she channeled her obsession into something new: food.

From then on it was all about cooking, eating, and tasting. She was fascinated by the moment when you put the first bite into your mouth and you're overwhelmed. That's the experience she wants to create at her restaurant and she knows that she only has this first second to reach and convince her guests' taste buds. She and her team are gifted with outstanding produce, which she honors in her creations and that she receives from farmers who are friends and part of her community. This is the foundation of her work: "Raw produce defines a season, it's the passing of times and in California, thankfully, it's such a delicious marker of time. Our produce is an exciting time stamp and a building block from there." The Sqirl world is about dishes that feel familiar and unfamiliar at the same time, they create comfort and inquisitiveness, it's about different layers and textures, using the raw natural produce, but also playing with it, fermenting, pickling, or dehydrating it. As exciting as it is to eat this woman's food, it's a pure pleasure listing to her words.

Sqirl is a breakfast and lunch spot only, but in 2018 Jessica will open a dinner place for all her begging, hungry fans, called Tel - keep your eyes and ears open!

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world!

Jessica Koslow's Sorrel Pesto Rice

Serves 6

• 3 cups (600 g) medium-grain brown rice, preferably Kokuho Rose

• Fine sea salt

• ½ cup plus 2 teaspoons (130 ml) extra-virgin olive oil

• 1 cup (25 g) lightly packed kale leaves (stems removed)

• 2 cups (50 g) lightly packed chopped sorrel leaves

• 3 tablespoons fresh lemon juice

• 2 tablespoons chopped fresh dill, plus more for serving

• 1 Preserved Meyer Lemon, flesh removed, peel finely chopped

• 2-4 small watermelon radishes, very thinly sliced

• ¼ cup (60 ml) Fermented Jalapeño Hot Sauce

• ¾ cup (85 g) crumbled sheep’s-milk feta

• 6 poached eggs

• Fleur de sel

• Freshly ground black pepper

Boil the rice in plenty of salted water until it’s tender, 30 to 45 minutes. Drain and let cool.

Meanwhile, make the sorrel pesto: In a blender or food processor, combine ½ cup (120 ml) of the oil, kale, sorrel, and 1 tablespoon of the lemon juice. Blend until smooth, stopping and scraping down the sides as needed. Season with salt to taste.

In a large bowl, toss the rice with the dill, preserved lemon peel, 1 table­spoon of the lemon juice, and the pesto. Taste and add a bit more salt, if needed.

In a small bowl, toss the radish with the remaining 1 tablespoon lemon juice, the remaining 2 teaspoons oil, and a pinch of salt. Set aside to marinate for a few minutes, until the radish is pliable and tender.

To serve, divide the rice among six bowls. Spoon a line of hot sauce across the rice. Arrange a little clump of feta on one side and a rosette of radish slices on the other side. Set a poached egg in the mid­dle of each bowl and season it with fleur de sel and black pepper. Gar­nish with a tiny sprig or two of dill.

Watch my interview with Jessica in LA in September 2017:

Thank you, Jessica! 

Jessica Koslow

Spaghetti with Asparagus, Burrata and Ramp Pesto

I think spring is my favourite season - until I feel the same in summer, autumn, or winter, depending on my mood. Spring offers a lot of drama and surprises. The changeover from the cold season is so drastic, so abrupt. There's so much energy around and inside me all of a sudden without even knowing where it's coming from. The temperature rises, nature's sprouting and flourishing at every corner, adding colour to a scene that was brown and grey only a few weeks ago. I welcome these changes with gushing excitement and open the doors to my kitchen for all those greens that are soon to come to my cooking space.

In the past couple weeks, the fragile leaves of fragrant ramps brought Mediterranean pesto back to our table. And crisp asparagus is next. The official harvest start of the white asparagus from Beelitz happened last week, so let the feasting begin! When I eat the white stalks, I'm quite a traditionalist. Young potatoes, ham, and Hollandaise sauce is all I need. But when it comes to green asparagus, I become more experimental.

This little lunch was as simple as it was stunning: I added the green stalks, boiled and very thinly sliced, to a plate of warm spaghetti, burrata (mozzarella di Bufala would also work), and ramp pesto. You could also go for a basil or arugula (rucola) pesto, but I enjoyed the subtle oniony flavour in my green creation. In case you disagree, you'll find the links to all three pesto recipes below. Buon Appetito!

Spaghetti with Asparagus, Burrata and Ramp Pesto

Serves 2

For the ramp pesto

(here you can find alternative recipes for basil or arugula pesto)

• ramps or ramson, leaves only, 1 medium bunch (around 60g / 2 ounces)

• parmesan 30g / 1 ounce

• olive oil 60ml / 1/4 cup

• salt 1/4 teaspoon

For the pasta

• green asparagus, the bottoms cut off, 1 pound

• spaghetti 150-200g / 5-7 ounces

• olive oil

• burrata (or mozzarella di Bufala) 200g / 7 ounces

• ramp pesto about 4 tablespoons

• flaky sea salt

• black peppercorns, crushed with a mortar

For the pesto, purée the ingredients in a blender or food processor until smooth and season with salt to taste.

Cook the asparagus in plenty of salted water for about 3 minutes or until al dente. Using a slotted ladle, transfer the asparagus to a colander (leave the water in the pot), rinse the stalks briefly with cold water, and drain. Using a sharp knife, lengthwise, quarter each stalk into 4 long pieces (including the heads).

To cook the pasta, put the pot you used for the asparagus back on the heat, bring the water to the boil (add more water if necessary), and cook the spaghetti until al dente. Drain, transfer back to the pot, and stir in a tiny splash of olive oil.

Divide the pasta and asparagus between 2 plates, folding the vegetable into the spaghetti. Break the burrata in half and place in the middle of each pasta plate. Drizzle with pesto and a few drops of olive oil (optional) and season with salt and crushed pepper to taste. Serve immediately.

Spaghetti with Lemon Pistachio Pesto and Mozzarella di Bufala

I love to end the year with a plate full of spaghetti. It gives me the kind of comfort that pasta masters to perfection. Its beauty and magic lies in simplicity - and in many happy carbs. This year's combination is tangy, a bit creamy, and nutty -  it makes me feel good and that's all I need. So here's my Mediterranean creation to celebrate the changeover from 2016 to 2017: spaghetti with lemon pistachio pesto and mozzarella di Bufala.

In the past 12 months of this turbulent year I felt my limits quite often and I flew higher than I thought I could ever fly without burning my wings. I saw my first cookbook being born, being celebrated during my book tour in Berlin, London, Malta, New York, and Washington. I saw the Eat In My Kitchen book reaching the New York Times' list of 'The Best Cookbooks of Fall 2016', which I still can't really believe. So much love and support came into my life, so much happiness has been spread through this book that feels like a baby to me. There were unbelievable highs, so many wonderful moments, moments that I will feel thankful for for the rest of my life. But there were also lows and losses that tore trenches into my heart that will hurt for the rest of my life. I lost a person who's been so close to me that I sometimes can't even say who's me and who's him. He was my mentor, my supporter, my biggest critic, my challenger. He was my friend, my most beloved Swabian, and my step father. I wouldn't be who I am without him, and I'll never again be who I was before he left this world. Eat In My Kitchen wouldn't be what it is without him.

I want to thank all of you for supporting me and my book, for being there and for coming back to these pages here on the blog. Eat In My Kitchen makes me grow every day, this blog makes me go back to my kitchen and experiment more than I would do if I didn't write about it. Thank you for being on this journey together with me.

Have a peaceful and joyful start to the New Year!

Meike

Spaghetti with Lemon Pistachio Pesto and Mozzarella di Bufala

Serves 2

For the spaghetti

• dried spaghetti 200g / 7 ounces

• olive oil

• mozzarella di Bufala, torn into bite sized pieces, 125g / 4 1/2 ounces

• flaky sea salt

• black peppercorns, crushed in a mortar

For the pesto

• freshly grated lemon zest 4 tablespoons, plus more for the topping

• freshly grated young Parmesan 4 tablespoons, plus more for the topping

• finely chopped shelled pistachios (unsalted) about 1 tablespoon, plus more (roughly chopped) for the topping

• olive oil 3 tablespoons

• fine sea salt

In a large pot filled with salted water, cook the pasta until al dente. Drain and stir in a little splash of olive oil.

For the pesto, in a medium bowl, whisk together the lemon zest, Parmesan, pistachios, and olive oil and use the back of a spoon to press the Parmesan into the oil until well combined. Season to taste with salt.

Divide the spaghetti and mozzarella di Bufala between plates. Sprinkle with pesto, additional lemon zest, Parmesan, and pistachios. Season to taste with flaky sea salt and crushed peppercorns, serve immediately.

Artichoke, Ricotta and Orange Ravioli

If you decide to make your own homemade pasta, be prepared that you'll never be able to eat store bought pasta again (you'll feel less satisfied with it at the very least) - and that you won't feel your arms and abs for a couple days. To knead the dough by hand is necessary and labor-intensive. I had moments when I felt slight doubts about whether the crumbly mixture in front of me would ever turn into a smooth ball, but it worked. I needed all my patience and muscle power to get there, but the result tasted so good that I'd do it all over again (after my muscles got some rest).

My pasta project started last Friday and ended on Saturday afternoon. I first tried a recipe by Sicilian chef Dario Cammarata who only uses plain flour, durum wheat semolina, salt, egg yolks, and olive oil. The result tasted amazing, but getting there was so much harder than what I remembered from when I visited the chef in his kitchen in Frankfurt earlier this year. What seemed so easy in Darios's hands, didn't want to work as smoothly in my own.

Dario taught me that ravioli are best when they are made with egg yolks and not whole eggs. I have no doubt that this is true, the texture is light and perfectly al dente. But to knead my own dough made of 10 egg yolks, flour, and semolina almost made me cry. The mixture was so hard and fragile, I needed an alternative that was less stressful. I still used my egg yolk dough to make a few ravioli, which were perfect, and I made tagliatelle. And these were the best tagliatelle of my life - taste, texture, and thickness were spot on!

Early the next morning I went back to my kitchen. More eggs in the bowl (this time including the egg whites), with a fresh and open mind and a quenchless appetite for fresh pasta, I felt optimistic. Kneading the dough still required some serious muscle power (maybe it's just me, my arms are not the strongest), but it was manageable. And this time I totally enjoyed pulling the thin layers of fresh pasta through my KitchenAid pasta attachment. I needed about two test sheets, but then I was in business. They were so thin that I could see my hand through them.

For my first homemade ravioli, I chose a filling that still allowed me to enjoy the fine taste of the egg pasta. After all this work it didn't feel right to knock it out. The combination of preserved artichokes and fresh ricotta refined with a little orange zest was just right, present, but not overpowering. I served it with melted butter and golden artichoke hearts, briefly seared in the sizzling fat. A little crushed pepper and some more orange zest, and my work was done.

My KitchenAid has three pasta attachments and I'm particularly fond of the tagliatelle cutter. Once I was done with the ravioli, all the shorter pieces and leftover dough went through this attachment and they were perfectly cut into the thinest, tastiest pasta. Cook it al dente and add a knob of butter, freshly grated aromatic hard cheese, and black pepper, and you'll have the best meal ever. Buon appetito!

Artichoke, Ricotta and Orange Ravioli

Homemade ravioli are time and labour-intensive. They are a great starter or main dish for a dinner party, but I recommend preparing them a day in advance to keep it stress free. Freeze them (uncooked) and cook them in boiling salted water just before serving for 4 minutes. I recommend using a pasta machine for this recipe.

Makes 20-24 ravioli / serves 2-4

For the pasta dough

• plain flour 150g / 1 cup plus 2 tablespoons

• durum wheat semolina 150g / 5 1/4 ounces

• fine sea salt 1/4 teaspoon

• large organic eggs 3 plus 1 egg yolk

• olive oil 1 tablespoon plus 1 teaspoon

• water, cold, 1 tablespoon

For the filling

• preserved artichoke hearts, drained and squeezed, 160g / 6 ounces

• fresh ricotta 125 g/ 4 1/2 ounces

• olive oil 1 tablespoon

• freshly grated Parmesan 25g / 1 ounce

• a pinch of freshly grated orange zest

• fine sea salt

• ground pepper

For serving

• butter 4 tablespoons

• preserved artichoke hearts, drained and cut into 6 pieces each, 2

• Parmesan

• black peppercorns, crushed

• a little orange zest

For the pasta dough, in the bowl of a stand mixer fitted with the dough attachment, combine the flour, semolina, and salt. Add the eggs, egg yolk, and olive oil and knead for about 5 minutes (I set it on '4' on my KitchenAid). If it's too dry, add 1 tablespoon of water, but not more. If it's too sticky, add a little semolina and flour. On the counter top or on a stable table, using your hands, continue kneading the dough for about 15 minutes until smooth. It will still be firm. I find it easiest to leave it in the shape of a thick disc for the first 5-7 minutes, punching and kneading it, and scraping the crumbs together. Then I knead it and roll it into a ball (see pictures below). Form a ball, wrap it in cling film, and let it rest in the fridge for 1 hour.

For the filling, purée the artichoke hearts, add to a bowl along with the ricotta, olive oil, Parmesan, orange zest, salt, and pepper. Whisk until smooth and adjust seasoning.

Divide the dough into 4-8 portions (depending on the width and power of your pasta machine). Roll out 1 portion with a rolling pin until it's thin enough to fit into your pasta machine. I started using position '1' on my pasta attachment, using the speed setting '2'. Pull the dough through the pasta machine twice, fold it in the middle, flatten it a little with the rolling pin if necessary, turn it 90°, and pull it through the pasta machine. Continue 2-3 times. Change to a thinner setting (I used '3') and pull the dough through the machine about 3 times, without folding it. Using a knife, straighten the sides of your pasta sheet and cut off excess dough. Continue using the thinner settings of your pasta machine until you can see your hand through the dough (I used '5' and then '6' at the end). If the dough is too sticky, use semolina, but no flour.

Sprinkle the rolled out pasta layer with semolina, fold it gently, and cover with cling film. Continue rolling the remaining dough.

Sprinkle a large baking sheet with semolina. Bring a large pot of generously salted water to the boil.

Lay out a layer of pasta and mark it with circles, using a 7cm / 3" round cutter (or whatever size and shape you prefer). Add a teaspoon of the filling in the middle of each marked circle. Dip your finger in water and wet the rim of the circles. From a second sheet of pasta, cut out circles of the same size, lay on top of the filling, and using your finger, push around the rim (see picture above). Using the cookie cutter, cut out the ravioli and press a little fork all around to seal the rim (see picture below). Transfer the ravioli to the prepared baking sheet.

In batches, cook the ravioli in the simmering water for about 2-3 minutes or until al dente.

To serve the ravioli, in a saucepan, heat the butter over high heat until golden brown, add the artichoke hearts, turn gently, and sauté for 1 minute.

Serve the ravioli sprinkled with the butter, Parmesan, orange zest (optional), and crushed pepper and lay the sautéed artichokes on top.

10 Pumpkin recipes to inspire your Thanksgiving table

Thanksgiving calls for pumpkin on the table, lots of pumpkin! Since winter squash is so versatile, I wouldn't mind having a festive meal dedicated to these gorgeous beauties in orange, green, and golden yellow. Nibbles, soup, main, and dessert - I'd be up for a pumpkin celebration.

When it comes to the main course, we have two options, we can either go vegetarian and in this case I strongly recommend the Pumpkin Crespelle with Ricotta and Sage - although the Pumpkin Gnocchi wouldn't be a bad choice either. However, if you need some meat on your plate, I'll share my suggestions with you tomorrow. But we can already start thinking about the sides and there's a universe of options. Gnocchi always work, there's no doubt that their spongy softness is perfect to soak up the juices of a roast, or you can go for maple orange pumpkin with sage and walnuts from my tartine recipe below (without the bread); pumpkin, stilton, and rosemary is also a very pleasant combination (taken from another sandwich recipe below). Roast it, cook it, sauté the squash - thinly sliced - in a pan (like in the Hokkaido Pumpkin Spaghetti), or bake a soufflé. If you want to keep the crowd entertained while you're cooking, serve the Pumpkin Pesto, Date, and Chèvre Sandwich and everybody will be happy.

Click on the titles for the recipes

Pumpkin Crespelle with Ricotta and Sage:

Pumpkin Pesto, Date and Ripe Chèvre Sandwich:

Pumpkin and Sweet Potato Soup with Chèvre:

Pumpkin Taleggio Quiche with Crisp Sage:

Hokkaido Pumpkin Spaghetti:

Maple Syrup and Orange Pumpkin Tartine with crisp Sage and Walnuts:

Pumpkin Gnocchi with Walnut Pesto:

A Bun with Butternut Squash, Stilton and Rosemary:

Pumpkin Pie with Coriander Caramel:

Pumpkin and Ginger Brack:

Camping deluxe - Farfalle Pasta with Figs, Mozzarella di Bufala & Honey Butter

Although I can't really call myself an experienced camper, I'm fascinated by the idea of setting up a tent in the middle of nowhere and keeping the signs of civilization to a minimum.

I got my introduction to camping through my boyfriend. To avoid unnecessary difficulties, he chose wisely and decided to give it a go when we were in his home country - a place where you're never really completely cut off. He convinced me to take a boat to Comino, Malta's tiny sister island, which is just the right size to jump bravely into our first outdoor adventure without having to worry about too many risks. Our 'captain' dropped us off at the shore, along with our two bags, a tent, and a cooling box. It was August, it was unbearably hot, and I found myself in the middle of the Mediterranean Sea, on a rocky island. There was not a single tree in sight. My boyfriend, however, looked at the situation with far more optimism. He knows Comino like his back pocket, thanks to countless trips as a child. He set up our rather basic looking tent within less than 10 minutes, with a little help from his clueless German girlfriend (I really tried hard not to be a burden). And when we were done, we jumped into the gentle waves in a lonely bay and I felt a bit like Robinson Crusoe. All of a sudden I started to like this camping idea.

To prepare our dinner, I collected some twigs and my man made a fire. We even managed to exchange a few of our tomatoes from the cooling box with the fresh catch of a passing fisherman. Then I got comfortable: I couldn't help but turn the rocks around me into a little desert island kitchen. Olive oil, salt, and pepper were ready to marinate the fish and vegetables for our DIY BBQ and we sat down with a glass of wine (a gift from the fisherman). This dinner tasted so good that I could have cried. Maybe that's part of the whole camping experience, you're very close to nature, you depend on the weather, the sunlight, the sea, and the food that nature (or your cooling box) offers you. It makes you humble and it opens your senses, everything feels more intense. To smell, taste, feel, and see is essential when you live in and around a tent or camper van. The night came early and covered our little island in the deepest darkness. As soon as the sun sank into the sea, I felt more sleepy than usual, but also more peaceful. I brushed my teeth in the calm sea and went to bed.

Most of my activities on the Maltese Islands are documented in thousands of pictures, but the idea of camping - at least in my eyes - is about being unplugged and as far away from any technical devices as possible. So there's no photographic evidence of my first or our following Comino camping adventures. However, when I spoke to my mother about camping recently, she brought many stories and pictures back to mind that I hadn't thought of in decades. My parents and my sister went to the Camargue, in southern France in the 70s, to a place with the beautiful name Saintes-Maries-de-la-Mer. They didn't have a tent but an old Volkswagen van. I always loved the old photographs, of them on the beach and in old villages, on ancient narrow cobblestone streets. The ease of a camper on their faces. One of the nicest camper vans I know belongs to our friends Luke and Jessica in Malta. Their gorgeous four wheeled gem is baby blue, built in 1968, and its restoration took them 10 months, but all the patience, sweat, and love they put into it was worth it.

Stephanie Le from Canada also shared her love for camping with me in our meet in your kitchen feature a few weeks ago. She's a pro, she even manages to create a Beef Stroganoff when she's out in the woods. Stephanie made me think about the culinary challenges that you have to face when you limit your life to a few bags and a grill or gas stove. It also makes a huge difference if you're in a place that still allows you to forage, or where fishermen offer you the best fish you ever tasted in your whole life. I'm talking about a rather romantic kind of camping here, away from the crowds and civilization and its disturbing visual and acoustic side effects.

Let's say you'll be out in the wilderness, for 1-2 nights, and you can upgrade your meal with some fruit and dairy products, the cooling box will keep it fresh for a day. When Volkswagen asked me to come up with a recipe - an eat in my kitchen on the road creation - I couldn't help but think of camping deluxe. A kind of camping that satisfies the longings of a gourmet who ended up off the beaten track. The senses stimulated by the whole outdoor experience, ready to be caressed by a beautiful plate of farfalle with ripe figs, creamy mozzarella di bufala, velvety honey butter, and fragrant basil. The dried pasta and honey are easy to store, the figs and herbs can be kept in a lunch box, and the mozzarella and butter stay fresh in the cooling box. This would be my ideal treat for a night under the clear black sky.

For more delicious recipes and kitchen inspiration, visit Volkswagen's Pinterest community board Food Blogger for Volkswagen.

Farfalle Pasta with Figs, Mozzarella di Bufala and Honey Butter

Serves 2

• farfalle pasta 200g / 7 ounces

• butter 3 tablespoons

• honey 1 1/2-2 teaspoons

• large figs, cut into 8 wedges each, 2

• mozzarella di bufala, torn into pieces, 125g / 4 1/2 ounces

• fresh basil leaves, a small handful

• black peppercorns, crushed in a mortar

• flaky sea salt

Cook the farfalle in salted water until al dente.

In the pot used to cook the pasta, heat the butter and honey and whisk until combined. Mix in the farfalle, stir, and divide between 2 plates. Arrange the figs, mozzarella, and basil on top and season with crushed pepper and flaky sea salt to taste.

Enjoy warm or cold.

meet in your kitchen | Marina Fabic's Maltese Summer Feast at Villa Bologna

When you meet someone who follows a passion with dedication and humility, who loves every single part of the process of creation, you should stop to witness art in its purest form. Marina is this kind of person. She's very close to nature and loves to include all her senses in her work. Whatever she does, she uses her eyes, her nose, her taste, her sense of touch to get the whole picture. Her perception is holistic, she's a true artist, and I adore her for this reason. Food is her profession, her feel for simple yet stunning combinations of flavours is outstanding. To watch her picking fruits and vegetables in the extensive gardens of Villa Bologna, foraging for wild fennel, chives, and allspice is calming, as you can see a woman who has found her peace.

The first time we met, this Swedish lady caught me with her smile. It was at a lavish lunch at a mutual friend's palazzo, at last year's meet in your kitchen feature with Alex and Benjamin. Marina and I clicked straight away and decided to meet so that she could show me the place where she had just started a restaurant - which soon became the restaurant that all of our friends in Malta started talking about: The Villa Kitchen at Villa Bologna. Be it for a romantic dinner or a birthday garden party, everybody who loves food wants to visit Marina's kitchen in the heart of Attard where the stunning villa is located.

Villa Bologna was built in 1745 by Fabrizio Grech, as an extravagant wedding gift to his daughter Maria Teresa, married to Nicholas Perdicomati Bologna, the namesake of the opulent Baroque villa. One of the family's most politically influential descendants, born in 1861, was Gerald Paul Joseph Cajetan Carmel Antony Martin Strickland, 6th Count della Catena, also known as the 1st Baron Strickland. The busy Lord's roles included being Prime Minister of Malta, Governor of the Leeward Islands, Governor of Tasmania, Governor of Western Australia, and Governor of New South Wales, in addition to being a member of the House of Commons and House of Lords in the Parliament of the United Kingdom.

Over hundreds of years, the members of this aristocratic Anglo-Maltese family left their marks in Malta, both politically and culturally. The Stricklands are part of the Mediterranean archipelago, their roots are British, but their influences combine English and Maltese traditions. Lord Strickland and his first wife, Lady Edeline Sackville-West, had eight children. One of their daughters, Hon. Mabel Edeline Strickland, was an exceptional and remarkably modern woman of her times. She was a pioneer of emancipation, co-founder of The Times of Malta and one of the principal political leaders of the 1950s. Her older sister, Hon. Cecilia Victoria Strickland, established a strong support for the arts. Cecilia founded an arts and crafts institute in the 1950s and archived numerous traditional Maltese blue prints for lace and fabric patterns. She understood the importance of protecting the arts and knowledge of former generations. The traditional pottery attached to the premises still uses the old patterns for its beautiful designs, to create plates and platters that turn every table into a Maltese feast. I love the minimal design and its strong colours, which seems so modern even in our days, all hand painted on robust white ceramic.

Although times have changed, the villa is still a place to learn about the past and appreciate the crafts of former generations. Cecilia's son, Gerald de Trafford, and his wife Charlotte opened the villa to the public eye for weddings and events in the 1980s. Their son Jasper has taken care of the villa since 2009 and initiated further projects. The current restoration of the representative rooms on the villa's ground floor should be finished in autumn, when guided tours will be offered by appointment. The visitors will get an idea of the original life at Villa Bologna. To present the house in all its glory, Marina is strongly involved in the creative process of going through hundreds of years of furniture, artworks, and tableware, as is Jasper's mother Charlotte who has called the villa her home since she was a young woman.

Marina left London, her former home, two years ago to come to Malta and live here with her boyfriend Dom Strutt who's a close friend of the Strickland family. She brought many years of catering experience with her, which she gathered while working as a chef in England's capital. As soon as she arrived on the island, she started building up The Villa Kitchen, aiming for an honest, simple, and creative style of Mediterranean cooking. Marina and I have a similar approach in the kitchen, we try to avoid too many ingredients and distractions, just the right combination, with maybe one element that breaks the usual pattern. Marina's next step is to transform her vision from food to perfume. Her senses and sensitivity that guide her explorations of the culinary world work just as well in the world of aromas and led to three unisex perfumes united under the name Neroli & Spice. The beautiful perfumes enticed me with strong notes of spices and citrus, they will be launched this autumn, at the same time as my book, which I'll celebrate at an event at Villa Bologna. Somehow, Marina and I have had a strong bond ever since we first met under the hot Mediterranean sun.

Last week, we met to cook together and Marina turned lunch into a summer feast with family and friends from London, Malta, and Sweden. She caressed our taste buds with Gazpacho made with tomatoes and peppers fresh from the garden, refined with anchovies - her little secret - to enhance the vegetables' flavours. The fish is not dominant, but delicious. The meal moved on to swordfish marinated in lemon oil and linguine with an amazing pesto made with lots of pistachios, fennel, and parsley, accompanied by oven roasted aubergine with pomegranate and warm rosemary focaccia. The dessert was divine, but I'll keep it a secret for now and share it next Sunday, it's one of Marina's famous signature dishes!

Marina's recipes for a summer lunch

Gazpacho Soup

Marinated Swordfish with Pistachio Sauce and Linguine

Oven Roasted Eggplant with Pomegranate and Mint

Serves 4

For the Gazpacho soup

• 1kg / 2 1/4 pounds best ripe tomatoes

• 1 red pepper

• 3 anchovy fillets

• 2 garlic cloves

• 100ml / 1/3 cup plus 2 tablespoons best extra virgin olive oil

• 1 tablespoon balsamic vinegar

• sea salt

• dash of Tabasco

• a handful of fresh basil leaves, plus a few chopped leaves for serving

• 4 ice cubes, for serving

Blend everything in a food processor till smooth, season to taste, and chill. Divide the Gazpacho soup between bowls, add an ice cube, and drizzle with a few drops of olive oil and some chopped basil.

For the swordfish

• 150-200g / 5-7 ounces swordfish steak per person

• juice and zest of 1 lemon

• fresh rosemary, chopped

• extra virgin olive oil

• sea salt

• black pepper

Spread the swordfish on a large plate. Combine the lemon juice, lemon zest, rosemary, a generous splash of olive oil, salt, and pepper, add to the swordfish, and mix well, using your hands. Let it marinate while you prepare the pistachio sauce.

For the pistachio sauce

• 1 tablespoon fennel seeds

• 100g / 3 1/2 ounces unsalted pistachio kernels

• 2 cloves garlic

• large bunch of parsley

• juice and zest of 1 lemon

• 100ml / 1/3 cup plus 2 tablespoons best extra virgin olive oil

• sea salt

In a dry frying pan, toast the fennel seeds first and then the pistachios till fragrant.

Grind the fennel seeds in a pestle and mortar. Grate or finely chop the garlic. Chop the pistachio nuts and parsley quite finely and mix the dry ingredients in a bowl. Add the lemon juice and olive oil bit by bit to create a sludgy texture. Season with salt to taste.

For the oven roasted eggplant with pomegranate

• 2 medium size purple eggplant

• olive oil

• sea salt

• 1 pomegranate

• fresh mintpomegranate syrup (optional)

Preheat the oven to 220°C / 425°F.

Slice the eggplant lengthwise and spread on an oiled baking sheet. Drizzle a little olive oil on top, sprinkle with a pinch of salt, and roast in the oven for 15-20 minutes or till dark golden. Let the slices cool to room temperature and layer on a serving dish. Sprinkle the pomegranate seeds and chopped mint on top and drizzle some syrup over, if using.

For the pasta

• 500g / 17 1/2 ounces linguine pasta

Cook the linguine till al dente while cooking the swordfish: In batches, panfry the swordfish steaks in olive oil, about 5 minutes on each side over medium-high heat or till slightly golden. They should be just cooked through.

Divide the swordfish, pasta, pistachio sauce, and eggplant with pomegranate between plates and enjoy.

You grew up in Sweden and lived in London for 20 years, but you've lived in Malta for the past few years, what made you settle in the Mediterranean?

My friend Jasper de Trafford, the owner of Villa Bologna was looking for someone to set up a cafe / restaurant at the villa and I had been looking for the right opportunity to change my London lifestyle. It was the perfect chance for us both to start a new venture.

Was it hard to switch from a northern European to a southern European culture? What do you like about the Maltese way of life?

No, it wasn't difficult at all. I’ve always had it in my blood since my father is Slovenian and I spent much of my childhood in Portoroz on the Adriatic. I love the Maltese way of taking each day as it comes and the enthusiasm for new projects and the friendliness of the people. It’s made me feel very welcome here and has made it easy to settle in.

Do you remember what you felt when you first visited Villa Bologna?

I first visited six years ago for Jasper and Fleur’s wedding party at the villa and I was totally smitten by its' enchanting beauty and charm.

Having run The Villa Kitchen restaurant at Villa Bologna for 2 years, what do you enjoy most about being a chef and about cooking in general?

The best thing for me is the creative process of putting together local and seasonal produce in an endless variety. The villa has its' own organic fruit and vegetable gardens so there is always fresh and delicious ingredients to use. It’s a cook's dream to be able to pick and choose straight from the field to the table, so to speak. It’s also amazingly satisfying to have happy customers enjoying our food!

What inspired you to start a career in food?

Food has always been a passion for me and I suppose that I’m a natural cook. I had an opportunity to set up a catering business in London with Andrea Bauer-Khadim, formerly of Grosvenor House and Somerset House, called Wild Peacock Events. We catered for high end occasions from weddings to intimate dinners and cocktail parties. This gave me experience in working with food on a professional level and gave me confidence to start The Villa Kitchen here in Malta. My mother Britt-Marie also encouraged me and helped me set up the cafe from scratch. She has been an enormous help and a very hands-on collaborator particularly in developing fantastic products for our shop, such as marmalade, chutneys and cordials.

You'll be launching your first perfumes this autumn. Are there similarities in working with food, which needs the attention of all of your senses, and with fragrances, which are purely developed with the help of your nose?

Yes, this may seem like a departure from food and cooking but for me it’s very much a continuous progress. When cooking, I focus on the layering of flavours and balancing spices, herbs and other ingredients in order to achieve a whole result. There are many similarities in creating perfumes using Mediterranean scents such as citrus, spices, herbs and botanicals. The process of layering and balancing to create a specific vision is similar whether olfactory or gourmet. This crossover inspired me to create Neroli & Spice, which is launching as a niche perfume house soon. My best friend Gunilla Freeman is my partner in this venture and she brings business savvy and a brilliant eye for detail.

Do you have the final composition in mind when you start working on a dish or a perfume or do you add ingredients until the result fits your vision?

I’m strongly influenced by my travels - in particular to Egypt and North Africa - and places which hold a special place in my heart, both when creating dishes and perfumes. So I start off with a sensory memory or picture, which I then aim to evoke through experimenting and mixing until I feel that the result is right.

Where do you find inspiration for your creative projects? How do you develop new recipes - for food and perfumes?

Inspiration comes from my impressions and experiences through travel, culture and my background as a Scandinavian with roots in the Mediterranean, having lived in Sweden, Slovenia, London, Los Angeles and now Malta.

What are your future projects for Villa Bologna?

My main focus will be on curating and putting together the main rooms in the villa for it to be opened to the public. I am collaborating with the de Trafford family to create a unique insight into the way of life at this grand historic house which has been in the same family since it was built in 1745. There will be guided tours and we are looking forward to welcoming visitors to one of the finest baroque houses in Malta with its beautiful gardens and ancient citrus groves. It was the home of Jasper de Trafford’s great grandfather Lord Strickland who was Malta’s prime minister in the 1920’s as well as his daughter Mabel Strickland who founded The Times of Malta. The Villa has been used as a film location on numerous occasions and I’m sure visitors will be interested in seeing where famous actors have starred! We will also host some very special events, such as a Christmas market and classical concerts. I’m also creating a perfume especially for Villa Bologna, called Sans Mal, which is the family motto!

What was the first dish you cooked on your own, what is your first cooking memory?

I think it was a chicken curry with peanuts and banana for a party as a teenager but I remember helping my grandmother make jams and cakes as a child. Both my grandmothers were amazing cooks.

What are your favourite places to buy and enjoy food in Malta?

Malta’s has a fantastic climate which produces an abundance of fruit and vegetables all year round. For me, the best places to buy are from the farmers market in Ta Qali and from local grocers specially in my home village of Siggiewi and the farming area of Mgarr. Some of my favourite restaurants are Michaels in Valletta, Il Corsaro by the Blue Grotto, Ta Majjistra in Mgarr and Carmen’s Bar in Ghar Lapsi, where we swim every day. The Corinthia Palace hotel is also a great place to eat. I prefer simple down to earth restaurants who use the best local produce, where one can relax and enjoy the atmosphere.

If you could choose one person to cook a meal for you, who and what would it be?

I’d ask my mother to cook creamy chanterelles on toast with mint chocolate mousse for dessert. We would sit in the garden of our summer cottage by the sea in Sweden.

You're going to have ten friends over for a spontaneous dinner, what will be on the table?

Well, I would throw together a tagine or curry or some other one-pot dish with a fresh salad from the Villa Bologna gardens. There are usually a few different ice creams and sorbets in the freezer on standby to finish off with. During the orange season I can just go and pick some delicious fruit as well.

What was your childhood's culinary favourite and what is it now?

I loved my paternal grandmother’s apfel strudel and my maternal grandmother’s roast veal with her delicious creamy sauce, with prune soufflé to follow. I still love these dishes but I suppose I have expanded my taste somewhat. I really love good Dim Sum and a visit to The Royal China in London is always a must.

Do you prefer to cook on your own or together with others?

I prefer to cook on my own with an assistant for other people to enjoy!

Which meals do you prefer, improvised or planned?

I’m definitely an improvised cook and love spontaneous meals.

Which meal would you never cook again?

Anything too fiddly and I would prefer never to cook for a wedding again, it’s far too stressful.

Thank you Marina!

Lemon Mascarpone Risotto with Crispy Sage

Since I started sharing my recipes on eat in my kitchen, I've been wanting to make this risotto. It took a while, but here it is:

I don't know why, but there's something about risotto that only inspires me when I see the cooked rice on my plate, ready to dig a fork into the white grains. I can't say that I don't like risotto, indeed, I find it delicious when it's made well, but somehow it's not an easy relationship. Originally I had something more puristic in mind: just lemon zest and juice stirred into Arborio rice cooked to creamy perfection. I had enough time to think about the recipe - about 2 and 3/4 years - so it changed a little over the years and in the end, the composition became a bit more refined.

I cooked the starchy grains with a few slices of the citrus fruit's tangy peel, a dash of white wine, and my homemade vegetable broth, which I always keep in my freezer in stacks of tupperware. When the texture was just right - neither too soggy nor too dry - I stirred in a scoop of rich mascarpone and let it sit for a minute. While the rice thickened, I took out the pan and fried some fresh sage in butter for less than 20 seconds. The leaves should retain their deep green colour and only become a little golden and crispy. If they turn too dark, you can throw them in the bin, they will be bitter and inedible. I grated Parmesan and a bit more lemon zest on top and enjoyed one of the lightest, freshest, and most summery risottos I can imagine. Needless to say, a glass of white wine goes very well with the citrusy version of this Italian classic.

Lemon Mascarpone Risotto with Crispy Sage

Serves 2

• olive oil

• butter 2 tablespoons

• medium onion, finely chopped, 1

• Arborio rice 200g / 7 ounces

• white wine 60ml / 1/4 cup

• vegetable broth about 900ml / 3 3/4 cups

• long strips of lemon peel 4

• mascarpone 2 tablespoons

• salt

• ground pepper

• large fresh sage leaves 12

• freshly grated lemon zest 1-2 teaspoons

• freshly grated Parmesan 1 tablespoon

In a large pot, heat a splash of olive oil and 1 tablespoon of the butter over medium-high heat. Add the onion and cook, stirring constantly, for about 2-3 minutes or until golden and soft. Stir in the rice and cook for 1 minute. Add the wine and a ladle of the broth, the rice should be covered. Stir in the lemon peel and reduce the heat to medium-low. Add more broth when it's all soaked, a little at a time, stirring gently. When the rice is al dente and the broth is more or less absorbed, take it off the heat, and stir in 1 tablespoon of mascarpone. Season with salt and pepper to taste, close with a lid, and let the risotto sit for a minute.

In a small saucepan, heat 1 tablespoon of the butter over high heat and add the sage leaves. Let them cook for about 20 seconds or until golden and crispy, but still green.

Divide the risotto between 2 plates, drizzle with the sage oil, and sprinkle with the sage leaves, lemon zest, and Parmesan.

Pasta with Sun-Dried Tomato and Pistachio Pesto and a new Saturday ritual

We started a new ritual and that's to spend our Saturdays without any electronic devices, preferably in the countryside. It's just the two of us, no duties, meetings, parties or anything, we just go with the flow and see where our mood takes us. I can't even say which part of this ritual I enjoy more, the fact that we leave the city for a few hours or that I have 24 hours without emails, Instagram or any other social network activities. I love it.

Last Saturday we spontaneously decided to take the bus to the west of Berlin to have a cup of espresso in my aunt Ursula's kitchen. She and my uncle Uwe make the best coffee in town and whenever I announce our visit, I can be sure to find a few pieces of cake on their table - they know me well. The espresso tasted so good that I had to have 2 doppio, which made me a bit hyperactive and ready for the next adventure. We wanted to visit Berlin's best farmers market at Karl-August-Platz, but we got "stuck" on Kantstraße, a street famous for its Asian restaurants. We stopped at a restaurant that I've been wanting to test for years, but unfortunately, it didn't meet my expectations. We ordered 6 dishes and none of them really struck me. The problem with hyped food places in the city is that you expect something outstandingly amazing if so many people talk about it. So if it's just average, it's disappointing. Our dessert was ice cream from the supermarket, which I don't do very often, but it never lets me down and it's a reminder of lots of good childhood memories. Stuffed and happy we walked to a small lake and fell asleep in the warming sunlight. The whole scene felt a bit Roman: Two happy people after a lavish meal taking a nap on a blanket in the grass.

Revitalized, we drove back home, planning our dinner of white asparagus, fresh from the fields in Beelitz. It wouldn't be a proper Saturday if our plans didn't change with our mood. We stopped by at our favourite local wine shop to buy a bottle of rosé for our meal, but the little bistro tables looked so inviting that we couldn't resist sitting down for a glass of German Weissburgunder, some lemon olives, and an asparagus quiche. We got chatty and silly and stayed until 11pm, needless to say, we didn't stop after the first glass.

We haven't made any plans for next weekend yet, but at one point there will be this pasta dish on the table again, which I came up with last week and got hooked on. It's a quick pesto made of sun-dried tomatoes and pistachios, the combination is divine, and it's even better when it's stirred into warm spaghetti. It also works very well as a thick spread on rustic white bread, the perfect nibble along with a glass of chilled German white wine. There's one thing that our Saturdays have in common, there's often a bottle of good wine involved - la dolce vita for a day!

Here's my recipe for another sun-dried tomato pesto, with rosemary and thyme.

Pasta with Dried-Tomato and Pistachio Pesto

Serves 2

For the spaghetti

• dried spaghetti, about 200g / 7 ounces

• flaky sea salt, for the topping

• black peppercorns, crushed in a mortar, for the topping

For the pesto

• sun-dried tomatoes, preserved in salt, 50g / 1 3/4 ounces

• salted shelled pistachios 60g / 2 ounces, plus a few chopped pistachios for the topping

• olive oil 60ml / 1/4 cup

• garlic, crushed, 1 large clove

In a large pot, cook the spaghetti in boiling salted water until al dente.

In a small saucepan, cook the sun-dried tomatoes in a little boiling water for about 3-4 minutes or until soft. Reserve the water and rinse the tomatoes under cold water. Pat them dry with paper towels.

In a food processor or blender, purée the dried tomatoes along with 4 tablespoons of their cooking water, the pistachios, olive oil, and the garlic until smooth. Add more of the cooking water and olive oil if the pesto is too dry.

Divide the pasta between 2 plates and stir in some of the pesto. Sprinkle with chopped pistachios and season with flaky sea salt and crushed pepper to taste.

You can use any leftover pesto as a spread on bread.

Spaghetti with Pea Pesto, Roast Garlic, and Fresh Marjoram

So now that spring has officially begun, the leaves on the tree in front of my living room window should start sprouting in fresh crisp greens, the birds should sing all day, and the rosé wine should fill the glasses to welcome the new season. But - apart from the pink wine - there isn't the slightest sign of bright sunshine and rising temperatures in the city. It makes no sense to despair, so I use the kitchen to create the atmosphere I'm after instead. The wine is chilled, the spaghetti's cooked, and a bright green pesto of sweet peas (frozen, I must admit), and fresh marjoram puts me in the right mood. I also roast whole cloves of garlic in their skins in the oven to turn them into a sweet paste. The golden cloves are mashed with a fork and mixed into the pasta - this dish looks like spring, tastes like spring, and makes me forget about grey skies, leafless trees, and my constant lack of sunshine.

This is the last of three recipes I created for Westelm. You can find all three recipes including my Mozzarella, Tapenade, and Preserved Lemon Sandwich and Pumpkin Quiche with Taleggio and Sage on their blog. This post was sponsored by Westelm to make my kitchen a little prettier!

Spaghetti with Pea Pesto, Roast Garlic, and Fresh Marjoram

Serves 2

For the pesto

• peas (fresh or frozen) 200g / 7 ounces

• fresh marjoram leaves 2 teaspoons, plus 2 tablespoons marjoram leaves for the topping

• water used to cook the peas 3 tablespoons

• freshly squeezed lemon juice 2 teaspoons

• olive oil 3 tablespoons

• fine sea saltg

• round pepper

• large garlic cloves, unpeeled, 12-16

• spaghetti 200g / 7 ounces

• black peppercorns, crushed in a mortar

Preheat the oven to 220°C / 425°F.

For the pea pesto, in a small saucepan, bring salted water to the boil and blanch the peas for 1 minute, reserve about 6 tablespoons of the water. Drain and quickly rinse the peas with cold water. Purée the peas, marjoram, 3 tablespoons of the water used to cook the peas, lemon juice, olive oil, salt, and pepper in a blender or food processor until smooth. If the pesto is too dry, add more of the pea-water. Season with salt and pepper to taste and set aside.

Spread the garlic cloves in a baking dish and roast, turning the garlic occasionally, for about 25 minutes or until the garlic is soft enough to mash with a fork - mind that it doesn't burn. Take the garlic out of the oven, let it cool for a minute, then peel the garlic cloves out of their skins and mash with a fork.

In a large pot, bring plenty of salted water to the boil and cook the spaghetti until al dente, drain, and stir in a splash of olive oil.

Divide the spaghetti between plates, sprinkle generously with the pea pesto, crushed pepper, and fresh marjoram leaves. Lay the mashed garlic on top and serve immediately.

meet in your kitchen | Dario Cammarata's Herb Ravioli, Palermo & Villa Kennedy

Once in a while one has to enjoy the pleasures of life a bit more excessively, plenty is the right word. I convinced my boyfriend that we deserved a little break from our daily duties, to learn how to make ravioli from a true Palermo man. Luckily, my Sicilian chef, the charming Dario Cammarata, works in the kitchen of Frankurt's most beautiful hotel, the splendid Villa Kennedy, so it wasn't much work to get a 'yes' from my man.

We jumped on a train, crossed the country, and found ourselves in front of the heavy iron gates of an elegant villa. Built in 1901 for a banker family, the house looks impressive but not intimidating. Beige sandstone, zinc gables, turrets, and ornate balustrades made me feel like a princess, at least for 24 hours. I was prepared for excellent service and outstanding food - which we definitely experienced at dinner, breakfast, and lunch - but I didn't expect to feel so welcomed and nicely spoilt, so I asked myself: "Why should I ever leave again?" Be it the three porters Luciano, Mahmood, and Girgis, or the second man from Palermo in the house and maître d'hôtel, Vito Vitale, the way they treated us goes beyond politeness, their friendliness comes straight from the heart. But there were two people who I could have taken straight home with me to Berlin, Yasmin Michel and my favourite Sicilian chef Dario, our two partners in crime for 24 hours to spoil us with amazing wine, the finest champagne, and delicious treats from the kitchen of the Gusto restaurant.

Before we sat down to our Sicilian feast on the evening of our arrival, I had a chat with Dario who left his home island at the age of 18. He wanted to become a chef since first setting foot in a restaurant kitchen in Palermo as a young man of 14. As soon as he finished his training he headed to northern Europe to follow his second passion: traveling. He worked in many great restaurants, amongst them Michelin-starred restaurants in Saint-Tropez, Italy, and Switzerland, and went through the suffering that every ambitious and successful young chef has to go through. Long hours of hard work and not much sleep are the price you have to pay if you work in the world's best culinary hotspots. Dario loved it and only the love to his wife made him settle down. It's already been 10 years since he joined the Villa Kennedy as the Executive Chef and - being a father of three children now - Dario wouldn't change anything. He enjoys cooking at home with his kids, introducing them to the vast knowledge and traditions he learned from his Sicilian Mamma Saveria. Dario praises her cooking and, although he admits that no Sicilian man would ever say his mother isn't talented in the kitchen, Saveria must be a true gem. She's critical - of course - she has very high standards when it comes to food, so much so that she sometimes cooked three different dishes for lunch to please the individual taste of her three sons when they were young. This woman loves her food - and her family. After one of Dario's visits to his Mamma's kitchen earlier this year, he decided to take a few of her recipes up north to introduce the guests of the hotel to the Mamma's Menu:

• Anelletti alla Trapanese con Tartara di Gamberoni alla Menta (Anelletti Trapanese pasta with king prawn tatar and mint)

• Involtini di Pesce Spada con Insalatina di Finocchi ed Agrumi, Calamaretti (swordfish involtini with fennel and citrus fruit salad and calamaretti)

• Trio di Cannoli con Gelato al Pistacchio (cannoli trilogy with pistacchio ice cream)

We enjoyed it in silence, only accompanied by a few Ohh's and Ahh's and a bottle of amazing Sicilian white wine - divine. Grilled polpo with potatoes was next, beautifully hearty Ravioli con Sanguinaccio, Pera E Sedano Rapa (black pudding ravioli with pear and celeriac), and a heavenly buffalo ricotta cheesecake with blueberry sorbet. This dinner left me happy, stuffed, and ready for bed.

The next day started with an early morning swim in the peaceful spa, followed by lots of laughter and excitement in the kitchen - and even more fantastic food. I should have skipped breakfast as I had a cooking date with Dario ahead but it looked too tempting so I gave in. Sometimes in life you just have to go with the flow and enjoy what it offers - in this case, plenty of good food. We put on our aprons and I felt ready to learn how a Sicilian man who lives in the cold north makes ravioli. He uses what Mamma taught him to prepare the perfect pasta dough and combines it with one of the most popular classics of his new home: the Frankfurt green sauce, enriched with ricotta to fill the ravioli. The sauce is a traditional recipe from the Frankfurt region, made with seven fresh herbs: parsley, chives, chervil, borage, sorrel, garden cress, and salad burnet. In Germany, you can by them ready packed for this sauce but Dario recommends buying them singly, otherwise you'll end up with lots of (cheaper) parsley and little of the more expensive herbs. If you can't find all of them at your market, just skip one or replace it - I know that true Frankfurt green sauce defenders wouldn't agree with me but we're talking about cooking and not science. Dario says that a bit of fresh mint or lemon would also fit his ravioli filling to freshen it up. Just be experimental. And if you'd like to see a little video of Dario making ravioli, check out my Snapchat (@eatinmykitchen).

Although we laughed the whole time, we managed to successfully make ravioli and they were the best spring ravioli I ever had in my life - fresh and green, not too heavy and packed with flavour. From now on, Dario is my favourite Sicilian chef. His approach to food, the honesty and restraint in his recipes, the Sicilian way of playing with contrasting aromas, and his focus on only the best quality ingredients often imported from Sicily by himself, impressed me and made my taste buds jump.

Thank you for everything, you wonderful people at Villa Kennedy!

I can also recommend joining the Friday Chef's Table if you happen to be in Frankfurt - it's a gathering around the table in the Gusto kitchen to see and smell how you're food is prepared.

Dario Cammarata's Herb Ricotta Ravioli

Serves 6

For the pasta dough

• plain flour 250g / 2 cups

• durum wheat semolina 250g / 9 ounces

• fine sea salt 1 teaspoon

• egg yolks 15

• olive oil 3 tablespoons

For the filling

• fresh ricotta 250g / 9 ounces

• a mix of 7 herbs: borage, chervil, garden cress, parsley, pimpinella (salad burnet), sorrel, chives, the leaves finely chopped, 1 large bunch

• fresh basil leaves, finely chopped, 1 small handful

• fresh mint leaves, finely chopped, 6, or a little lemon zest (optional)

• Parmesan, freshly grated, 150g / 5 ounces

• fine sea salt

• ground pepper

For the topping

• butter, melted, about 6 tablespoons

• Parmesan, freshly grated, about 6 tablespoons

• fresh herbs, leaves only, 1 handful

• ground pepper

For the pasta dough, in a large bowl, combine the flour, semolina, and salt. Add the egg yolks and olive oil and mix for a few minutes until smooth and well combined, using your hands or the dough hooks of an electric mixer. Form a ball, wrap in cling film, and let it sit for 20 minutes.

For the filling, in a large bowl, add the ricotta and whisk in the chopped herbs and Parmesan until well combined. Season with salt and pepper to taste.

Using a pasta machine or rolling pin, roll the dough very thinly, you should be able to see your hand through the dough.

In a large pot, bring salted water to the boil.

To give the ravioli half moon-shapes, cut out circles using a 9cm / 3 1/2" cookie cutter. Put a spoonful of the filling in the middle of each circle and, using your finger, spread a little water all along the pasta rim. Fold half of the ravioli over to end up with a half moon-shape, push the rim well with your fingers to seal the filling inside.

Turn the water down to simmering and cook the ravioli for about 2-3 minutes or until al dente.Divide the ravioli between plates, drizzle with melted butter, and sprinkle with Parmesan, fresh herbs, and season with a little ground pepper.

Buon Appetito!

When you left Palermo at the age of 18, did you have a plan in mind, or a dream that you wanted to achieve? Or did you just jump into this big adventure?

I always wanted to become a chef, I already knew that at quite a young age. I didn't have a plan in mind but I had a goal. At the same time, I wanted to travel the world and I was after a job that would allow me to combine my two passions. It was a mix of planning and adventure, so when I finished school in Sicily at the age of 19, I packed my bags and left - off to Sirmione at Lake Garda. This was the beginning of my great dream and from then on it continued.

What did it mean to you to work in Michelin-starred restaurants in Italy, France, and Switzerland as a young man? What fascinated you about the work in these kitchens?

It meant a lot to me and it still does. I was particularly fascinated by these countries. I admire Italy and France's long kitchen traditions. So many amazing dishes and excellent chefs originated from these two cuisines. Switzerland, to me, stands for decades of tradition in the hotel business. They have outstanding houses with great restaurants.The amount of people working in Michelin-starred restaurants impressed me tremendously. At Badrutt's Palace, in Saint-Tropez, our kitchen team was made up of 61 people - it's unbelievable. I'm very proud of having worked there, and I wouldn't want to miss the experience, but it was never a must for me to work at these restaurants. It was far more important for me to learn about different countries and cultures and their traditions. Cooking connects us, to me it's easiest to understand various nations and habits through their cuisines.

What was the most important lesson you learned as a young chef?

Little things often have the greatest effects. Both positive and negative. This is what my boss in Saint-Tropez used to tell me and it became the cooking mantra of my life. It's the guideline I pass on to my team now.

You grew up with the Sicilian cuisine cooked by your Mamma Saveria, how did your home island's culinary traditions influence your style of cooking and your approach to food?

A lot! I wouldn't be the Dario I am today without the influences of my Sicilian home - and especially my Mamma. In particular when it comes to my cooking. At the age of 2 or 3, I already joined my Mamma in the kitchen. I didn't necessarily help her, but I tasted everything, and that's what I remember clearly. Already then, I was fascinated by the preparation of food and watching and learning at such a young age definitely affected my style of cooking, my outlook on produce, and the way I work with food.

If you had to point out the main differences between cooking and living in Italy and Germany, what would they be? What do you like about German cooking?

Italians live and eat differently to Germans. Italians "take their time for life", and food is a great part of it. To enjoy life is so important in the life of an Italian. Eating together is a feast, a celebration, no matter what we eat, what day of the week it is, or if we had a good or bad day. We savour the time together to the last second.Germans are more influenced by the experiences they had during the day - Italians aren't really like this. Eating together, being together, that's most important. What I like about German cooking, is that people start to go back to their roots. Regional produce, traditional recipes, and cultural gems are being re-discovered, that's great. This has always been important in Italian and French cuisine, so it's fantastic that more and more German chefs and cooks follow this trend.

Where do you find inspiration for new recipes?

Preferably directly at the farmers' market. Seasonal fresh produce inspires me, many of my ideas come up right there. I like the combination of tradition and new takes on recipes, this adds new qualities to a dish. And I love running, it allows my mind and creativity to be free, it relaxes me but at the same time it sparks lots of new ideas that I want to try in the kitchen immediately.

What do you miss the most about Sicily?

The sea! And the smell of the Zagara (orange blossom) flower. I really miss it. When I see the sea and I have this smell in my nose, I know that I'm home. And, of course, I miss my Mamma's cooking! That's why I imported her to Germany (see the Villa Kennedy Mamma's Menu in my introduction).

Who is your biggest inspiration in the kitchen?

My Mamma! Like I said, she inspired me at a very young age and from her, I learned about all the traditional Sicilian recipes, which I'm very grateful for. Another inspiration for my career was the chef Ludovic Laurenty, my boss at Château de Pray (in the Loire Valley). He taught me the importance of staying calm - he used to be the calmest person ever. I learned a lot from him and I still think a lot of him, like all the other chefs I've worked with - you take a piece of each of them with you.

What was the first dish you cooked on your own, what is your first cooking memory?

Involtini di melanzane (eggplant rolls), I was 15 and I cooked them for a good friend of mine. Typically Sicilian, it's an easy dish and still one of my favourites. You should try it!

What are your favourite places to buy and enjoy food in Palermo and in Frankfurt? 

In Sicily, I like to go to Bisso Bistrot in Palermo. It's a cosy, friendly, and original Sicilian restaurant. In Frankfurt, I regularly go to the Kleinmarkthalle (a farmers' market hall), here you can buy and eat food at the same time. First, I choose the fresh produce I need and then I enjoy a glass of wine and some antipasti. In Wiesbaden, where I live, I like to go to Gusto E. A former colleague of mine runs this pretty little restaurant, I always get a warm welcome and scrumptious food.

If you could choose one person to cook a meal for you, who and what would it be?

The Sicilian director Giuseppe Tornatore. His movies open my heart - not just because he's Sicilian (laughing). He seems to be a great guy and I love his way of making movies, he carries a lot of Sicily out into the world, that always impressed me. I would make cannoli with him. It's typical for our home island and I'd love to go to the farmer together with Giuseppe to buy ricotta, or we'd make our own. Maybe he would even put this scene into one of his next movies.

You're going to have ten friends over for a spontaneous dinner, what will be on the table?

Parmigiana - I love this vegetable-Parmesan-casserole dish. It's the taste of Sicily. Pasta is next, I would see what fits to the season. If my friends came over in the spring, I'd make orecchiette with fava beans, fresh tomatoes, prawns, pine seeds, and basil. Fish as main, two oven-roasted sea bass with lots of herbs and lemon, and tiramisu or a tart with fresh raspberries as dessert.

What was your childhood's culinary favourite and what is it now?

My Mamma'sParmigiana. It's always been my favourite and it still is. Whenever I go to Siciliy, I can be sure to find it on my Mamma's table - she knows me too well.

Do you prefer to cook on your own or together with others?

I never cook alone. Cooking connects us and it's far more fun to do it together with others. Even if someone just watches. I love to cook together with my wife and my three kids. Cooking on my own is boring.

Which meals do you prefer, improvised or planned?

I prefer to improvise. It bores me to plan every single detail. When you improvise, you can change and adjust and create something new. That keeps it interesting.

Which meal would you never cook again?

That's not easy... 4 years ago, we had the final for a national cooking competition at the Villa Kennedy. Private cooks presented their own creations and I helped them with a little advice here and there, but I wasn't allowed to change much. I see myself as quite open-minded, but one of the finalists made salmon with celery cream and mascarpone, I never ever want to eat this again. The recipe lost the competition by the way.

Thank you Dario!

Fennel Tomato Lasagna with Crunchy Bacon

A couple days ago, I went to a meeting that finished much earlier than expected. I stepped out into the street on that cold and grey morning and decided to squeeze in a quick coffee. Just a creamy cappuccino, a flaky chocolate croissant, and a peaceful moment to myself. I went to my favorite Italian deli for a bit of dolce vita - sipping a fantastic coffee while listening to the patron chatting with his customers in Italian, accompanied by a medley of Italian operas. A toddler giggled, two dogs observed the busy scene. The shelves around me presented a tempting selection of chiantis, pasta, polenta, capers, and bottarga. The counter right in front of me filled with various prosciuttos, salami, ciabatta sandwiches, and homemade pasta treats. And right next to it, bowls of every antipasti one can possibly think of. Just the thought of it makes me hungry again.

This is the kind of scene that makes you want to go straight to your kitchen, open a bottle of wine, and start cooking. Italian of course. The weather doesn't leave the slightest doubt that spring isn't near yet, so a hearty lasagna is the best thing to have on your plate. Mine is filled with lots of juicy tomatoes, roasted fennel seeds, and fennel bulb thinly sliced and sautéed, plus crunchy bacon bites, dried chili peppers, a bit of Parmesan, and a creamy béchamel sauce. At first, I wanted to combine the fennel with a meaty bolognese but then I remembered a pasta dish that I shared on the blog almost two years ago and that changed my mind. You could leave out the bacon, but I recommend leaving it in: the fennel seeds roast in the meat's salty juices and merge with the tinned tomatoes - and become a heavenly sauce. Layered with pasta sheets and the crisp fennel bulb, it's just what I want on a cold day in February.

Fennel Tomato Lasagna with Crunchy Bacon

Serves 4 to 6

For the béchamel sauce

• milk 700 ml / 3 cups

• a pinch of nutmeg, preferably freshly grated

• fine sea salt

• ground pepper

• unsalted butter 30g / 2 tablespoons

• plain flour 30g / 4 tablespoons

• large bay leaf 1

For the lasagna

• butter, for the baking dish

• olive oil

• cored fennel bulb, thinly sliced lengthwise, 340g / 12 ounces

• fine sea salt

• black peppercorns, crushed in a mortar

• thick-cut bacon, cut into very small cubes, 200g / 7 ounces

• fennel seeds 2 tablespoons

• garlic, crushed, 3 cloves

• small dried chili peppers, 2

• peeled whole tinned tomatoes, chopped, 1.2kg / 2 2/3 pounds

• no-boil lasagna noodles, about 250g / 9 ounces

• freshly grated Parmesan 100g / 3 1/2 ounces

For the béchamel sauce, combine the milk, nutmeg, and pinches of salt and pepper in a medium saucepan and bring to a boil. Immediately take the pan off the heat and set aside.

To make the roux for the béchamel, melt the butter in a clean medium saucepan over medium-high heat and as soon as it’s sizzling hot, whisk in the flour. Slowly pour the hot milk mixture into the roux and whisk until smooth. Add the bay leaf and simmer on low, whisking occasionally, for 2 to 3 minutes or until the texture starts to thicken. Remove and discard the bay leaf. Season to taste with nutmeg, salt, and pepper then cover, and set aside.

Preheat the oven to 180°C / 350°F (conventional setting) and butter a 26 x 20 cm / 10 x 8" baking dish (or a dish of roughly this size).

In a large, heavy pan, heat a generous splash of olive oil over medium-high heat and sauté the fennel slices in batches for about 1 minute per side or until golden and al dente. Spread out the fennel slices next to each other in the pan so that they cook evenly. Season with salt and pepper and transfer to a plate.

Put the pan back on the heat and cook the bacon over medium-high heat for about 7-10 minutes or until golden brown and crunchy. Add a little oil if necessary and stir once in a while. Scrape the bacon to the sides of the pan, add a little olive oil (if the pan is too dry) and the fennel seeds, garlic, and chili. Turn the heat down to medium and cook for 2 minutes, mind that the seeds don't turn too dark. Add the tomatoes, season with salt and pepper, and, stirring occasionally, cook for about 10 minutes over medium-high heat or until thickened. Season with salt and pepper to taste. Take the pan off the heat and set aside 3 tablespoons of the sauce (for the final layer of the lasagna).

Arrange a layer of pasta on the bottom of the buttered baking dish and spread with 1/3 of the tomato-bacon sauce and sprinkle with 1/4 of the béchamel. Top with 1/3 of the sautéed fennel and 1/4 of the Parmesan. Repeat to make 3 more layers, top the last layer with pasta. Sprinkle with the reserved 3 tablespoons of the tomato-bacon sauce and the remaining béchamel and Parmesan. Bake for 35-45 minutes (depending on the lasagna package instructions) or until the pasta is al dente. To brown the cheese a little, you can switch on the broiler for the last 1 to 2 minutes. Let the lasagna sit for 5 to 10 minutes before serving and sprinkle with some crushed peppercorns. Enjoy!

meet in your kitchen | Capri, Lobster & Pasta e Patata at Hotel de Rome in Berlin

I always had a weak spot for grand hotels. It must have been my mother who planted this seed in the early days of my life. We used to travel a lot together, to Europe's old cities, Mediterranean getaways and snowy villages in the mountains. And wherever we went, we fell for the splendid charm, beautiful architecture and culinary excitement of a luxurious hotel - we're girls after all. Be it for a few nights, or just a cappuccino or glass of wine at the bar, these places tend to take us into another world as soon as we walk through the revolving door.

In Berlin, you can find one of these magical houses at a beautiful piazza framed by the imposing buildings of the Humboldt University and the Berlin State Opera, right on one of the city's most prominent boulevards - Unter den Linden. Walking into Rocco Forte's Hotel de Rome reveals a house full of elegance and history. The former Dresdner Bank Headquarter was built in 1889, thick stone walls, marbled columns, gold leaf mosaics, and Berlin's prettiest ballroom covered by a huge skylight, are symbols of an era of grandeur. The bank managers' former offices have been turned into chic suites, and in the basement, where the hotel's spa is located in our days, you can still see the rooms secured by heavy iron doors where the bank once held its gold deposits. Its a piece of the city's history, preserved and turned into a place to relax, enjoy and savour. My personal highlight is the spacious roof terrace overlooking the city, it's one of Berlin's best locations to enjoy a sundowner on a warm summer's night. I can't wait for them to come back.

The Hotel de Rome combines two cultures - Germany and Italy - and especially in the kitchen, the Mediterranean side took over. The legendary Tuscan Michelin-stared chef Fulvio Pierangelini, Director of Food responsible for the honest approach to Italian cuisine in a few hotels of the Rocco Forte family, has a fantastic team here in Berlin. Jörg Behrend, Executive Chef, and his Sous-Chef Davide Mazzarella create such delicious treats at the La Banca Restaurant that I decided to meet them in their kitchen. On an icy-cold and snowy morning, I walked into the hotel's bar in desperate need of a warming tea. After a chat with the Bar Supervisor, Jörg Wischner, I found out that the choice wouldn't be easy. He offered me a selection of 40 delicate leaf compositions, which you can also enjoy at a traditional afternoon tea ceremony at the hotel's cosy Opera Court, inspired by their London sister, the Brown's Hotel. While I was sipping on a fragrant golden green tea, he explained the extensive cocktail menu, which made me wish I had come in the evening. But I was here to cook and learn about Capri's cuisine.

Davide's family used to have a renowned restaurant on Italy's little island in the Gulf of Naples, when Capri was still the place to be for Europe's high society and American movie stars. He says those days are over, but the traditional recipes he learned to cook from his family, the time spent with them in the kitchen, peeling potatoes and chopping vegetables, made the young man want to become a chef and take his home's scrumptious food out into the world. Jörg Behrend is from western Germany but he feels strongly inspired by Italy's culinary treasures. Through traveling and working with his Italian-German team for many years, he has almost become Italian himself. So it didn't take long for us to decide what we'd like to cook together: Pasta e Patata all Astice. It's a Capri classic that was completely new to me, thinly sliced potatoes and spaghetti cooked like a risotto and topped with a lobster. The everyday basic version is made without seafood, which isn't necessary, but it turns it into an extravagant treat. Pasta e Patata is often served as one of many courses during a special family lunch.

Needless to say, the meal was perfect, it's one of the secrets of Italian cooking, you don't need many ingredients to create something outstanding. I find it even better than risotto. To make our Italian lunch complete, we enjoyed it with crisp white wine at a big table together with the Hotel de Rome family. This is how it feels at this hotel, it's a family taking care of you. Thank you Jörg, Davide, Türkan, Sebastian, and Jörg (at the bar) for a bit of Capri in Berlin!

Pasta e Patata all Astice

Serves 4

• olive oil

• garlic, crushed, 1 clove

• onions, peeled, 220g / 8 ounces

• red chili pepper, seeded and thinly sliced, 1/4 - 1/2

• waxy potatoes, peeled, quartered, and cut into 1/2cm / 1/4" slices,  500g / 17 1/2 ounces

• vegetable broth, about 1 1/2l / 6 1/4 cups, plus more as needed

• dried spaghetti spezzati (broken into 6cm / 2 1/2" pieces) 400g / 14 ounces

• cherry tomatoes, cut into quarters, 10

• Parmesan, freshly grated, 180g / 6 1/2 ounces

• fresh basil, a handful, torn into pieces

• fine sea saltground pepper

• lobster, cooked, removed from its shell, 2 (each about 500g / 17 1/2 ounces)

• butter 1 tablespoon

• a few thyme leaves

In a large, wide pot, heat a generous splash of olive oil over medium heat and sauté the garlic, onions, chili, and potatoes for a few minutes until the onions are golden and soft. Cook like a risotto, add a little vegetable broth to cover the potatoes, let the potatoes soak the liquid, and add a little more when it's all soaked, stirring occasionally. Repeat until the texture is velvety thick and the potatoes are almost soft. Add the spaghetti and more broth and let the spaghetti cook, stirring, until al dente. Add more broth as necessary. In the last few minutes, let the dish thicken like a risotto. Stir in the tomatoes, Parmesan, basil (leave out a few leaves for the topping), and season to taste with salt and pepper. Cover and let sit for a few minutes.

While the potatoes are cooking, prepare the lobster: In a medium, heavy pan, heat the butter and thyme over medium heat, add the cooked lobster, and cook until golden.

Divide the pasta e patata among plates, lay the lobster on top, and sprinkle with fresh basil leaves.

Buon Appetito!

Jörg, you are Chef de Cuisine at Rocco Forte'sHotel de Rome and the La BancaRestaurant where the kitchen is run by a German-Italian team: Sous-Chef Davide Mazzarella is from Capri and Fulvio Pierangelini, Director of Food and founder of the famous – but now closed - Gambero Rosso in Tuscany, was born in Rome. Did this experience make you a little Italian? How important are different cultural backgrounds in the kitchen?

Jörg Behrend: My Italian side grew considerably through working in our team. To understand the philosophy, the easiness, and the purism of the Italian cuisine, it's important to have this constant exchange with my Italian colleagues. It helps to create delicious dishes.

Davide, you worked in Michelin-starred restaurants in Italy, the L'Olivo in Capri and Davide Scabin's Combal. Zero in Rivoli, before you decided to work abroad. What are the differences between working as a chef in restaurants in Italy and in Germany?

Davide Mazzarella: I don't think that the differences between Italy and Germany are that big. It's important to work professionally, in both places. There is a difference regarding the availability of ingredients and products, it's much easier to get them in Italy. Always fresh and seasonal, it's possible to buy whatever you need twice a day. In Germany you have to trust your suppliers and hope that they bring you what you need.

Jörg, you are from Limburg, a picturesque town in the west of Germany. Does your home region's cuisine come through in your work sometimes?

Jörg Behrend: Unfortunately not, my home's cooking is quite rich and rustic. There are also a few popular combinations that might be hard to understand if you're not a local, like potato soup with plum cake.

Davide, you grew up in Capri where your family ran a renowned restaurant for decades. How did this restaurant influence your life? How did Capri change over the years?

Davide Mazzarella: I learned the kitchen basics in our family restaurant and I have to thank my grandmother and parents that I'm a chef today. They inspired me and they passed their passion for this job on to me. Capri is beautiful, and famous, but it had its glorious days between the 50's and late 70's. In the past 20 years, the island became too touristy and, with time, we lost many traditions.

How important is the food and the cuisine that we grow up with as children for our adult life?

Jörg Behrend: The cooking of our childhood is essential and a guidance for the rest of our life. Looking back, I'm very thankful for my mother, giving us fresh, homegrown vegetables, freshly squeezed juices from the fruit from our own trees. The meat and cold cuts we ate came from butchers and farmers, where the animals were treated well. My grandmother was the queen of preserving. Be it sauerkraut or raspberry jam, all year round, she was busy preserving fruits and vegetables. It came with age, that I understood how - unknowingly - conscious my mother used to cook. This is a guideline for me and my wife, which we're trying to hand down to our own kids, and to show them the recipes from our childhood.

Davide Mazzarella: It's everything. What we eat as a child and what we like is saved as a memory for the rest of our life. The smell is also important. The smell of tomato sauce still excites me as it did then, when I lived at home.

How did the German and the Italian cuisine change over the past 10-15 years?

Jörg Behrend: The old recipes were forgotten. Then Nouvelle Cuisine took over, followed by a renaissance of the Deutsche Küche (German Cuisine) with the most modern techniques. Today, we cook regional, seasonal, and sustainable. We use the most simple products to create culinary highlights. We also use the entire animal again, rather than single parts. Back to the roots.

Davide Mazzarella: After the Nouvelle Cuisine, and the Spanish cuisine - with Ferran Adrià and the Molecular Cuisine - the Italian cuisine found its way back to its roots. Many recipes from the 18th century have been re-discovered and newly interpreted, with new cooking techniques and methods.

How important is seasonal and local produce for your creations?

Jörg Behrend: The quality is important, if you can't find the right quality in your region, you have to search for it outside the regional borders. We use seasonal produce for our creations.

Davide Mazzarella: It's very important. To work with seasonal and local produce is a MUST in our days. I love it, when our suppliers bring the produce from small producers from the countryside to our kitchen, it makes cooking more fun.

How do you develop new recipes? Where do you find inspiration?

Jörg Behrend: There's a growing influence through social media, and through travels to Italy, looking for original recipes.

Davide Mazzarella: Tradition, experience, personal technique, and knowledge. Inspiration comes naturally, and sometimes you have to take a peek at what others do.

Who has been your biggest inspiration in the kitchen? Who or what inspired you to start a career in food?

Jörg Behrend: Friends of my parents owned a hotel with a very good restaurant. I used to work there during my summer holidays and I was fascinated by the kitchen processes and the dishes they created. They offered me an apprenticeship and I gladly excepted.

Davide Mazzarella: My family, but especially my grandmother and my mama.

What was the first dish you cooked or baked on your own, what is your first cooking memory?

Jörg Behrend: My earliest memory is the smell of fresh jus in the cooling room. I can never forget about it. Unfortunately, I don't remember my first dish.

Davide Mazzarella: I think it must have been spaghetti aglio e olio. It was disgusting. And I can never get the smell of O' Rau’ (Neapolitan Sunday and holiday dish) out of my head.

What are your favourite places to buy and enjoy food in Berlin? 

Jörg Behrend: Restaurant Grünfisch in the Gräfekiez, the farmers' market at Karl-August Platz in Charlottenburg, Frischeparadies on Morsestrasse, Cafe Set´s on Schlüterstrasse, Küstlichkeiten in the Markthalle Neun.

Davide Mazzarella: Vitaminchen at Oliver Platz, Frischeparadies on Morsestrasse, Masaniello Pizzeria on Hasenheide.

If you could choose one person to cook a meal for you, who and what would it be?

Jörg Behrend: Beef stew, together with my mother.

Davide Mazzarella: Neapolitan Salsiccia wrapped in fig leaves and cooked in ashes, together with my father.

You're going to have ten friends over for a spontaneous dinner, what will be on the table?

Jörg Behrend: Everything that I can find in the fridge, and everybody should bring something to the table.

Davide Mazzarella: There will definitely be something on the table, I just don't know what yet.

What was your childhood's culinary favourite and what is it now?

Jörg Behrend: Spinach, potatoes and egg in my childhood. Salt-baked fish with artichokes and a salad of bitter lettuce leaves whenever I can get it. Or pasta sugo in all its variations.

Davide Mazzarella: Riso e lenticchie (rice and lentils) in my childhood. Today: spaghetti aglio e olio my way.

At home, do you prefer to cook on your own or together with others?

Jörg Behrend: At home, I let my wife cook. When we have guests, everybody is involved.

Davide Mazzarella: I don't like cooking at home. And if I did cook, it would have to be for a beautiful woman.

Which meals do you prefer when you cook privately, improvised or planned?

Jörg Behrend: Improvised.

Davide Mazzarella: Improvised.

Which meal would you never cook again?

Jörg Behrend: Snails. I had to cook them during my apprenticeship.

Davide Mazzarella: Once I got a sturgeon, alive. It's an experience I don't need ever again.

Thank you, Jörg and Davide!

Roasted Garlic Butter Spaghetti with Thyme

The amount of garlic in this velvety, buttery pasta recipe sounds intimidating but if you let go of the idea of harsh, raw garlic and think of smooth, almost perfumed, oven-roasted cloves instead, it makes a lot of sense.

I used 22 large cloves, cooked in their skins in a hot oven. This kind of roasting turns them into a sweet, almost caramelized paste, so soft that you can mash them with a fork. I only mixed them with a bit of butter and salt and my pasta dish was almost done. Just young pecorino melted on top of the spaghetti - Parmesan would have been too strong and salty - and a few fresh thyme leaves and crushed peppercorns to balance out the sweetness.

It's a simple dish but there's something very sensuous and satisfying about it at the same time. If I weren't such a traditionalist, I could even consider exchanging my annual Christmas duck with this plate of pasta. A bottle of extravagant Bordeaux - bought without looking at the price, seeing that the dish itself wouldn't cost much - and my relaxed Christmas Eve would be sorted. However, I can't live without my slow roasted bird on the 24th December - which is Christmas in Germany. It was just a thought.

Roast Garlic Butter Spaghetti with Thyme

Serves 2

• garlic 22 large cloves (in their skin)

• spaghetti 200g / 7 ounces

• butter, soft, about 30g / 2 tablespoons

• flaky sea salt

• young pecorino, freshly grated, about 2-3 tablespoons

• fresh thyme leaves, about 2 tablespoons

• black peppercorns, crushed in a mortar

Preheat the oven to 220°C / 425°F (conventional setting).

Spread the garlic in a large baking dish and roast in the oven for about 25 minutes or until soft. Turn the cloves occasionally and mind that they don't burn. Let them cool for a few minutes, peel them out of their skins and transfer them to a blender or food processor.

Cook the pasta in a large pot in plenty of salted water until al dente.

Add the butter and a little salt to the garlic in the blender and purée until smooth. Season with salt to taste.

Mix the warm spaghetti with the garlic butter and divide between plates. Sprinkle with pecorino, thyme, and pepper. Season with salt to taste and enjoy!