NOON - my new cookbook
I decided to write a new cookbook! It's called NOON, it will come out in September 2023, and it's published by Chronicle Books (US / UK / World, out on 9/05/2023) and by Prestel Verlag (Germany, out on 9/20/2023).
Since my last book, 365, came into the world in 2019, a lot has changed. Globally, personally, it felt like the world turned upside down and I turned with it. So for a long time, I had no idea if I would ever write a book again and if so, what this book would be about. Until January 2022. A dinner at my place with my friend Gabi changed everything. Gabi runs a cafe in my neighborhood, which I visit often, rather daily, for a good cappuccino and an even better chat. Over the pandemic and many conversations about food, the arts, and life in general, we became friends.
During our dinner, we munched on oysters, braised beef shanks, bone marrow on crostini, and cheese - and discussed Gabi's lunch misery when she's at work. Although I've always worked from home, it wasn't new to me that many are struggling making satisfying lunch choices, being at home or out at work. So for days I didn't think about our conversation; until one cold afternoon, when I was sitting on a bench in a park close to my flat. It had snowed the night before, the sky cleared up, and the low winter sun was hitting me right in my frozen face.
I will never understand what exactly happened in that moment but all of a sudden the vision for my 3rd cookbook was fully there. The title, NOON, the concept and angle, and the 115 recipes came together in less than a week. It didn't actually feel like work, I just had to sit down and let it pour out of me.
For updates about Pre-Ordering NOON and about my NOON Book Tour, click here.
So here I am, not even four months later, sitting right now in the cafe where everything started, chatting with my friend Gabi while I'm writing these words. All the recipes are written down and cooked, the pictures are taken, and I think I never felt happier, more satisfied, and more at ease with a book of mine than with NOON. I still love my first two books, eat in my kitchen and 365, but I think I've never been so at peace with myself as I am now, which makes the work flow very intuitive.
But what is this book about? The recipes are fun, quick and simple, perfect for lunch - but also for dinner. The dishes are based on exciting flavors and combinations, not many ingredients; rather choosing the ones that enhance taste and decrease stress and labor. The focus is on vegetables but there are also meat and seafood dishes. It's basically about food that makes us feel good, that we can share with others but also enjoy just for ourselves. NOON stands for a feeling, recurring during the cycle of each day, a desire for a break, for something uplifting, for some time for ourselves and our very own needs.
NOON is dedicated to 3 women and a 3-year-old: For Anne, her daughter, Gabi, and Laurel. To friendship.
Seeing that I always share a recipe in a blog post, I will share one of the first recipes that led to NOON. It's so simple, using pantry staples, or products that are easy to get. It seems like the weirdest combination - but it‘s genius. Hummus and (uncooked) sauerkraut on a slice of crusty dark bread. It‘s so good that I couldn‘t believe it and had to turn to my friend Laurel Kratochvila of Fine Bagels in Berlin for consultation: “Hummus and sauerkraut? I‘ve never had it before but it makes sense – a good hit of acid!“ You can use homemade hummus or get it from your favorite deli.
The picture of me is by Anne Deppe.
Meet In Your Kitchen | Berlin's Best Beet at Vadim's Otto
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"That was probably the most intense time of my life. It was the restaurant I looked up to the most. I thought this is the best restaurant in the world." - Vadim Otto Ursus
Smoky pans and blazing fire at Noma's Pop Up in Tulum, screaming and rushing, the air filled with adrenalin like a ballon ready to burst, tweezers in your hand to arrange plates to fragile perfection - Vadim Otto Ursus wanted to experience all of this and he got it. Born in Berlin, raised in Berlin, and he even returned to his city although he had the chance to keep working at Noma and other illustrious restaurants.
Vadim's parents lived in a squat in Berlin Mitte, one of the many empty houses in the 90s that people just moved into, put a lock on the door, and called it their home. It was common, no one cared. You payed one D-Mark, symbolically. There was no heating or warm water but lots of freedom and all the possibilities in the world. Vadim's mother is an artist, his father is a media historian, the wall had just fallen, and they decided to move to Berlin. Galleries popped up all around their apartment, there were exhibitions at every street corner - and young Vadim was right in the middle of it.
"You did the same thing most of the time, just when everything worked smoothly, the chef, René Redzepi, would say OK, change positions! to keep the adrenalin level at 120% so that you wouldn’t rest but always be pushed to maximum pressure." - Vadim Otto Ursus
Before he even had a chance to get lost in Berlin's party world, which he loved and that was equally exciting at that time as the art world, his mother involved him in her art projects and his father introduced him to a little restaurant on Schönhauser Allee. A bunch of young chefs, pioneers in Berlin's - at that point - culinarily wild and not very refined East, sparked something in Vadim. After having been surrounded by the arts, boundless creativity and freedom, he was hungry for a life that was a bit more structured, where cause and effect were a bit more predictable; less interpretation, more facts. Cooking is a craft, you cut your ingredients, you choose a technique, you improve your skills, and at one point you can pretty much say what the result is going to be like. Vadim liked that idea.
For an art project, the mother-son duo went on a trip to Mexico together. For two months, Vadim cooked in a food truck at a market in Mexico City and his mother curated a flow of people from different backgrounds bringing ingredients to the truck, or just their stories, all of them coming together at the table for lunch. Working with local produce, working with fire, using techniques he had learned in Germany, the puzzle slowly started to come together.
"The plates, the dishes were delicious and looked almost perfect but I don’t understand how anything good should come out if it was created with so much hate, anger, and fear."- Vadim Otto Ursus
The freedom and harmony that had surrounded him all his life was something the young chef never took for granted. He was curious about the other side where chefs scream in steaming kitchens, where pots are flying, and single leaves are meticulously arranged with tweezers for hours. So he ended up at Quintonil, no. 27 in the World's 50 Best, and just at that time René Redzepi and his team visited Quintonil's kitchen right before their Noma Pop Up started in Tulum. Coincidence or destiny, Vadim joined their team and cooked at the world's most famous Pop Up. Vadim calls it one of the most intense experiences of his life, teaching him bold techniques and wild freedom in cooking he had never seen before, but also introducing him to a way of working that he didn't want to assimilate in his life.
Koks on the Faroe Islands, Maaemo in Oslo, Loco in Lisbon, Vadim got his fair amount of Michelin stars, flying pots, and tweezers - and he missed Berlin. In 2019, at the age of 25, he opened his own restaurant close to where he grew up, in Prenzlauer Berg: OTTO. The ingredients are local, the techniques are international, the atmosphere is very relaxed, and community - on both sides of the kitchen - is at the core of this restaurant. Various plates to share with each other fill the tables, honest fireworks, almost humble and not pretentious, convince your palate within split seconds that the best often lies very close to us.
"I knew it before I went there but Mexico made it so clear to me: eating together, plates often placed in the middle of the table, huge piles of tortillas, using your hands, it can get messy, it’s spicy, bold flavors, that’s so much fun!"- Vadim Otto Ursus
And what does Otto taste like? The smokey, earthy note of a whole grilled butterflied boneless brook trout from a local farmer served with garum - a fermented fish sauce made at the restaurant of the fish's leftover bones and fins. This dish combines strong flavors from two culinary worlds: earthy local German trout and a fish sauce packed with umami, originated in Asia but made from a very common German fish.
Beet, cooked twice in sloe berry juice and dried in between, with a unique texture close to prunes meets labneh and brown butter (this is also the recipe Vadim shared with me,see below). Grilled sourdough bread from a local bakery is served with koji butter, fermented buckwheat that lends the fat a very ripe, cheesy note and that you can also buy from them online. Grilled kale is tossed with a green salsa made of herbs that Vadim harvests in the countryside outside Berlin. So what do we learn? Traveling and experiencing the world outside of our box doesn't detach us from ourselves, from our roots, it refines who we are and makes the bond even closer.
The podcast episode with Vadim Otto Ursus is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Vadim on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Beet, Sloe Berry, Labneh and Brown Butter
by Vadim Otto Ursus
Mind that you have to start preparing the beet and labneh a day in advance. The beet is cooked then it sits overnight, is dried in the oven for 7-8 hours the next day, and then briefly warmed up in the juice again.
Serves 4 to 6
1kg / 2 1/4 pounds medium beet (with skin)
Fine sea salt
1l / 4 1/4 cups sloe berry juice - alternatively, you can use700ml / 3 cups plum juice mixed with 200ml / 3/4 cup plus 2 tablespoons water, 100ml / 1/3 cup plus 1 tablespoon cider vinegar
500g / 17 1/2 ounces full-fat yoghurt (cow milk or sheep milk)
100g / 1/3 cup plus 1 1/2 tablespoons unsalted butter
A few leaves of Belgian endive, radicchio, or sorrel, torn into bite size pieces, for serving
Day 1
Add the beet to a large pot and cover with water then add 3 tablespoons of salt and bring to a boil. Cook for about 50 minutes or until tender. Transfer the beet to a colander placed in the sink and, while you keep the water running, use your hands to rub the skin off the beets. Cut each beet into 6 wedges and transfer to a large bowl then mix the sloe berry juice with 2 tablespoons of salt and pour over the beet. Cover the bowl with a lid and let it sit overnight at room temperature.
To make the labneh, line a colander with a cotton kitchen towel or muslin cloth then place it over a large, deep plate. Mix the yoghurt with 1 tablespoon of salt and transfer to the lined colander; let it sit overnight at room temperature.
Day 2
In the morning, preheat the oven to 70°C / 155°F. Line 1-2 baking sheets with baking paper.
Transfer the strained yoghurt to a bowl and keep it in the fridge, discard the liquid. Remove it from the fridge and keep it at room temperature about 30 minutes before serving.
Reserving the juice, transfer the beet to a colander to drain for a few minutes then spread them on the prepared baking sheet(s). Leaving the oven door slightly ajar by using the stick of a wooden spoon, dry the beet in the oven for 7-8 hours, or until they resemble soft (and not too dry) prunes. Season the reserved sloe juice with a little salt and set aside.
Just before serving, slowly cook the butter in a large pan over medium heat until it is golden brown and smells nutty (it shouldn't burn!); set aside and keep warm.
Transfer the dried beet to a large pot, add enough of the reserved sloe juice so that the beet is almost covered then bring to a boil and immediately remove the pot from the heat.
Arrange some of the beet and a little of the sloe juice that it's been warmed up in, in the middle of a deep plate. Drizzle with a couple spoons of the brown butter and place a generous dollop of the labneh next to the beet. Arrange a few pieces of Belgian endive (or other leaves) on top and serve immediately.
Meet in Your Kitchen | Kristiane's Kaiserschmarrn, Pars and Pralinés
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"I thought I wasn’t allowed to do something that was different from what I had learned. I felt trapped in the traditional framework of the patisserie. I was very nervous to dive into a new scene where I felt I didn’t belong to." - Kristiane Kegelmann
Whenever we create something we use our senses. No matter if it's about the arts or crafts, we see, we feel, we smell, and when it comes to food, we also use our taste. Kristiane Kegelmann loves working with the whole sensory spectrum, in her art and in the food she creates - and especially when they both merge.
During her early years as a pastry chef in Vienna, at the traditional Demel confectionery founded in 1786, Kristiane often pushed the boundaries of her craft. Although the budgets for customized cakes, torten, and gateaux were often almost bottomless, the freedom, the expectation of how a sweet creation should look like was limited. In size larger than herself, the costs sometimes reaching the price of a small car, yet her creativity was forced to stay within a certain range, the rigid range of the classic patisserie, of its craft and creations, defined over hundreds of years.
There was no tolerance when her aesthetic feeling, and her curiosity, left the frilly cream toppings and sugary ruffles and roses behind. Kristiane likes cubistic shapes reminding of the concrete architecture of the 60s and 70s, of brutalism, Le Corbusier and Gottfried Böhm, or the angular shapes of Daniel Libeskind's buildings. Her approach is far from sweet, cute, and superficially pleasing. Her aesthetic is definitely challenging for the stubborn pastry traditionalist.
It was only through the arts that she felt able to free herself, to go beyond her own expectations in her craft. Working with an Austrian sculptor, experimenting with architectural forms and structures, combining edible and non-organic material both in her art and in her pastries and chocolates, and in the end leaving Vienna to move to Berlin, were the necessary steps to become the artist and pâtissière she wanted to be.
"Chocolate allowed me to fill a shape with a surprise. I felt, seeing that this is what I’m good at, I’m allowed to turn it into art." - Kristiane Kegelmann
Growing up in Munich in a family where food in general, but each ingredient in particular, was given a lot of attention, a huge effort was made to strive for quality and track the origin of the products that ended up in her mother's kitchen. Kristiane knew about buckwheat - and wasn't particularly fond of it - when the other kids were still munching on soft wheat bread sandwiches with flappy cheese. Her sense for flavors, for quality, started to become more and more refined even before she became aware of it.
Arriving Berlin in 2015, all of a sudden Kristiane had all the freedom, and the space, to create art and food according to her own ideas. Some of her works are edible, like her chocolates and pralinés, some aren't, which turned into a new conflict: where are the two disciplines interwoven, where shouldn't they, where does one start and the other one end? It's an ongoing process and the price you pay for creative freedom.
"In our traditional food, we used to be much closer to the original produce than we are today. It’s a process of simplification, of industrialization." - Kristiane Kegelmann
At least at her pars pralinés shop, you can eat everything the pastry chef puts in front of you - and that is spectacular. Kristiane puts the same attention into her sweet creations' fillings as she puts into their shapes and (natural) coloring. Once you bite into the delicate chocolate shell, you might be surprised by a fragile crunchy dill flower, or pear combined with sesame - which is a fantastic combination. Hops and lavender also go very well together, and a classic hazelnut praliné impresses with the intense, pure taste of hazelnuts that come from Kristiane's home region, from Bavaria.
We would have loved to share a praliné recipe with you but unfortunately, the preparation is too complex, so instead we went for a very comforting Austrian breakfast/ brunch/ teatime/ dessert classic: kaiserschmarrn - a torn pancake - with hazelnuts and apple purée.
The podcast episode with Kristiane Kegelmann is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Kristiane on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Kaiserschmarrn with Hazelnuts and Apple Purée
by Kristiane Kegelmann / pars
Kristiane uses her own pure hazelnut spread (Nussmus) for serving, which you can buy online from her shop, but you can of course replace it with any other quality hazelnut spread (although hers is particularly delicious!).
She refines the apple purée with cherry blossom sugar (fresh cherry flowers mixed with sugar and stored in a jar, it's divine!) but you can also use regular sugar.
Serves 4
For the cherry blossom sugar (optional)
1kg / 5 cups granulated sugar
1 handful fresh cherry blossoms
Combine the sugar and cherry blossoms, rubbing the sugar and blossoms with your hands to intensify the flavor, and store in a large jar.
For the apple purée
50g / 1/4 cup cherry blossom sugar (or granulated sugar)
120ml / 1/2 cup apple juice
4 medium, sour, firm apples, cored and cut into small pieces (don't peel the apples)
In a large pan, caramelize the sugar over medium heat then add the apple juice and stir until the caramel dissolves. Add the apples and cook until soft then sweeten with sugar to taste. Using a blender or a blender stick, purée the apples until smooth. If you prefer the apple purée a bit thicker, transfer it to the pan and cook, stirring constantly, until it reaches the desired texture.
For the kaiserschmarrn
1 ounce / 25g whole hazelnuts with skin
4 large eggs
A pinch of salt
30g / 2 generous tablespoons granulated sugar
350ml / 1 1/2 cups whole milk
160g / 1 1/4 cups all-purpose flour
Unsalted butter, to cook the kaiserschmarrn
About 4 tablespoons hazelnut spread, whipped until soft, for serving
1-2 tablespoons confectioners' sugar, sifted, for serving
In a medium pan, roast the hazelnuts, stirring constantly, over medium heat for about 2 minutes or until fragrant; let them cool for a few minutes. Using your hands, rub the skin off the hazelnuts then chop them roughly and set aside.
In the large bowl of a stand mixer, fitted with the whisk attachment, whisk the egg whites and salt for a few minutes until stiff then transfer to a large bowl and whisk the egg yolks and sugar for a few minutes until light yellow and creamy. Using a wooden spoon, gently fold 1/3 of the milk into the egg yolk mixture, followed by 1/3 of the flour. Repeat with the remaining milk and flour, folding until combined, then gently fold the egg white into the batter just until combined.
In a large pan, heat a generous tablespoon of butter over medium-high heat, add half the batter, reduce the heat to medium, and cook for a few minutes or until the bottom of the pancake is golden. Cut the pancake into 4 pieces, add a little more butter to the pan, then flip each piece and cook until the bottom is golden. Using 2 forks or spatulas, tear the pancake into chunky pieces. Sprinkle with a little sugar, add a bit more butter if necessary, and cook the torn pancake, stirring, for a few more minutes or until golden brown then transfer to a large platter, cover, and cook the remaining batter in the same way.
Divide the kaiserschmarrn between 4 plates, sprinkle with the hazelnuts, drizzle with the hazelnut spread, and dust with confectioners' sugar. Add a dollop of the apple purée and serve immediately. Enjoy!
Meet In Your Kitchen | Rhinoçéros Bar, Jazz and Béné's Shrimp Cocktail
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"Music is love, food is fun." - Bénédict Berna
From French rap music via Berlin's club scene right into jazz: Bénédict Berna's musical journey reflects the chapters in his life. Each musical genre is woven into his work projects, musical fragments becoming the tune of his life.
As a music producer in France, it was the beat and the political message of rap pulling him into the studio. This, and the fact that there was no place to go to as a teenager, made him organize concerts and parties at the age of 16. He admits that it wasn't an altruistic move, he wanted to play in bands but the other kids wouldn't let him. So at his parties and concerts, Béné would add himself on the lineup - and place himself at the drum machine - and the other kids had to give in.
He was hooked, he loved the energy bursting out of these events. Creating a place, a period of time, that makes other people simply happy became his passion and profession.
"Berlin was like a huge kindergarten. There was space, air to breathe, you didn’t have to fight for your place."- Bénédict Berna
Born in Valence and growing up in Donzère, a small and not too exciting town in the Rhone valley between Lyon, Montpellier, and Marseille, Béné got used to moving around, networking, and organizing concerts wherever the crowd was hungry for it. His appetite also grew yet he felt the creative limitations of the smaller towns and cities. Paris wasn't an option for him. He says it's too snob and rigid, all places have been taken and occupied a long time ago. But Berlin was the exact opposite to that.
In 2003 things were still rather wild in Germany's capital, especially in the party world. So when Béné arrived it didn't take too long for him to find his way straight into the clubs, soon taking care of the set lists, bands, and DJs of Club Maria and Club Chez Jacki. The clubs and bars were the pumping heart of a city that didn't know any limits or regulations. It was total freedom - and innocence - at least for a little while.
"I don’t want to become an icon, I don’t want to be an institution. I want people to have a good time."- Bénédict Berna
Berlin changed and grew up, at least a little bit, but change isn't necessarily a bad thing. Béné left the clubs behind and became the manager of a wine bar, Brut on Torstraße. It was one of the earlier places where finally wine, cheese, and bread all tasted fantastic. Something that shouldn't surprise but back then it did because the general quality level in the city was just so bad. At Brut, you were never really sure who was a guest and who worked there. It was one big family.
All those years and experiences shaped the formula for Béné's own bar that he opened in 2017 together with his wife, Martina. So it's not a surprise that Rhinoçéros is a bar that does everything right. French wine and cheese, crunchy baguette, Japanese whiskey, the atmosphere warm and intimate, it feels a bit like home, just more special.
All this would already be enough to win my heart but Béné's love for jazz, vinyl, and vintage hi-fi sound systems - and for organizing events - made him turn towards a Japanese phenomenon: the Tokyo Jazz Kissa. It's basically a bar (or coffee shop) where people listen to vinyls while drinking tea - or whiskey, or wine. So at Rhinoçéros, they have special nights, curated listening sessions, where no one talks but sits still in front of 1976 wooden Bowers & Wilkins speakers, kind of like at a concert, to peacefully listen to the whole length of legendary jazz recordings. Béné says that he himself is surprised at times by the intimacy that these nights create. But that's the power of great music, food, and wine - and great hosts.
When I asked Béné which recipe he'd like to share with us, he suggested a Shrimp Cocktail. First I was surprised then I indulged in nostalgia. So thanks to this dinner party classic, we'll have a proper 80s revival in the kitchen (Béné says it's actually from the 60s). Béné's version is super quick to prepare, perfectly balanced, and, thanks to tangerines giving it a hint of acidity, it's even refreshing. And it goes extremely well with oysters and champagne for lunch, that's what we did - just don't expect you'll get anything done after this so save it for the weekend.
The podcast episode with Bénédict Berna is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Béné on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Shrimp Cocktail
by Bénédict Berna
Serves 4
5 tablespoons mayonnaise
2 tablespoons ketchup
2 teaspoons cognac
4-5 drops Tabasco
Freshly grated orange zest, to taste
450g / 1 pound medium shrimps or prawns, cooked and peeled, cold
2 large Belgian endives, very thinly sliced crosswise
2 tangerines, peeled (skin and white pith removed) and cut into segments
In a large bowl, whisk together the mayonnaise, ketchup, cognac, Tabasco, and a pinch (or more) of orange zest. Add the shrimps and toss to combine.
Divide the Belgian endive, shrimps, and tangerines among 4 bowls (or wide champagne glasses) and serve immediately.
Update: this recipe will also be in my NOON cookbook!
Meet In Your Kitchen | Erik Spiekermann's Lemony Mushroom Risotto
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"I’m incredibly chaotic and I’m incredibly precise. When I do work like typesetting and stuff, I’m 100% precise. I do the shittiest detail that nobody would ever know, but I’m also incredibly chaotic in my approach." - Erik Spiekermann
Erik Spiekermann's greatest gift is that he never stopped thinking like a child. He's still driven by the same stubborn persistence, by a tireless curiosity, and the imperturbable will to find out what lies underneath the surface. The acclaimed designer and typographer, responsible for the corporate looks of brands like Audi, Bosch, and Deutsche Bahn, creator of Meta - the Helvetica of the 90s - and the man who decided that the BVG, Berlin's public transportation system, needs to be yellow, is basically still a child, just in the body of a man.
"My curiosity is my biggest feature. I’ve always been curious, so much so that I have been careless. I mean I’ve done things like hitchhike to fucking Norway at 9, which is stupid, it’s the dumbest thing to do if I look back now but I was curious and I was innocent, and innocent and curious are the same. You’re innocent about something so you wanna find out how it works. And I’m still curious and I will try everything because it’s interesting and I think curiosity is one of the greatest human features otherwise we wouldn’t have invented the wheel nor the fire." - Erik Spiekermann
When Erik was nine years old he hitchhiked to Norway on his own. He was part of a Boy Scouts group, his older travel companion didn't show up so he decided to go up north on his own. I asked what his mother said, and Erik's brief answer was "She didn't know, only when I came back weeks later, rather tanned."
As a teenage boy, he was already fascinated by press printing. He got his first printing machine from his father, a mechanic who Erik thinks passed his strong passion for heavy machinery and their mysteries on to him. Whenever he got the chance, he sneaked into a friend's printing firm at night, trying to figure out how all of this works. Setting type and ruining one plate after the other until he internalized the concept - letting any proof of his failed attempts vanish by dawn - but when he finally filled the white pages with his own hands and ideas he was hooked.
Post-war Germany wasn't an easy playing field for a pubescent boy and young man, chances had to be made by yourself and Erik created plenty of them. First in Berlin, then he moved to London in the 60s with his young family, always managing to convince the people around him that he has the ideas that they need.
"We need to make things, we need to touch things with our hands, otherwise we’re gonna become very funny sort of reptiles or robots." - Erik Spiekermann
It only takes a few seconds to understand how Erik always manages to get people's full attention - and their trust. He is very charming but he is also a road roller. For the podcast recording at my place, he ran up the stairs with his racing bicycle on his shoulder (mind he's born 1947), he wasn't out of breath at all but ready to dive into hours of talking about design, life, and food. Erik used to often bake with his mother, never measuring anything, but sensitively adjusting texture, taste, and smell by feeling. Even then he didn't need anyone to tell him what to do, just a mother who taught him to refine his senses and listen to them. He is still very protective of his ideas and visions, fighting for them if need be, summed up in one of his many popular quotes: "Don’t work for assholes. Don’t work with assholes."
After years of designing and teaching, Erik decided to go back to his roots. All his printing equipment burnt in a severe fire in London in the 70s. A painful chapter that he never felt he had closed, a story he still wanted to continue writing, so he founded p98a a few years ago. It's a Berlin based non-profit experimental letterpress workshop stuffed with old equipment dedicated to letters, printing, and papers. Together with a group of designers, he passes his knowledge and skills on to the next generation and enjoys the play of old traditional analogue equipment and new digital technologies. You can order books, or posters and postcards with Erik's quotes and wisdoms, and join workshops with the master himself.
Although Erik would have loved to share his no-recipe-cantuccini recipe with me, I was worried that no one would be in the mood for cookies in January so instead, Erik and his wife, Susanna, shared the recipe for their delicious Lemony Mushroom Risotto with me.
The podcast episode with Erik Spiekermann is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Erik on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Mushroom Risotto with Lemon and Thyme
by Susanna and Erik
Serves 4 to 6
For the risotto
Fine sea salt
Olive oil
1 medium onion, finely chopped
420g / 2 cups Carnaroli rice, or Arborio rice
240ml / 1 cup dry white wine
70g / 5 tablespoons unsalted butter
60g / 2 ounces Parmesan, finely grated, plus 30g / 1 ounce for serving
4 tablespoons freshly squeezed lemon juice, plus more to taste
For the mushrooms
450g / 1 pound cremini or white mushrooms, trimmed, torn into bite-size pieces
Freshly ground black pepper
30g / 2 tablespoons unsalted butter
8 medium sprigs fresh thyme
3 small garlic cloves, crushed (optional, Susanna loves it, Erik doesn't)
For the risotto, bring 2.5 liters / 10 1/2 cups of water and 1 tablespoon of salt to a boil in a medium saucepan then remove the pan from the heat, cover, and keep warm.
In a large pan, heat a generous splash of olive oil over medium heat. Add the onion and a pinch of salt and cook, stirring constantly, for about 10 minutes or until golden and soft. Add the rice and cook, stirring, for 5 minutes. Add the wine and let it simmer for a few minutes then add a ladle of the hot salted water, the rice should be covered. Let it simmer very gently and, as soon as the liquid is almost fully absorbed, add more of the salted water. Keep adding a little water at a time, stirring gently once in a while. When the rice is al dente and the liquid is more or less absorbed, you might not need all the salted water, take the pan off the heat, and stir in the butter and Parmesan. Add more of the salted water if the texture isn't creamy (not soupy!) and season to taste with additional salt if necessary. Gently stir in the lemon juice, adding more juice to taste, then cover the pan and set aside.
For the mushrooms, heat a generous splash of olive oil over medium-high heat, briefly cook the mushrooms, stirring occasionally, for 2-3 minutes or until browned and still firm (not mushy!). Season to taste with salt and pepper, add the butter, 6 sprigs of thyme (keeping 2 sprigs for serving), and the garlic then reduce the heat to low and cook for a few minutes until the mushrooms are al dente but not soft.
Divide the risotto and mushrooms among bowls, sprinkle with a little Parmesan, some ground pepper, and the leaves of the remaining 2 thyme sprigs, and enjoy immediately.
Meet In Your Kitchen | Champagne, Scallops & Squash Soup with Vitalie Taittinger
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"Food is love. It's the attention we can give to the people we are sharing life with." - Vitalie Taittinger
48 hours in the Champagne with Vitalie Taittinger - many bottles were popped and no dessert was missed in the making of this podcast episode!
Vitalie was born in Reims, she's the great-granddaughter of Champagne Taittinger's founder Pierre Taittinger and now she is the President of the champagne house. Two years ago, she took over from her father, Pierre-Emmanuel. When I first met the young woman a few years ago, I asked myself if it's a gift or a burden to be born into one of the world's most famous champagne families, if it's freedom or pressure.
"The fact that today we are both responsible for the company, I think this is something very strong in terms of complicité." - Vitalie Taittinger
Clovis is Vitalie's brother, he's the company's Managing Director. When it came to the decision who of the two children would follow into their father's footsteps, the father specifically didn't want to be part of the final decision making process. Instead, for a whole year, the entire team, including the two siblings, pondered on what would be best for the company. For them it was neither about ego nor about clever career moves. It was simply about finding a solution that would be best for Champagne Taittinger; that would be best to keep a tradition alive and thriving. This story says so much about a family and about a region and its mystified product. It says so much about what champagne is about.
The Champagne region is a tiny cosmos built on history, values, tradition, and trust. It goes beyond family although the families that founded the big houses and cultivated champagne over hundreds of years are at the core of this cosmos. It's important to understand that all the champagne houses on their own can't cover the demand of grapes for their production just by using the produce from their own vineyards. It's just not enough. They depend on a large network of small independent growers in the region. There are contracts yet if the growers don't want to cooperate with a champagne house, the champagne house won't survive. They both depend on each other, which is fruitful and only works when their cooperation is built on trust, respect, and the same values. Land is precious and limited - and a UNESCO world heritage since 2015. It's one of the most expensive in the wine world. € 1 million per acre, only topped by Bordeaux's and Burgundy's top appellations.
"A company is a human adventure and when you’re a family you stay very close to these human values." - Vitalie Taittinger
When Taittinger was sold by the extended family in 2005 - a step Vitalie's father didn't agree with - it only took him a year to have the support from a local bank and the backup from the growers to buy the company back and be assured that he would manage to keep producing outstanding champagne.
So when Vitalie joined the company in 2007 quite spontaneously, after studying art and establishing a life independent of Taittinger, she was aware of the responsibility given into her hands but also about the chance she got to keep the story of her family's champagne alive so that one day she could pass it on to the next generation: "The fact that we are a family running the company puts the adventure into a longterm process. I think we are not fighting for figures we fight to make this adventure last and transmit it to the next generation. We want to transmit the best terroir to the next generation and we want to pay attention to the health of the next generation."
The past is deeply woven into the region, it's constantly present, contributing to the mystique of the Champagne: no matter if your in Reims visiting Notre-Dame de Reims, the cathedral chosen for the coronation of the kings of France; if your in Taittinger's cellars 18 meters underground in the Abbey of Saint-Nicaise built in the 13th century in Roman chalk pits dating from the 4th century; or driving to the family's Château de la Marquetterie, an 18th century residence 40 minutes outside Reims, which Vitalie's great-grandfather Pierre bought in 1930. He had fallen in love with this place, a headquarter during World War I, when he spent time there as a cavalry officer in 1915.
It's not a surprise that Pierre was smitten. When I drove passed the vines and through the chateau's gate to visit Vitalie in her kitchen, and record our podcast episode in one of the salons, I was smitten, too, with Vitalie and the chateau.
Vitalie shared a recipe with me that's both cozy and sumptuous, Squash Soup with Chestnut Purée and Scallop Carpaccio with Spinach Pesto and Caviar - easy to prepare in advance and perfect for a New Year's Eve dinner!
Bonne année!
The podcast episode with Vitalie Taittinger is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Vitalie on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Squash Soup with Chestnuts, Scallop Carpaccio and Caviar
by Vitalie Taittinger
The scallops are eaten raw and need to be very fresh. If this seems too risky for you, sear the scallops quickly in a little olive oil over high heat on both sides (this takes 2-3 minutes) and season with salt and pepper.
Serves 4
For the scallop carpaccio
10 very fresh scallops
Caviar, adjust the amount to your budget
For the spinach pesto
1 large handful fresh baby spinach leaves, plus 16 small spinach leaves for serving
Olive oil
1 lime
Fine sea salt
Ground black pepper
For the soup
1 liter / 4 1/4 cups vegetable broth
1 butternut squash (about 3 pounds), peeled, seeds removed, and cut into cubes
1 star anise
2 bay leaves
Fine sea salt
Ground black pepper
Crème fraîche, to taste
For the chestnut purée and topping
200g / 7 ounces vacuum-packed whole cooked chestnuts
120ml / 1/2 cup heavy cream, whipped until stiff
2 teaspoons granulated sugar
1 tablespoon freshly grated, or very finely chopped, orange zest
For the scallop carpaccio, keep the scallops in the freezer for a couple hour; this will make it easier to cut them.
For the soup, bring the broth to a boil then add the squash, star anise, and bay leaves, season to taste with salt and pepper, reduce the heat, and simmer for about 30 minutes or until the squash is soft. Remove and discard the star anise and bay leaves. Using a blender stick or blender, purée the soup until smooth then season to taste with salt, pepper, and crème fraîche and cook, stirring constantly, until it reaches the desired taste and texture; cover the pot and keep warm.
For the chestnut purée, set 3 chestnuts aside then purée the remaining chestnuts until smooth (add a little water if necessary) and, using a spoon, gently mix with the whipped cream.
Crumble the 3 reserved chestnuts. In a small, heavy pan, heat the sugar over medium-high heat until caramelized then add the crumbled chestnuts and orange zest; stir and keep warm for serving.
For the spinach pesto, purée the spinach leaves and a little olive oil in a blender until smooth. Add more olive oil until the texture is quite runny then season to taste with freshly squeezed lime juice, salt, and pepper.
Take the scallops out of the freezer. Using a large, sharp knife, cut the scallops very thinly; if they are too hard to cut keep them at room temperature for a few minutes.
Arrange the scallop slices on 4 large plates, drizzle with a little spinach pesto (you might not need all of the pesto), sprinkle with a few spinach leaves and a little caviar. Fill the soup in 4 deep bowls and arrange the bowls on the large plates with the carpaccio. Arrange the caramelized chestnuts and a dollop of the puréed chestnuts on top of the soup and serve immediately.
Meet In Your Kitchen | Krautkopf's Roasted Kale, Apples and Potatoes
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"It's really the story of simplicity. You can create great taste with just a few really good ingredients. You won’t need much." - Susann Probst
When I hopped onto the empty platform after a 2.5 hour train ride I found myself in front of an old red brick building with broken windows and a faded sign painted over the door. I smiled as I thought of the last sentence I had written to Susann Probst and Yannic Schon of Krautkopf"If you won't manage to pick me up in time, don't worry, I'll walk around in the village." There was no village.
The first Meet in My Kitchen Podcast On Tour took me right into the picturesque countryside of Mecklenburg Vorpommern (Mecklenburg-Western Pomerania) in the north-east of Germany. Golden hills draw their rolling lines into the landscape right where the cloudy sky begins, old trees frame the endless alleys, and villages are rare. This is the place that a young couple chose as their new home, after 10 years in Berlin building up one of Germany's most successful food blogs, publishing a cookbook, and releasing a recipe app.
An old post-war Siedlerhaus (settlers house) rustically built in 1948 out of leftover bricks and beams, compiling of a barn, a couple rooms, and a vast amount of land made Susann and Yannic fall in love with a region that couldn't be more of a contrast to buzzing life in Berlin. However, exactly that - and the creative potential of the two old buildings and the huge garden - were the reason why they both felt ready for a new chapter in their life.
"You see what is in season just because that’s how you planted it. There was all this creativity happening, you went outside and looked into your harvesting basket or in general, you looked at the plants and what was going on there." - Yannic Schon
The Krautkopf cosmos is the inspiring symbiosis of two minds, well attuned, who express themselves through photography, food, design, and now also gardening. Susann and Yannic found a new playing field for their creative energies initiated through the big move in 2020.
The house's interior brings together warm hues, all shades of earthy colors, it plays harmonically with darkness and light, and it treasures all the old features. The dining room feels like a cozy cave, the kitchen, which used to be the barn, still has the old uneven brick flooring, the little lattice windows letting in beams of light. It wouldn't really surprise you if you saw a sheep munching on hay next to you. It's all very rustic but then at the same time it doesn't have the dusty layer of the past covering up the fact that it's 2021. It's minimalist and modern without neglecting the past, here, the presence lovingly embraces the past.
Susann and Yannic always keep all creative decisions in their own hands, be it a blog, a book, a sofa, or the new field of gardening. They read and learned everything they could possibly find about seeds and seedlings, flowers and orchard meadows, bees and bushes. The couple created a garden that combines all the romantic ideas of living in the countryside with the modern desire of a sustainable life with nature and not against it. The huge vegetable garden offers every ingredient a cook could ask for. Tomatoes, zucchini, squash, peppers, peas, beans, and potatoes - all popping when their season has come. There's really everything right at hand in front of the kitchen door that a cook could ask for - and it all looks so perfect and pretty.
When Susann and Yannic worked on their new book, Erde, Salz und Glut (soil, salt and heat; only in German) they just had to walk into their garden to create all the colorful recipes circling around vegetables that fill their book's pages. The concept for the book came up during a trip to Scotland. Living in a tent and reducing ingredients, tools, and techniques to a minimum for their travel cooking, the ingredients basically only needed salt and heat. When they moved to their new house shortly after the trip and when gardening and harvesting became such a big part of their everyday life, they added 'soil' to the book's title.
The recipe they shared with me is from their new book. It's a celebration of their garden and of their favorite season, of autumn, its flavors and its colors: Roasted Kale, Potatoes and Apple.
The podcast episode with Susann and Yannic is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Susann and Yannic on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Roasted Kale, Potatoes and Apple
by Susann Probst and Yannic Schon (from Erde, Salz & Glut)
Serves 2
700g / 1 1/2 pounds small waxy potatoes (with skin)
2 tablespoons vegetable oil
1 medium red onion, peeled
2 medium baking apples
100g / 3 1/2 ounces kale
1 handful walnut kernels
Salt
2 tablespoons walnut oil
1 tablespoon mustard
70ml / 1/4 cup plus 1 teaspoon apple juice
4 medium sprigs tarragon
Preheat the oven to 180°C / 355°F.
Cut the potatoes into 4 wedges each. Drizzle 1 tablespoon of the vegetable oil on a baking sheet, add the potatoes, toss them in the oil and spread them out. Roast the potatoes, on the middle rack, for 10 minutes.
While the potatoes are roasting, cut the onion into slim wedges, cut each apple into 8 wedges then cut out and remove the core. Trim the kale leaves and tear large leaves into smaller pieces. Chop the walnuts roughly.
Add the onion, apples, and kale to the potatoes, add 1 tablespoon of vegetable oil, mix with your hands, and season to taste with salt then bake for another 15 minutes or until the potatoes are golden and just cooked through. Add the walnuts and roast for 1 more minute.
In a small bowl, whisk together the walnut oil, mustard, and apple juice and season to taste with salt. Remove the tarragon leaves from the sprigs then drizzle the dressing over the roasted vegetables and sprinkle with the tarragon. Serve immediately.
Meet In Your Kitchen | Kiduk Reus' Bonanza - The Perfect Coffee
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"There was no movement there. We were the movement." - Kiduk Reus
When a friend took me to Bonanza Coffee on Berlin's buzzing Oderberger Strasse back in 2006, I felt disturbed and suspicious about the whole thing. This had nothing to do with my beloved old-fashioned Italian-style espresso places where I'd usually have a cup of the dark, thick, bitter drink, a bite of flaky sfogliatella, while Italian opera was soothing my mind, playing in the background. It took me years to understand this new kind of coffee, to taste, to smell, and appreciate the whole complex flavor and aroma profile; to accept that an old tradition was taken in the hands of a bunch of young people to experiment and to create something different with the good old coffee bean that's been a part of our culinary heritage since at least the 15th century.
Young Kiduk Reus, one of the founders of Bonanza, was one of those kids - curious, brave, and fearless, and ready for a new chapter in his life. After studying design at the Willem de Kooning Academy in Rotterdam and at the Rietveld Academy of Arts in Amsterdam, after successfully working in the advertising industry, he felt that Berlin was calling his name in 2004. He packed his bags, the vague idea of starting a speciality coffee shop at the back of his mind. That was the beginning of a time that would later become known as the worldwide Third Wave Coffee Movement.
"I did it all myself. I fixed it. It wasn’t like the machines were actually working. I had figured out how to get them running and put modern equipment into it so it ran even better. And honestly, that even also took off. That actually saved our business in the end because what happened one day, it became a trend this thing with the cast-iron machines. And then I had a whole side business on that in the evening, which financed the whole Bonanza thing. I must have helped over 250 roasteries worldwide getting their equipment. It was huge." - Kiduk Reus
Born in Seoul, South Korea, adopted at the age of 4 by an American mother and a Dutch father, Kiduk grew up in the Netherlands in a town famous for cheese, in Gouda. Food played an important role. He remembers being a picky child knowing exactly what he wanted to eat and what he didn't. His palate was already refined, a skill that would come in handy later in his life. In the following years, Kiduk learned what would become a mantra in his life: I need this, it needs to be better, I improve it. And then, miraculously (or not), other people pick up on it.
Understanding that he has to be the motor to bring movement to his ideas, he always had the soul of an entrepreneur. Not waiting for others to come up with something great or to improve something existing, he jumped in first to create what he needed to move on and fulfill his mission. So when he started the first Bonanza coffee shop together with his partner he knew he wanted to roast his own beans as soon as possible to simply reach and keep the quality that he had in mind.
Coincidentally, Kiduk noticed that some old cast-iron equipment - stored in an old airplane hangar by a friend of his and that he had access to - was the best possible equipment for roasting coffee beans. So he jumped on the occasion and spontaneously started a business that would in the end finance Bonanza for a long time. He bought the old parts and machines, added new parts to make them work even better, and became the Berlin man to supply roasting machines to all the big names in the speciality coffee roasting business worldwide. Blue Bottle, Seven Seeds, and about another 250 coffee roasters went to Kiduk Reus' workshop and got their vintage equipment, customized by Kiduk himself and his growing team of mechanics.
Kiduk says he listens to his mind more than to his feeling. His intuition is definitely absolutely reliable. Many of his decisions seem random at first but then turn into something great. The street where his first shop is on, on Oderberger Strasse, was called Street of Death by house owners and estate agents as none of the businesses lasted long. This street changed a couple years after Kiduk arrived. Leading to Mauerpark - a park that would become famous and turn into a weekly festival scene attracting 30,000 people on a Sunday, all passing by Kiduk's coffee shop - this street would become one of the most buzzing spots in the city. In hindsight, he couldn't have chosen a better location.
"I get also pushback from my staff because they are again more like It should be like wine, it should be the terroir, it should be the way we’re roasting it, you should be tasting the processing and the varietal! And I’m like But this is so boring, we’ve been doing that all the time, can we not do this!But no, that is not a serious drink! and then I look at the cashier and I’m like Aha, you didn’t sell any of it! No, we recommend them away from that drink, and I’m like Ok." - Kiduk Reus
When you pay so much attention to each single bean, when you know the farmers, when you set the quality bar so high, you want your customers to taste the whole range of flavors packed into that little bean by nature. Bad beans strongly roasted taste bitter, which covers up bad taste, but you don't want that to happen with good beans.
And now coffee geeks like Scott Tedder from Leeds (pictured below during a coffee tasting to prep for a coffee competition), Bonanza's head roaster and green bean buyer for years, come in to define the perfect roasting process that each bean will go through so that I can actually enjoy the complete complex flavor profile. This means that I have to - or rather want to - question my rigid ideas of how an espresso should taste. I want to give people like Scott a chance to show me something I haven't experienced before and to allow my taste to develop. And I must admit, it did change. The coffee beans that I buy now aren't as dark, aren't roasted as strong anymore. I'm slowly discovering the profiles of good coffee beans.
Kiduk and I might always be a little more experimental and willing to compromise than Scott when it comes to creating new drinks including espresso or hand-brewed coffee, but that's fine. A baker will always tell you to eat the warm bread just with butter, a farmer will recommend to enjoy the soil-studded carrot on its own, the wine maker wants you to stand in between the vines to feel the terroir when you take the first sip. It's an appreciation for nature and its miraculous creations, for the pure flavor. Maybe there's also a little pride involved - which isn't a bad thing - that they all manage to make nature's produce shine without distracting from the inner qualities.
Kiduk showed me how to hand-brew the perfect coffee with affordable equipment (you can find the recipe below). You can work with the most basic equipment you have in your kitchen but it's definitely worth investing a) in a digital gram scale and b) in good coffee beans from a coffee roaster who understands what you're looking for in taste and who will also grind the beans for you. However, go for small quantities as ground beans will lose their aroma quicker. You will slowly discover flavors in a hand-brewed coffee that you never tasted before and that's quite an experience. It turns making and drinking coffee into a ritual, like making a cup of special tea.
The podcast episode with Kiduk Reus of Bonanza Coffee is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Kiduk on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
The Perfect Hand-Brewed Coffee
by Kiduk Reus / Bonanza
Makes 2 small cups, or 1 large cup
Equipment
1 coffee paper filter (such as Melita, Hario or Kalita)
Coffee dripper / filter (such as Melita, Hario or Kalita)
Glass hand drip coffee pot (or any other heat resistant glass pot)
Digital gram scale (Kiduk uses an Acaia scale)
Kettle with spout (or pour the boiling water into a tea pot with a spout)
Ingredients
220g water (at 95°C / 203°F)
16g coffee, medium grind (most speciality coffee shops will grind your coffee beans if you don't have a coffee grinder at home; the baristi at Bonanza will happily grind the beans for you if you happen to be in Berlin)
Type of coffee* used by Kiduk (which is also Scott Tedder's competition coffee)
Country: Costa Rica
Producer: William Mora
Varietal: Geisha
Processing method: natural / anaerobic (anaerobic coffee is fermented / processed in an environment that lacks oxygen)
* Ask your local speciality coffee shop for recommendations for coffee beans suitable for hand-brewing.
Place the paper filter in the coffee dripper, put the dripper on top of the heat resistant glass pot then place the pot on top of the scale.
Fill roughly 240ml / 1 cup of water into your kettle and bring to a boil. Let the water cool in the kettle for a minute until the temperature drops down to roughly 95°C / 203°F.
Add the ground coffee to the paper filter. Tare the scale so that it's on zero then wet the coffee with a little of the hot water. Wait a few seconds then pour 110g of water on top of the coffee in the paper filter, pouring circular, and wait a minute. Pour the other 110g of water on top, this time straight in the middle. Don't pour the water in at once, let it drip through the coffee gradually and evenly and make sure that the ground coffee doesn't swim in water. The brewing time (or water to coffee contact time) should be around 2:20 minutes.
Pour the coffee into 2 cups and enjoy immediately.
Meet In Your Kitchen | Sebastian Frank's Horváth - Austrian Roots in Berlin
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"When there’s a feeling coming up like Can this dish compete with the one before, did I go a step further? then I try to push it away. It does come up, there’s nothing I can do to avoid it, especially when I remove a dish from the menu that was the bomb. That’s just the way it is, the quality in developing new dishes can’t always be the same. If I were a machine and I could only create dishes that are the bomb, I’d do it, but I can’t." - Sebastian Frank
Two worlds fruitfully combined in the midst of Kreuzberg: Austria and Berlin. His home country, Austria, feeds the chef Sebastian Frank with the knowledge, passion, and inspiration he needs to create unique dishes of rare honesty. He built up one of the capital's most praised restaurants, he has been rewarded with 2 Michelin Stars but when you talk to him, he makes it sound so easy. And somehow it is. Some people have a genius mind and still manage to keep their feet on the ground.
Together with his partner, Jeannine Kessler, Sebastian moved to her home city, Berlin, 10 years ago and thanks to fortunate circumstances they both took over the Horváth restaurant and turned into the gem it is today.
"Women are just better chefs and I’m convinced that every man who is a good chef has a strong feminine side."- Sebastian Frank
For a long time, the Austrian chef thought he missed out on international experiences, that he couldn't compete with other chefs who did work abroad, particularly the chefs who worked in French kitchens celebrating haute cuisine. Little did he know that exactly this would become his greatest asset.
Although Sebastian started to learn in kitchens at a young age, at 14, it was only in his late teens and twenties that he learned about all those praised culinary luxury products, about a way of cooking that could possibly be rewarded with Michelin Stars and Gault Millau rankings. He was hooked but he still needed time to find himself in the vast culinary universe and all its possibilities. Yet when he stopped looking outside but opened up towards what he already had inside himself, he found the answer he was looking for. He says that he only discovered the confidence to trust himself and work with what he had found inside himself when he was 30, when he started working at Horváth.
Growing up in eastern Austria, close to the border to Hungary, only experiencing the local cuisine until he reached his twenties, smelling, tasting, and working with just local produce and products of exceptional quality, left a mark deeper than he expected at that time. Sebastian noticed that when it comes to the cuisine and the products that he up grew with, no one can fool him.
Being limited opened up his mind - and the flood gates - to a more profound knowledge and understanding of the food that he had had on his plate all his life. He experienced a much deeper level of tastes and textures by working with just a small range of vegetables. He wasn't distracted anymore. He could study a celery root, carrots, beets, potatoes until he totally understood their flavor profile. He could dive into the regional recipes until he totally understood what makes or breaks them. And at that point, he could start playing. Sebastian also had another great advantage, he already had the emotional connection that you need for true inspiration. And this emotional connection took him right back to his childhood, to his own roots and memories.
Today, Sebastian Frank plays with an imperturbable down-to-earth confidence that is impressive. He only needs to visit his culinary archive in his head to find an endless source of old knowledge and new ideas to feed his kitchen repertoire. It's not arrogance, he is open to other opinions and criticism, but he himself knows best when something is right - and then he makes his decision within seconds.
Usually I'm a rather chatty person when I go to restaurants but when I indulged into a 9-course dinner at Horváth, accompanied by non-alcoholic drinks based on vegetables, fruit, and broth that were just as refined as the compositions on the plates, even I had to keep my mouth shut and just enjoy the full range of tones that Sebastian plays with; sometimes they are harmonic or a harsh contrast, familiar or a surprise, quiet or loud, sometimes they build up slowly but then explode so vibrantly that it makes you smile.
The recipe Sebastian shared with me is called Celery, Young and Aged. One part of this recipe is a celery root that has aged in salt dough for a year and that's being grated over the dish. It looks like white truffle, is packed with umami, tastes like concentrated salted celery, and looks absolutely stunning. The crusty salt dough shell, when it's cracked open, looks a bit like Parmesan rind. You automatically feel a lot of respect for this product that needed so much time to age and that people have been taking care of for a whole year. You can't really detach this feeling from this dish. However, if you don't feel like waiting a year to try out Sebastian's recipe you can either make the alternative celery salt (which I bagged him to come up with) or order an aged celery from the Horváth shop (which I highly recommend).
The podcast episode with Sebastian Frank is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Sebastian on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Celery, Aged and Young
by Sebastian Frank / Horváth
(from his book KuK - cook, published by Matthaes Verlag, 2019, in German, you can order the book here)
The aged celery in this recipe ripens in salt dough for 1 year*. Alternatively, you can order an aged celery from the Horváth online shop or use celery salt instead - you can find both recipes for the aged celery and celery salt below! You can buy the celery seeds used in this recipe in spice shops or online.
Serves 2
* For the aged celery in salt dough
You'll only need some of the aged celery for this recipe. Please weigh the ingredients for accuracy and don't use cups.
250g / 9 ounces instant flour (doppelgriffiges Mehl)
165g / 6 ounces fine salt
160ml / 2/3 cup water, at room temperature
1 whole knob celery, roughly as large as a fist, with skin but without the green
In a medium bowl, combine the flour, salt, and water until smooth. Form into a ball, cover with a kitchen towel, and let rest, at room temperature, over night.
Preheat the oven to 220°C / 425°F.
Rinse the celery, pat dry, and cover evenly with the salt dough then transfer the celery to a baking sheet and bake for 20 minutes. Reduce the heat to 180°C / 350°F and bake for another 40 minutes. Transfer to a cooling rack and let cool completely (don't remove the salt dough crust!).
Store the celery in the salt dough crust in a place with a constant temperature of about 15-20°C / 60-70°F. In the first 2 months, flip the celery every second day so that the moist bottom side is at the top. In the following 6 months, turn the celery once a week. In the last 4 months, you don't need to turn the celery at all.
For the celery salt
2 tablespoon celery seeds
5 tablespoons Maldon sea salt flakes (or another flaky sea salt)
In a medium, heavy pan, toast the celery seeds for a few seconds; they shouldn't get dark. Transfer to a mortar and crush lightly with a pestle, add the salt, and mix to combine. Store the celery salt in an airtight container.
For the chicken soup
You'll only need 200ml / about 3/4 cup of the soup; you can use the remaining soup for other recipes.
500g / 18 ounces chicken carcass
300g / 11 ounces chicken skin
1 medium onion, peeled and cut in half
1 garlic bulb, with skin, cut in half
100g / 4 ounces carrots, peeled and diced
150g / 5 ounces celery, peeled and diced
100g / 4 ounces leek, cut in half
30g / 1 ounce parsley stalks
5 allspice berries
3 star-anise
10 cloves
5 juniper berries
2 bay leaves
In a large pot, bring the chicken carcass, chicken skin, and 2.5 liters / 10 1/2 cups of cold water to a boil.
In a small pot or pan, sear the onion and garlic, cut side down, until very dark then transfer to the pot with the chicken carcass, along with the carrots, celery, leek, parsley, and spices, and gently simmer for 90 minutes.
With a large spoon, remove the chicken fat on top of the soup, transfer to a bowl, and set aside (you'll need the chicken fat warm and liquid for serving). Strain the soup through a very fine sieve and muslin towel and set aside.
Young celery
1 knob celery, roughly as large as a fist, with skin but without the green
Rinse the celery and, using a mandoline slicer, carefully cut into paper thin slices. Steam the celery slices for 2 minutes at 90°C / 190°F or until tender but al dente. Let them cool.
Toasted celery seeds (for serving)
20g / 3/4 ounce celery seeds
In a hot, dry pan, toast the celery seeds briefly until dark.
For finishing the chicken soup
200ml / 3/4 cup plus 2 tablespoons of the chicken soup
30g / 2 tablespoons unsalted butter
3 large egg yolks
Salt
In a small saucepan, warm up the chicken soup and butter until hot, it shouldn't start boiling (it should be 80°C / 175°F). Remove the pan from the heat, whisk in the egg yolks to bind the soup, and season to taste with salt.
For serving, arrange the steamed celery slices on a large, deep plate. Pour a little bit of the whipped chicken soup around the celery slices. Sprinkle with the toasted celery seeds, and drizzle some of the chicken fat on top. Break open the salt dough crust of the aged celery, remove and discard the salt shell, and grate some of the aged celery all over the plates. Alternatively, sprinkle with a little celery salt. Enjoy immediately.
Meet In Your Kitchen | Moritz, Switzerland & the Grill Royal Family
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
"Food is probably the most important thing for me besides breathing. But I guess sex is also pretty important." - Moritz Estermann
When you grow up in the Swiss Prealps and you find your peace with the fact that you live in a tiny village only surrounded by nature, then Switzerland is the best place to live in. However, if at one point you want to know what there is on the other side of the mountains, you have a problem. Then you have to leave.
Moritz Estermann liked his life, tightly woven into a safe net of family, friends, and Swiss food. During the week he would play in the neighbors' fields and barns, the weekends would be all about walks in the mountains together with his parents and brother. And when he could tell his father the names of 20 flowers he would get French Fries in one of the mountain huts. Moritz doesn't want to make it sound like Sound of Music - but it does.
But one day, the Swiss fairy tale ended and Moritz left the mountains behind to move to Berlin. And as he arrived, walking down Strasse der Pariser Kommune lined with its very vertical, very unadorned socialist buildings, he felt home and ready for a new chapter.
"We started at Pauly Bar, moved on to the Grill (Royal) then we went to King Size Bar at 1 at night and left at 6 in the morning, staggering. But I had to be back in the office at 9:30, often working on bookkeeping. It was an absolutely amazing time, I learnt everything this business is about, but you shouldn’t do this. You get bogged down. It’s too much. Your own life falls by the wayside. Completely." - Moritz Estermann
Grill Royal, Kin Dee, Bar Freundschaft, Dottir - Moritz Estermann's name appears behind many raisins in Berlin's gastronomic cake but the man himself stayed a mystery for me for a long time. I had been wanting to meet him for years and it had to happen during a long and tipsy night out at Bar Freundschaft. Introduced by Susan Choi, and soon rebuked by Moritz as I told the sommelier "I'm sure you don't have pastis," the first sentence Moritz ever said to me was: "Don't be so negative!." I felt like a little girl, but he was right, and I got my drink in the end.
So how does a Swiss boy end up in the 'Grill Royal family' at quite a young age? He's not only supervising some of the 'family's' places, but he's also Stephan Landwehr's and Boris Radczun's - the founding fathers - copartner in a few endeavors. How does he start new projects and each and every single one is a success? The answer is very Swiss: Moritz says he understands restaurants and he understands Berlin.
But there's more behind this humble Swiss mind. Moritz has a great connection to his instinct and he completely trusts this instinct. I've seen this talent in the characters of all the people I'm talking to for the Meet in My Kitchen podcast. They can all hear their inner voice and learnt to always listen to it. Moritz instinctively goes to the right places, connects with the right people, feels the inspiration, and then picks up the right projects. It's not luck, his success rate is too good for that. It's a very clear focus on what makes sense and then hard work and discipline to get there.
What I love about people in the gastronomic world is that despite this discipline, they never miss the party. What I love about Moritz on top of this is that he wants to create places that make his customers happy but he also wants to create places where his employees are just as happy to work at. He is part of a new movement of restaurateurs who break with the old system. Yes, he wants to and he has to create profitable places, but that doesn't mean you have to exploit the ones who work for you. It's a new feeling of responsibility, and also awareness, that no matter what your job is, you can always make a difference within your everyday operating range.
"I’m not sure if I really trust the universe or if I am, and was, simply naive, but I was never scared of the world outside. I believe it’s a great privilege, growing up in an environment where fear doesn’t exist, simply not being forced to confront it and learning to live with it." - Moritz Estermann
Moritz pays a lot of attention to the people around him. And he pays the same attention when it comes to his food and cooking at home. He shared his current favorite recipe with me, Pappa al Pomodoro. This frugal Italian dish is made with just a few ingredients and that's the reason why each of them should be of exceptional quality. It reminded me a lot of Panzanella - a Tuscan bread salad - yet the stale bread is soaked in tomato sauce and not in vinaigrette and water. Officially it's a thick soup, eaten warm or cold. Roughly chopped sun-kissed heirloom tomatoes, fantastic sourdough bread with a dark crust, the finest olive oil, and a very simple yet very tasty tomato sauce make you forget about frugality and simply indulge in a very fruity, surprisingly light, summery lunch that takes you right to the soft hilltops of Tuscany.
The podcast episode with Moritz Estermann is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Moritz on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Pappa al Pomodoro
by Moritz Estermann
Serves 2
For the tomato sauce
350ml / 1 1/2 cups tomato passata
3 large cloves of garlic, finely chopped
Olive oil
Fine sea salt
Black pepper, freshly ground
For the Pappa al Pomodoro
Around 1/3 of a 750g / 1 2/3 pound loaf of stale white sourdough bread (with crust, the weight of the stale bread is roughly 225g / 1/2 pound)*
Olive oil (the best you can afford)
Around 450g / 1 pound ripe tomatoes (organic, heirloom, ideally various types)*
1 large handful fresh basil leaves, torn
Freshly squeezed lemon juice, to taste (optionally)
* The ratio of fresh tomatoes to bread should be roughly 2:1
Preheat the oven to 160°C / 325°F (preferably convection setting).
For the tomato sauce, add the passata, garlic, and a dash of olive oil to a medium saucepan, season to taste with salt and pepper then bring to a boil, reduce the heat, and simmer for about 20 minutes. The sauce should be light red and runny, not thick, and taste fruity; season to taste with salt and pepper.
Tear the bread into bite-sized pieces, spread on a large baking sheet, and drizzle with a little olive oil. Toast the bread in the oven until crispy but not dark. Transfer the warm bread to a large bowl and add the tomato sauce. The bread should be well covered in sauce and soak it all up but it shouldn’t swim in the sauce; let it sit for at least 5 minutes, the bread should have soft parts and parts that are still a little firm.
Cut the tomatoes into bite-sized pieces. Add the fresh tomatoes and basil to the bowl with the soaked bread, season to taste with salt, pepper, and a squeeze of lemon then gently and briefly mix with your hands; it should be chunky, not mushy.
Enjoy immediately!
Meet In Your Kitchen | Mr. Susan's Kimchi Michelada
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
“Food really helped carve out my identity, it made me realize who I am, but it was also entrée into other cultures.”- Susan Choi
What happens when you grow up in Germany, move to LA to a Mexican neighborhood at the age of six together with your Korean parents then replace California with NYC and finally end up in Berlin with a Dutch husband? You love schnitzel, traditional German food and traditions like Sunday afternoon Kaffee und Kuchen (coffee and cake); your mother’s Korean cooking becomes a safe home inside yourself, a culinary bond to your roots; you develop a weak spot for Mexican ice cream, and adapt to the culinary playfulness that Americans master to perfection so easily.
This is the culinary map of Susan Choi, the owner of Berlin’s acclaimed Mr. Susan bar. Why Mr. Susan? - Susan says "Why not!" Susan embraces, no she celebrates all the colors and shapes, the flavors and textures, the stories and people that this map keeps bringing into her life. She dove deep into each of these cultures, they became a part of who she is today. She welcomes them with respect, curiosity, and infinite excitement and she finds in them endless inspiration to feed her mantra: Life’s a feast!
"My parents worked so hard for us. It is the classic kind of immigrant story where your parents work like a bajillion jobs, bajillion hours to make sure that you have everything that you could want in the world. Every single opportunity I have is because of my parents.“ - Susan Choi
Susan is one of the most positive and energetic people I know - I can’t really imagine her having a bad day. The obstacles in her life were tough, from brutal racism to having to learn to assimilate to a new culture over and over again yet she never let go of staying true to herself. She always knew, even at a very young age, that she either learns to stand her ground or lose the battle and drown. The headwind made her stronger, she’s a tough woman but she managed to keep her soft side. And this combination makes her so lovable, so irresistible, and charming, and also - especially when she stands, smiling, at the counter of her bar sipping an iced coffee - it makes her the cutest. I could just squeeze her.
Her New York life was quite glamorous. Working as a consultant, being a regular in the city’s spectacular restaurants, she developed an even deeper fascination for food in general but also for the people who create it. She learned about the magic of a place, thriving from the dishes, the guests, the location, the interior, and first and foremost, she learned that you lose everything without keeping quality on a constant high level. When you visit Mr. Susan bar today, you can see that she soaked up every detail during her journey. Susan truly understands what makes or breaks a bar, or a restaurant.
Germany’s culinary traditions left a deep mark in her memory. The food, the rituals, the smells, and taste, she finds home in them and they paved her move to Berlin. During one of her first nights in the city, she sat on a swing over the Spree river sipping an Aperol Spritz on a warm summer’s eve and she knew, this is my home. Catering pop-ups and events quickly opened the door to another new city. Berlin welcomed this vivid woman with open arms, thankful for the excitement she brought to the Berliners’ palates.
Be it her food or her drinks, there’s always something unique and thrilling in Susan’s compositions. Visually and in taste. Maybe because she learned to go through life with open eyes, she never misses a detail. The first drink I had at her bar was served with a paper straw with pink flamingos on it. The straw - and the flamingos - were upside down. It bugged her so much that she had to flip it. Together with her husband Robbert - the two are one of the most complementary couples I've ever met - she created a bar that excites, that is fun, and invites you to have a chat at the bar just like you were at home in your kitchen throwing a house party with only fabulous drinks and people (of course).
The recipe Susan shared with me for the Meet in My Kitchen podcast is her playful version of a Korean inspired Mexican drink: Kimchi Michelada! She makes a popsicle of tomato juice refined with kimchi juice and lime juice, Worcestershire sauce and soy sauce then she puts the bright red frozen juices into a glass and pours ice-cold beer over it. Despite the fact that I’m German, I’m not the most passionate about beer, but this drink got me hooked. There’s nothing better to have in your glass on a hot summer’s night! If you don’t have popsicle molds, you can use ice cube molds, that’s totally fine. Susan shows how to make the drink in a tutorial in the Highlights of the podcast's Instagram Stories, click here and go to the Highlight #5 Mr. Susan.
The podcast episode with Susan Choi is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests’ recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Susan on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Kimchi Michelada
by Susan Choi/ Mr. Susan
No popsicle molds? No problem, try using ice trays for ice cubes!
Makes 6-8 popsicles
For the Kimchi Michelada Popsicles
0.5 Liter / 2 cups plus 1 tablespoon of unsalted organic tomato juice
250 ml / 1 cup plus 2 teaspoons freshly squeezed lime juice
100 ml / 1/3 cup plus 1 tablespoon kimchi juice*, or to taste, you can buy the kimchi directly from Susan (click here) or at any Asian shop and many organic shops
100 ml / 1/3 cup plus 1 tablespoon soy sauce
8-10 dashes of Worcestershire sauce (Susan uses L&P)
* Kimchi is a live product, it will continue to ferment over time thus have different flavor profiles so adjust to taste! You'll need to buy roughly 500g / 17 1/2 ounces of kimchi and then drain it for the right amount of kimchi juice. You only use the liquid for the popsicles, you can use the drained kimchi for other recipes or snacks.The more fermented the kimchi, the juicier it'll be.
For serving
About 2-4 tablespoons lime juice, to brush the outside of the glasses
Tajin (chili-lime sea salt), to sprinkle the outside of the glasses
Your favorite beer. We suggest a crisp lager. It can also be enjoyed with alcohol free beer!
For the popsicles, mix the ingredients together and pour into your favorite popsicle molds (or ice trays for ice cubes). Freeze for minimum 12 hours.
For serving, brush some lime juice on the outside of a tall glass (just a wide strip) and sprinkle with chili salt. Place a popsicle in the glass and pour in your favorite beer. Or pour the beer into the glass and lay the popsicle on top of the glass (looks prettier and more dramatic).
Meet In Your Kitchen | Maria's Cannelloni al Ragù
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
“I think it’s amazing that we need to eat to survive but the way to survive is to do something that is amazing to do, that you can enjoy, that you have the privilege, the luxury, three, four times a day to do something out of necessity that you can enjoy as one of the I would say best things there is in life.” - Maria Gerace
The first time I met Maria Gerace she came to a Saturday lunch at my apartment, we started at noon and parted at 4 in the morning. Mussels, crêpes, late night pasta, and many bottles of vino - that was the perfect start of a friendship that would always circle around food, wine, and long conversations. When I go to Maria's kitchen she makes cannelloni for me - not a couple but 20 (you can find the recipe below, Maria uses crespelle/ crêpes for the cannelloni instead of cannelloni pasta). In her kitchen, she's my Italian mamma who always takes care that my plate (and glass) is never empty!
Maria grew up in a small town in Calabria, close to the sea, right at the tip of Italy's boot and far away from the life she was longing for. She was raised by her grandmother who planted the seed in the young girl's soul that a good life is always connected to good food and to people to share it with.
At a young age Maria was already used to patiently peeling pounds of fava beans in the evening in front of the TV; to making passata in the garage once a year with the entire family, each member having at strict role in the procedure - a hierarchy that only slowly alters with age. Food was never just prepared for oneself, but always shared with the whole family. The famous Sunday tomato sauce enriched with polpettine, a weekly ritual, which smell and taste is so deeply woven into her memory, was a frugal feast in her granny's kitchen that no family member dared to miss. The young ones brought their boyfriends and girlfriends, the aunts and uncles sharing laughs and stories, a constant flow of people pulled to the kitchen of a woman who held everything and everybody together like a magnet.
Once a year the family would gather and go on a 'pilgrimage' to slaughter a pig at a small village close by. The blood would be collected immediately to make sanguinaccio, cooked with cocoa, sugar, and spices it was turned into a rich chocolate sauce that the kids loved. Even for the young ones it was normal that every part of an animal was used, that the whole family would always be involved in every food endeavor, and that there were recurring culinary rituals that marked the flow of the year and made it special. Traditions that everyone was longing for.
Although her curiosity and hunger for life made her leave the south of Italy to study industrial design in Milan, to travel and experience the world and widen her view, to then settle in Berlin with her husband Jan and work as an eyewear designer, Maria's voice always mellows when she talks about her granny, about Italian food, and the sea.
The podcast episode with Maria Gerace is in English. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests' recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Maria on:
Spotify / Apple / Deezer / Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Cannelloni al Ragù
by Maria Gerace
There are many steps involved in the preparation of this dish, so it makes sense to cook it in larger quantities.Cannelloni freeze very well. Follow this recipe and freeze them (in the baking dish) before (!) baking the crespelle in the oven. After defrosting them you can bake them following this recipe again. You can also prepare the ragù and the tomato sauce a day ahead.The crêpes and béchamel sauce (in case you don't use store bought sauce) should be made the day you finish the preparation and then either bake or freeze the cannelloni.
Makes about 20 crespelle / Serves 7-10
For the ragù (you can prepare the ragù a day ahead)
100 ml / 1/3 cup plus 2 tablespoons dry white wine
Extra virgin olive oil
1 medium onion, peeled and finely diced
1 medium carrot, peeled and finely diced
1 stalk of celery, peeled and finely diced
1 clove garlic, peeled and finely chopped
500g / 17 2/3 ounces ground beef (or mixed beef/ pork)
1kg / 2 1/4 pounds canned whole peeled tomatoes, crushed (or canned crushed tomatoes)
Fine sea salt
Freshly ground pepper
Nutmeg, preferably freshly grated
For the crêpes
600ml / 2 1/2 cups whole milk
1 tablespoon extra virgin olive oil
3 large eggs
225g / 1 3/4 cups all-purpose flour
Nutmeg, preferably freshly grated
Fine sea salt
Unsalted butter, to cook the crêpes
For the tomato sauce (you can prepare the tomato sauce a day ahead)
Extra-virgin olive oil to taste
1 clove garlic
500g / 17 1/2 ounces tomato passata
Fine sea salt
To finish the cannelloni
1 liter / 4 1/4 cups thick béchamel sauce*
Parmesan, freshly grated
Nutmeg, preferably freshly grated
500g / 17 2/3 ounces Provola cheese, cut into cubes
* Here is my recipe for béchamel saucefrom my book '365'
1 liter / 4 1/4 cups whole milk
1 large bay leaf
Nutmeg, preferably freshly grated
Fine sea salt
Finely ground pepper
45g / 3 tablespoons unsalted butter
45g / 1/3 cup all-purpose flour
For the ragù, simmer the white wine in a medium saucepan for 5 minutes to boil off the alcohol and reduce acidity. In a large pan, heat a splash of olive oil over medium-high heat, add the onion, carrot, celery, and garlic, and sauté, stirring occasionally, for about 4 minutes. Add the ground beef and a little olive oil and cook over high heat, stirring to break up the meat, for a few minutes or until the meat is browned. Add the wine and deglaze the pan, using a spatula to scrape any bits and pieces off the bottom, then add the tomatoes. Season to taste with salt, pepper, and nutmeg and gently simmer over medium-low heat for 1-2 hours; the ragù should be thick. Place a large colander in a deep sheet pan then pour the ragù into the colander to drain any excess liquid; for the filling, the ragù needs to be very thick and not runny. Set the sauce collected in the sheet pan aside. Let the ragù cool completely.
For the crêpes, whisk together the milk, olive oil, and eggs then add the flour and a pinch of nutmeg and salt and whisk, using a stand mixer or a whisk, until smooth and well combined. Let the batter sit for about 30 minutes.
For the tomato sauce, heat a splash of olive oil in a large pan over medium heat. Add the garlic and sauté for a few minutes then add the passata, season with a pinch of salt,and cook for 10 minutes. Remove the garlic then let the sauce cool for at least 15 minutes.
For the béchamel sauce, combine the milk, bay leaf, 1/4 teaspoon of ground or freshly grated nutmeg, 1/4 teaspoon of salt, and a pinch of pepper in a medium saucepan and bring to a boil. Immediately take the pan off the heat, remove and discard the bay leaf, and set aside. To make the roux for the béchamel, melt the butter in a separate medium saucepan over medium-high heat and as soon as it’s sizzling hot, whisk in the flour. Slowly pour the hot milk mixture into the roux and whisk until smooth. Simmer on low, whisking occasionally, for about 5 minutes or until the sauce starts to thicken. Season to taste with nutmeg, salt, and pepper and set aside.
To cook the crêpes, spread out 4-6 kitchen towels on a work surface. In a 20 cm / 8“-non-stick pan or cast iron skillet heat 1/2 teaspoon of butter over medium-high heat. Pour in a ladle of the batter, tilting and turning the pan so that the batter spreads evenly and very thinly. Cook the crêpe, flipping once, for about 30-60 seconds per side or until golden. Spread the crêpe on the prepared kitchen towels and continue cooking about 19 more crêpes with the remaining batter, adding a little butter to the pan and adjusting the heat as necessary.
Preheat the oven to 180°C / 350°F.
To finish the cannelloni, spread a little tomato sauce on the bottom of 2 large baking dishes, drizzle with a little béchamel sauce, and sprinkle with a little Parmesan. Season each crêpe with a little nutmeg and sprinkle with a little Parmesan. Place a generous spoonful of the ragù in the middle of each crêpe and top with Provola and a spoonful of béchamel sauce. Gently roll each crêpe into a tight wrap and arrange them tightly, side by side, in the prepared baking dishes. Cover the crêpes with the remaining tomato sauce, the sauce collected from the ragù, and the béchamel sauce, sprinkle with a little Parmesan, and bake for 30-40 minutes or until it’s bubbling and the top is golden brown. Let the crespelle sit for a few minutes before serving.
Meet In Your Kitchen | Nobelhart & Schmutzig
This post is part of my Meet in My Kitchen podcast: How did we get to where we are in life & what does food have to do with it
“Nature is much larger than our actual doings as humans because she can create so much more variety and so much more depth in taste.” - Billy Wagner / Nobelhart & Schmutzig
Nobelhart & Schmutzig seduces the hungry mind with a vibrant cosmos that is hard to resist. The restaurant is not just about food, there is a rebellious, a critical attitude behind it that likes to challenge the comfortable eater. Restaurateur and sommelier Billy Wagner and chef Micha Schäfer create dishes with verve, heart, and precision. They skillfully caress their guests' tastebuds yet a visit at their Berlin restaurant goes beyond an exciting flavor experience. Billy and Micha dare to question and shake up established structures, to reshape and experiment with all the facets that a visit to a restaurant is about.
When you ring the restaurant's door bell, when you're seated at the c-shaped counter - the 'kitchen table' framing the open kitchen -, when Micha and his team cook and serve their refined compositions right in front of you, and when Billy, the conductor, takes care that you'll never forget this evening, then you're part of an almost orchestral experience that includes all your senses and excludes the outer world for a little while. There's the excitement of the unexpected but there's also the comfort of an ambience that allows you to be fully yourself. Isn't that what a visit to a restaurant should be about?
Rewarded with a Michelin Star only nine months after the opening and with 16 points by Guide Gault Millau2021, ranked at No. 57 in the World's 50 Best Restaurants list (Update October 2021: now they are No. 45), Nobelhart & Schmutzig quickly found its fame in the Berlin and in the international restaurant scene. As good as the praise may feel, the 'old couple' Billy and Micha - that's how it feels when you meet them - entered the culinary scene with more profound intentions.
Billy comes from a family of restaurateurs; named Sommelier of the Year several times, gaining experience at the German 2-Star Michelin restaurant Zur Traube amongst others, he achieved a deep understanding of what a satisfying visit to a restaurant should truly be about. Dropping out of the 2-Star Michelin restaurant Villa Merton in Frankfurt at the innocent age of 27 and taking over the responsibility for the culinary creations in Billy's endeavor right from the start in 2015, Micha also had a very clear vision of the food that inspires him as a chef.
Both men envisioned a menu that pulls the single ingredient right into the spotlight, and with that also the farmers, the butchers, and bakers that are responsible for each ingredient. Focussing, reducing, leaving out the unnecessary, that's where they found their mantra and the clever and tasty answer to a changing way of eating and indulging. It's about pure taste, thriving and prospering from seasonal, regional, and responsibly handled resources. And above all, it's about having a good time and forgetting about obsolete conventions. Nobelhart & Schmutzig is the seductive synergy of two men, two opposite poles, one calm the other impulsive, which Billy modestly describes with the words: "Micha takes care that our guests enjoy the food and I take care that the guests are there." Below you can find the recipe for Micha Schäfer's Mashed Potatoes, Onions, Unripe Apples and Savory that he cooked for me at the restaurant.
The Nobelhart & Schmutzig podcast episode is in German. You can listen to the Meet in My Kitchen podcast on all common podcast platforms; there are English and German episodes. You can find all the blog posts about these podcast episodes including my guests' recipes here on the blog under Meet in Your Kitchen.
Listen to the podcast episode with Billy and Micha on:
Spotify / Apple / Deezer/ Google / Amazon / Podimo
On Instagram you can follow the podcast @meetinmykitchenpodcast!
Mashed Potatoes, Onions, Unripe Apples and Savory
by Micha Schäfer / Nobelhart & Schmutzig
"Our recipes strongly depend on the quality of the ingredients - this counts for each ingredient and that makes the difference. The more regional the ingredients that you buy yourself to prepare this recipe the bigger the possible differences to the ingredients that we held in our hands when we created this recipe and that’s great, that’s really good! This offers the possibility to experience cooking in a new way and to learn to always base a dish on the produce, that’s your starting point, just as we do at Nobelhart & Schmutzig. So be brave and adapt this recipe to your own local conditions!“ - Micha Schäfer
Serves 2
For the onions
150g / 5 1/4 ounces onions
80g / 1/3 cup unsalted butter
Fine sea salt
For the mashed potatoes
300g / 10 1/2 ounces waxy potatoes
1/2 teaspoon smoked butter (you can buy smoked butter online, in the Nobelhart & Schmutzig shop, or replace it with regular butter but then, unfortunately, you'll miss out on the smokey touch)
60g / 1/4 cup unsalted butter
90ml / 1/3 cup plus 1 tablespoon of the water used to cook the potatoes
About 1 tablespoon apple cider vinegar
Fine sea salt
For the apples
1 large or 2 small firm sour baking apples or unripe apples
unsalted butter, to cook the apples
1 medium sprig savory
For the onions, peel the onions and dice them very finely. Heat the butter in a small pot over medium heat, add the onions and a pinch of salt and cook slowly, stirring once in a while, over medium-low heat for about 30 minutes or until very soft and pale-golden; they shouldn’t be brown.
For the mashed potatoes, peel the potatoes then cut them into halves or quarters and boil them in salted water for about 20-25 minutes or until soft; mind to keep the water used to cook the potatoes when they are done and set it aside. In a medium pot, mash the potatoes until very fine; you can also use a very fine sieve. Add the smoked butter and the butter and, using a wooden spoon or a whisk, beat / whisk until combined. Gradually add 75ml / 1/3 cup of the potato cooking water, whisking constantly, adding more of the liquid until the mashed potatoes reach the desired creamy texture. Season to taste with vinegar and salt, cover with a lid, and set aside.
Core the apples (don’t peel them) then cut small apples into quarters and large apples into 8 wedges. Heat a teaspoon of butter in a small, heavy pan over high heat (the pan should be very hot). Quickly sear the apple wedges in the hot pan on both sides until golden brown; they should stay firm.
Arrange a spoonful of the onions and a spoonful of the mashed potatoes on 2 plates then arrange the apples on top of the onions. Sprinkle with savory and serve immediately.
Guten Appetit!
Parmigiana di Melanzane
Think of lasagna, replace the pasta sheets with slices of fried eggplant and you have a Parmigiana di Melanzane. It took me many years to finally eat this very frugal, very simple and very delicious Italian home cooking gem and it took me even longer to finally give it a go in my own kitchen.
I have to thank the tiny Sicilian island that I mentioned earlier in May, when I wrote about Stuffed Sardines. This little rock in the Mediterranean rewards me with the best parmigiana for lunch, at a little cafe at the piazza where I sip chilled Chinotto and let my fork sink into silky layers of soft eggplant, creamy cheese and fruity tomato sauce. The island reminds me over and over again how precious good produce is, what a gift tasty vegetables are and how little I have to add as a cook when I allow the vegetables to show their humble inherent qualities.
After writing two cookbooks and sharing hundreds of recipes over the past seven years, I was worried that tiredness might keep me tethered to my minimalist cooking trip but it turns out that the opposite is true. I'm not tired of experimenting, but maybe more than ever I truly and fully appreciate when a tomato, a zucchini or a bell pepper are at their peak and simply taste good. When they taste so good that I don't even want to cook them, my tastebuds have an epiphany. It's not the complex layering in a dish, or the newly discovered combination of flavours that have rarely been combined before, but it is the purest taste of good produce melting in my mouth that makes me the happiest muncher in the world.
On this tiny Sicilian island that I love so much I pick my fruit and vegetables straight from the fields surrounding the house where we live. My early morning walks, to pick what I need for the day before the hot summer sun hits fruit, flowers and leaves, before the plants daily struggle for light, shade and water begins, have taught me more about food in the past few years than any cookbook or food show. Plants follow simple rules, they obey a rhythm. To work - as a cook - with that rhythm and not against it, creates utmost pleasure.
This year, northern Sicily and its surrounding islands didn't have enough rain. Lentils didn't grow, instead their plants dried out on the fields, lemons stayed tiny, the fruits barely having any juice, but on the other side pomodori, tomatoes, grew so abundantly that our friends who have their own fields couldn't keep up collecting and using them. So they gathered one day to make passata, blanched, pureed and strained tomatoes turned into the purest sauce, and bottled their 'red gold' for the colder months to come. If nature gives them tomatoes abundantly, they turn them into a tomato feast. Maybe next year it will be lentils, who knows, but it will definitely reflect in their cooking.
So my friend Pietro gave me a bottle of his deep red passata and although I would have loved to just drink it, I decided to let the sun-kissed concentrated tomato juices shine in a dish that I enjoy so much when I'm in Sicily: I decided to cook my first Parmigiana di Melanzane. This dish is so simple yet there are a million recipes, tricks and variations and every Italian will say that their mamma definitely makes the best. And every one of them is right because there isn't just one recipe that is the best but there is one rule that almost every Italian follows with verve and passion: the ingredients need to be of excellent quality.
You won't need many ingredients for a parmigiana but make sure to use nice, plump eggplants, good fior di latte or mozzarella and Parmesan and most importantly: invest in the best passata you can possibly find. It's also fine to make a tomato sauce from scratch, using tinned or fresh tomatoes and your favoured seasoning, but for this dish, a simple sauce made of Italian passata, garlic, a dash of olive oil, basil, salt and pepper hits the spot. You don't want a sauce that's too dominant as it's only going to play with humble fried eggplants and mainly mild cheese. It's not a sauce I would use for pasta, it's subtle and also more liquid than my usual red sauce, but it bathes the eggplant in the perfect summer-ripe fruitiness. This simple sauce with its deep taste of Mediterranean tomatoes is what makes or breaks your parmigiana.
My recipe is for 4 to 5 people, we enjoyed it over two days, hot, warm and cold, but I wished I had doubled the recipe!
Parmigiana di Melanzane
Serves 4 to 5
1.2 kg / 2 2/3 pounds eggplants, cut lengthwise into 5mm / 0.2" thick slices
Fine or flaky sea salt
3 fior di latte or mozzarella (each 125g / 4.5 ounces)
Olive oil
2 large cloves garlic, crushed
About 750ml / 3 1/4 cups Italian passata di pomodoro(if your passata isn't very tasty, use about 1l / 4 1/4 cups passata, bring it to a boil and reduce until you have the desired amount. Alternatively: Make the same amount of sauce with tinned or fresh tomatoes)
1 large handful fresh basil leaves, roughly chopped
Freshly ground black pepper
Vegetable oil, for frying
60g / 2 ounces Parmesan (preferably aged), finely grated
Spread the eggplant slices on cooling racks, generously sprinkle with salt, gently rubbing the eggplants with the salt, then flip and sprinkle the other side with salt. Let the eggplants sit for about 1 hour then rinse with cold water and pat dry with kitchen paper.
Place the fior di latte (or mozzarella) in a colander, let sit for 1 hour then cut into small cubes.
In a large pot, heat a splash of olive oil over medium heat, add the garlic and cook for about 2 minutes or until golden. Add the passata and bring to a boil. Stir in the basil and season to taste with salt and pepper (mind that the Parmesan will also add saltiness to the final dish!); immediately remove the sauce from the heat and set aside.
Preheat the oven to 200°C / 400°F and grease a roughly 20x30cm / 8x12" baking dish with a little olive oil.
In a large heavy pan, over high heat, heat enough vegetable oil to come up the side of the pan about 1.25cm / 0.5". When the oil is sizzling hot, fry the eggplant slices in batches, arranging them side by side and turning them once, for about 30-60 seconds or until golden but not dark (see picture below). Spread and drain the fried eggplant on kitchen paper and continue frying the remaining eggplant slices.
Arrange a layer of eggplant slices in the prepared baking dish, spreading them side by side, then season with a little (!) salt and pepper, sprinkle with some of the fior di latte and Parmesan and drizzle with some of the sauce. Repeat to make more layers (about 4 layers total), finishing the last layer with cheese and sauce. Bake for about 40 minutes or until bubbly then turn off the oven, tilt or open the oven door and let the parmigiana sit in the oven for 10 minutes or even for 1 hour or longer to let it soak the juices (I let mine sit in the oven for 2 hours, temperature and texture were just right when we ate it). Enjoy the parmigiana warm but not hot straight out of the oven; we even had some cold for breakfast.
Rhubarb and Cucumber Caprese
After months of calming my mind and palate with familiar comfort dishes - creating a soothing counterpart to the uncertainties in the world - I suddenly feel a growing appetite for kitchen experiments again. Pizza, spaghetti Bolognese, German stews and roasts, and yes, baking sourdough bread, gave me comfort and safety while the world turned upside down and pulled me off my feet. But I recently started to feel curious and hungry again, searching and finding a refreshing caprese salad with pickled rhubarb, orange blossom water, cucumber, mozzarella di bufala and mint.
As I leaved through Marc Diacono's fabulous new book, Sour, which was nominated for a James Beard Award this year, I immediately stopped on page 147 as I spotted a vibrant pink Rhubarb and Radish Salad. Marc uses raw rhubarb that he cuts very thinly and marinates in rose water. That made me think. I always cook, bake or roast rhubarb and wasn't quite sure if I'd fall in love with its distinct taste and texture when raw. The British cookbook author adds blue cheese and dill and this, in combination with the rose water, wraps it up snugly. It's sour, it's bold and somehow harmonic, or in Marc's words: "The rose water sets everything off and encourages the radish and rhubarb to sit a little closer together while retaining their independence."
So I asked myself, would that also work with orange blossom water? And what about quickly pickling the rhubarb first and adding crisp cucumber and a hint of fresh mint? I find blue cheese too strong for cucumber but a creamy mozzarella di bufala or Burrata would work. All of a sudden I had a very unusual caprese salad in front of me that had all the crispness, sourness and excitement that I was hoping for. To be fair, one can only truly appreciate this unorthodox caprese variation if one loves sour and is up for having some fun with an Italian classic. I have a Winter Caprese with Blood Orange, Beet and Mozzarella di Bufala in my 365 book and when I came up with that recipe I understood that a) a good mozzarella di bufala and especially Burrata can deal with strong flavors and b) playing with a traditional recipe is a good way to keep tradition alive.
Rhubarb and Cucumber Caprese
Serves 2
1 slim rhubarb stalk (around 60g / 2 ounces), trimmed and thinly sliced with a mandoline slicer or sharp knife
60ml / 1/4 cup white balsamic vinegar
2 teaspoons granulated sugar
60ml / 1/4 cup orange blossom water (or freshly squeezed orange juice)
flaky sea salt
1 small / Persian cucumber (with skin, rinsed), thinly sliced with a mandoline slicer or sharp knife
125g / 4.5 ounces mozzarella di bufala or Burrata
2 tablespoons freshly squeezed orange juice
2-3 tablespoons olive oil
crushed or coarsely ground black peppercorns
4-6 fresh (young) mint leaves, very finely sliced
Transfer the rhubarb to a medium, heat-resistant bowl. In a small saucepan, bring the vinegar, sugar and a pinch of salt to a boil. Stir in the orange blossom water, keep it on the heat just until it starts boiling then pour over the rhubarb and let sit for about 1 hour. You will use the rhubarb and the pickling liquid for the caprese salad.
Quicker but less satisfying: In a small bowl, mix the rhubarb with 2 tablespoons of vinegar, 2 tablespoons of orange blossom water, 1 teaspoon of sugar and a pinch of salt and let sit for 10 minutes. The texture will be tougher and not as crisp compared to the properly pickled rhubarb described above.
Spread the cucumber and 1/3 of the pickled rhubarb on a large plate, adding more rhubarb once you tasted it, and arrange the mozzarella in the middle. In a small bowl, whisk together 2 tablespoons of the pickling liquid and 2 tablespoons of orange juice then drizzle over the salad. Drizzle with the olive oil, sprinkle with a little salt, pepper and mint (mind that the mint is very powerful!). Taste and add more of the pickling liquid if you prefer more of a sour note. Enjoy the salad immediately.
Sicily and Stuffed Sardines
A few years ago I visited a tiny Sicilian island. It was so small that I either walked, rode my bike or swam to get around. But most of the time I did nothing, just laid on the rocks at the beach or in the garden, staring into the sky, amazed by how beautiful the world is. I only used a car when I arrived to get to the little farm where I stayed, a sturdy stone building tucked in between fig trees, hibiscus and oleander; and to go back to the harbor at the end of the trip, speechless and sad to leave this little piece of heaven.
In the past couple months I've been thinking a lot about this tiny island in the Mediterranean, dreaming of a place that feels safe and makes me happy. The house was part of an organic farm and I could pick all the fruit and veg right from the fields. The juiciest tomatoes, sweet bell peppers, soft figs, zucchini, eggplant ... As soon as I fell out of bed I'd walk - still in my pyjamas - through the field to pick zucchini flowers and fry them for breakfast. The farm's olive oil and wine I basically enjoyed from tap and although there wasn't really the need to, I also visited the island's fantastic restaurants and bars almost daily. If I had to eat Sicilian food for the rest of my life I'd live a happy life.
Dinners were spectacular: the freshest grilled fish and sun showered vegetables, raw prawn carpaccio, lobster, pasta, risotto and nana's almond cake - and bay leaf schnaps for dessert. Unforgettable, there's no doubt. The little luncheons at the piazza, at a rustic bar where mamma herself cooked all morning and laid out her delicious work on the counter by noon, was the food that melted my heart. Casseroles, lasagna, tarts, focaccia and stuffed vegetables, fish and saltimbocca, framed by hearty salads made with legumes. I went there almost every day, pretending to go just for an espresso before snorkeling but always ordered more plates than could fit on the round bistro table. The table was strategically placed in the shade of a large tree, close enough to mamma's kitchen to order more food but still in the middle of the airy piazza to follow the village's late morning life. This is the Mediterranean (to me).
So at this unimposing cozy bar, I enjoyed my first Sicilian stuffed sardines. The fish filets were wrapped around a filling made of breadcrumbs, orange zest, crumbled bay leaves, pine nuts, raisins, capers, fresh oregano and thyme. The whole bold and colorful culinary orchestra that Sicily's cuisine is famous for in one single bite. Don't ask why but it took me two years to recreate this recipe in my own kitchen. Last Saturday I was in the mood for a Sicilian lunch, so I drove to the fishmonger. The recipe worked out perfectly - I only should have bought more fish. It was a little feast for two. Five stuffed sardines were just enough for a lunch nibble, for a main I'd go for ten sardines for two (recipe below).
Anyway, get your loved ones to your kitchen, cool your favorite white wine, start the oven, pull out the dusty Adriano Celentano records and pretend you're in Sicily!
Sicilian Stuffed Sardines
Serves 2 as a main or 3-4 as a starter
You can enjoy stuffed sardines warm from the oven or at room temperature
10 whole sardines, gutted and cleaned (about 800g / 1 3/4 pounds)
2 tablespoons raisins
Olive oil
85g / 3 ounces breadcrumbs
2 tablespoons pine nuts
2 tablespoons finely grated pecorino
2 cloves garlic, crushed
2 tablespoons chopped fresh thyme leaves
2 1/2 teaspoons chopped fresh oregano or marjoram leaves
2 teaspoons freshly grated orange zest
2 tablespoons freshly squeezed orange juice
6 small (or 3 large) bay leaves, finely crumbled (or ground with a mortar and pestle)
2 teaspoons capers, chopped
1/2 teaspoon fine sea salt
Ground pepper
20 wooden tooth picks
Preheat the oven to 200°C / 400°F. Grease a medium baking dish with olive oil.
Cut off and discard the heads of the sardines. To butterfly the sardines, spread and lay them cut-side (belly-side) down on a cutting board and, using your hand, push the back down gently (see 2nd picture from the top, right). Flip the sardines, gently pull out the backbone and cut the bone at the tail but don't remove the tail; discard the backbone. Spread the sardines skin-side down on the cutting board.
In a small bowl, soak the raisins in hot water for about 5 minutes then drain.
In a medium, heavy pan, heat a splash of olive oil over medium-high heat and roast the breadcrumbs, stirring, for about 2 minutes or until golden and crispy. Push the breadcrumbs to the sides, add the pine nuts and roast, stirring, for 1 minute. Transfer the breadcrumbs and pine nuts to a medium bowl and add the raisins, pecorino, garlic, thyme, oregano, orange zest, orange juice, bay leaves, capers, 2 tablespoons of olive oil and the salt and season to taste with pepper. Mix well with your hands, rubbing the mixture between your fingers.
Season the sardines with a little salt and pepper. Divide the filling among the sardines, pushing the filling down gently with the back side of a tablespoon. Gently roll up the sardines towards the tail and fix the roll with 2 tooth picks (see pictures below). Arrange the sardines, side by side and tail up, in the prepared baking dish, drizzle with a little olive oil, sprinkle with the remaining filling in case any is left, then season with a little salt and pepper and bake for 20 minutes. Let the sardines cool for a few minutes and enjoy warm or wait a little longer and serve at room temperature. Enjoy with good bread (drizzled with good olive oil), a simple green salad and a glass of white wine.
What shall we do? What shall we cook? What shall we buy?
In the last few days, as things became more and more worrying due to the worldwide pandemic situation, I thought a lot about my granny, my Oma Lisa. I thought about her life during war times and poverty, and I thought about her way of cooking that was fundamentally shaped during those times. The ingredients cheap and accessible, recipes made to feed and nourish a large family of six children without too much fuss. Lisa had to keep things running, cooking wasn’t a question of lifestyle, it was a necessity. But still, she managed to turn it into something so joyful and special that she instilled this feeling into all of her six children who then passed it on to her grandchildren - and I’m one of them.
It was a very rational way of cooking. Potatoes were a staple, they store well, are healthy, and versatile. Whenever I visited her she used them abundantly, for latkes (Reibekuchen), or with a dollop of quark with chives, or she mashed and served them with sauce, or fried with bacon and onions. In her times, vegetables were used according to the seasons, cabbage and legumes during the winter months, cucumber salad as soon as spring opened its wings. She was a food loving mother and grandmother who naturally followed the calendar in her kitchen, and we, her hungry children and grandchildren, followed her to the kitchen in awe and excitement.
Last week I was stuck in Malta, all flights to Germany were cancelled. There weren’t many other countries that still kept their borders open to flights in and out of Germany. I left via Budapest, scared for hours that my connection flight to Berlin would get cancelled and that I’d be stuck in Hungary for weeks. It worked out, yet that day was a changing point. It was the day I understood that the world had changed.
The biggest difference between my granny’s and my own kitchen is the large pantry she had in the cellar of her house. Cool and dark, it was home to endless shelves filled with jars of pickled and preserved fruits and vegetables, of jams and baked treats. Lisa lived on a farm before she moved to that house. Nature taught her well when she was a young woman. Humbly, wisely, and gratefully, all her life she used what nature gave her to eat. Nothing went to waste, everything had to be used. Lisa had a plump cherry tree in her garden. An old swing dangling from a thick branch was my happy place where I’d sit and dream while she was cooking. The harvest from that tree was always abundant and she made use of every single fruit. And she gave to others what she didn’t need for her family, or she swapped.
This memory came back as I found myself in my Berlin kitchen after Malta. I immediately started to think of my shopping and cooking plan for the weeks and months to come. And I reconnected with friends and family to see what they need. Staying calm and sensible, I tried at least. So what do I need to stock up on? I don’t have a large pantry. What dishes am I going to cook or what dishes should I cook? What should I buy and how much? I tried to channel my inner Oma Lisa and assimilate her skill to humbly adapt to whatever life puts in front of you. The women of her generation just got things done when they needed to be done, so why shouldn’t we do the same now? Although times have changed - our way of cooking has changed since her days - my decisions should be just as responsible and deliberate as hers. And beyond my personal worries in this situation, now more than ever is not the time to only think about myself but also about the people around me. In our little community we are staying in close touch and letting each other know if anyone needs something. We share and swap food and stories, like Lisa with her cherries. We talk about our fears, we laugh and cry together (on the phone), but we know that we’re not alone in this and that feels really good.
The list below reflects the way I cook, what I store in my pantry shelves, fridge, and freezer, it’s personal (that’s why you won’t find quinoa on this list). I hope it gives some help and inspiration but you should adapt it to your preferences. You can find many recipes that I will be using myself in both my cookbooks (365 and Eat In My Kitchen) and in the blog’s archive and I’m sure that the internet, all the great cookbooks that are out there, and especially the culinary chats with family and friends offer enough inspiration to cook and bake for years. At the end of this post are two recipes from 365 that indulge in the joy of pasta (recipe no. 59 and no. 102 from the book): one is based on pantry staples - Spaghetti with Sun-Dried Tomato and Pistachio Pesto - and the other is a seasonal celebration of ramp pesto and green asparagus crowned by a creamy burrata.
But let’s start with our SHOPPING:
I generally go shopping once a week. Especially now, I’m trying to minimize contact with others. In the first days after my shopping, I use the fresh vegetables, meat, and fish that don’t last long. Wilting greens and leftover bones are used for cooking broth, which I freeze in small portions. Pantry staples help out when the vegetable drawer is empty.
My cooking will gravitate around carbs in the weeks and months to come, adding fresh ingredients as they will be available. Roots, legumes (dried and canned, also for protein), and grains/ pasta will be my daily playing field.
-Essentials-
Pantry and window sill staples:
Olive oil, dark and white Balsamic vinegar, tahini, mustard
Sea salt (mine is from the Cinis in Gozo)
Spices (black peppercorns, bay leaves, fennel seeds, coriander seeds, nutmeg, juniper and allspice berries, cumin, cinnamon, cardamom, dried oregano and marjoram)
Nuts (pistachios, cashews, and pine seeds for snacks and pesto) and dried fruits (dates, prunes, and apricots are a great addition to minced meat)
All-purpose flour (I use white spelt flour/ Type 630), sugar, fast-acting yeast, baking powder, baking soda, oats (for baking and breakfast: cooked with water, tahini, a pinch of salt, and whatever fruit is at hand), plus fine durum wheat pasta flour and chickpea flour for special cooking projects
Additional note for baking with yeast (March 28th): I started a little kitchen experiment, I decided to grow my own sourdough starter. It's impossible to get yeast in Berlin at the moment, so why not use and cultivate the wild yeast that's naturally in the air and flour? Yesterday was Day 1 and you can follow the daily progress in my Instagram Highlight Stories called 'Sourdough'. I will update and share new stories every day.
Green and black olives, capers, sun-dried tomatoes, preserved artichoke hearts, anchovies, canned sardines (for sandwiches and pizza) and canned tuna (for mixed salads with hardboiled eggs)
Onions and garlic
Fresh herbs (basil, thyme, rosemary, sage, mint)
Citrus fruit (lemon and orange for zest and juice)
Roots/ winter squash:
Potatoes, sweet potatoes, beets, parsnip, and squash (Hokkaido and butternut squash are still available and store well)
You can roast roots/ squash in the oven or boil and mash with olive oil (or milk and butter) and add fresh herbs, spices, lemon zest, chopped olives. I boil a bunch of beets every week to add to salads or simply dice roughly and enjoy with olive oil and sea salt. Roots and squash make a minestrone a little richer (squash is often used in the Maltese minestra, roughly mashed for a thicker texture).
Legumes:
Dried and canned beans (butter beans, cannellini, cranberry/ borlotti, and kidney beans) and chickpeas; dried lentils that don't require soaking (French green Puy lentils, yellow, red, and black beluga lentils)
Dried legumes can be cooked in unsalted water with fresh herbs like thyme and rosemary (dried beans/ chickpeas need to first soak overnight) then add a splash of olive oil; or add them to soups/ stews; leftover green and beluga lentils can be turned into patties (drained then adding flour, egg, and seasoning)
Canned legumes can be used uncooked for salads and hummus, added to minestrone or other soups/ stews, or cooked briefly in a splash of olive and refined with spices. Then you can either serve them directly or mash with olive oil, something I became particularly fond of in the last couple months.
Fresh green beans, fava beans, and peas can be blanched in salted water and served immediately or frozen (I always have a large bag of frozen peas and fava beans in my freezer).
Grains and dried pasta:
Spaghetti, short pasta, lasagna sheets, polenta, whole grains (buckwheat, spelt, farro, couscous, bulgur), and rice
For pasta there are no limits, yet a bowl of simple spaghetti just with butter, Parmesan, and black pepper (Cacio e Pepe) can be heaven on earth. Leftover pasta can be used for Froga tat-Tarja (Maltese pasta omelette). Short pasta (rice size) can be cooked like a risotto (see Maltese Kusksu with Poached Eggs and Goat Cheese).
When I cook polenta, I like to cook more than I need and serve it soft and smooth on the first day as a side for vegetables or braised meat. Then on the second day, you can spread it in a baking dish (finger thick) and bake for a few minutes then cut into squares and serve with sage butter; or turn it into polenta lasagna: layer the baked polenta slices with Bolognese sauce (or any other red sauce) and Parmesan and bake in the oven.
Buckwheat, farro, and spelt may sound a bit uninspiring but taste surprisingly good when they are boiled in salted water and then served with a knob of butter and some salt stirred in (added fresh herbs or spices won’t harm it either)
Cheese (that stores well):
Parmesan, pecorino, feta (plus mozzarella, raclette and blue cheese if available and needed)
-Fresh produce and products-
Fresh vegetables and fruit:
I buy fresh produce once a week according to what I need and what’s available and use it raw or cooked for salads, raw as a snack with pesto or sautéed in olive oil, to mix with legumes and pasta/grains, or for soups. I always cook more soup from the start and freeze any leftovers. Wilting vegetables are used for broth then frozen for soups and risotto. Red and white/ green cabbage stays fresh in the fridge for weeks and shredded they are a crunchy addition to salads.
Eggs, yoghurt, milk, butter:
I buy them fresh once a week according to what I need. I barely use butter, olive oil is my go to fat (it also stores much easier), however you can also freeze butter, which is helpful for spontaneous baking.
Meat and fish:
We usually eat meat or fish once a week. It will be one of the first things for us to skip if necessary, especially fresh fish.
If the meat is braised (beef or lamb shanks/ oxtail/ rough cuts for braising), I cook more from the start and freeze the leftovers, which are great for pasta and potatoes. Any leftover bones are turned into broth. I’m a huge fan of minced beef, be it meatloaf or small patties/ burgers, which taste great both cold and warm (there’s a leek and mountain cheese meatloaf in Eat In My Kitchen and a meatloaf with spices and dates in 365). One of my favorite minced meat dishes since my childhood days is Labskaus (also in 365), a stew made of potatoes, beets, minced beef, and pickled gherkins. It's a traditional dish that sailors used to eat on their travels during the times of the great ships (they made it with corned beef). In Northern Germany, some even add pickled herring. It sounds strange but I love it and it freezes well.
Coarse sausages (such as salsiccia) also freeze well (uncooked) and when you peel and cut them into small portions you can shape them into little polpette and turn them into the quickest meatballs.
Tomato sauce (canned tomatoes) with bacon and fennel seed is an easy substitute for classic Bolognese sauce (for spaghetti and lasagna, you can also add fresh fennel).
COOKING AND BAKING
Cooking is like building a house, it’s assembling blocks and you choose which blocks you want to use to make it your own. There are many ways to build this house, yet at the moment keep in mind that it’s important to strengthen your body and boost your immune system. We often underestimate the very simple, frugal dishes and now’s the time to rediscover them. A couple months ago I found a cauliflower recipe in Anna Del Conte’s Gastronomy of Italy. I’m generally not too fond of cauliflower but I love Anna’s honest Italian cooking so I gave it a go: She sautées onions and garlic, adds tomato pasta and broth (which makes a fantastic sauce) and cooks the cauliflower for around 20 minutes. At the end she adds parsley, I added basil. This recipe also works with broccoli, potatoes, and green beans, capers or anchovies would also fit.
Try to establish special traditions that keep feeding your curiosity in the kitchen, sparking excitement and inspiration, even in tougher times. Every Sunday, we bake pizza from scratch - the reason I always have flour and yeast in stock. The toppings vary, the pleasure is real. You can also introduce a special sandwich day for your family and declare a sandwich challenge/ competition (check out the blog's Sandwich Wednesday). Is there a cooking or baking technique you’ve been wanting to learn for years, like sourdough? Now go for it! Apart from sweet baking you can also opt for savory treats like quiche, which is just as rewarding and the vegetable filling easily adapts to the seasons (fennel, green beans, peas, squash, tomato, leek). And if you feel close to a breakdown, just bake cookies. Nothing is more satisfying than filling the cookie jars to the rim with your own creations.
-Regular kitchen projects-
Homemade pesto and hummus:
Pesto is a thing of genius, and so is hummus. Both last for days, freeze well, and turn all kinds of raw and roasted vegetables, cooked grains, poultry, fish, and sandwiches into a burst of flavor. I like to stretch the terms 'pesto’ and 'hummus’ in my kitchen and use it for every vegetable, legume, and herb that my food processor can turn into something dollop-able.
Inspiration for pesto: basil, ramps (the season just started), arugula, parsley-black olive, dried tomato-pistachio, tapenade (French black olive dip), cilantro-pistachio, blanched peas or fava beans, mixed leftover herbs, walnut-parsley
Inspiration for hummus: chickpeas, beet-chickpeas, white or fava beans, lentils (I’ve also seen carrot hummus but never tried it myself)
Preserved lemons:
If you can find small lemons, now’s the time for this rewarding kitchen project. I use them for sandwiches, pizza, sautéed vegetables, and pasta. For the recipe click here, it's also in Eat In My Kitchen).
Yeast dough:
Making pizza and focaccia (click here), or your own pretzel buns (click here / the recipe is also in the Eat In My Kitchen book), is better than any therapy and can be breakfast, lunch, or dinner for a couple days.
General links to recipes on the blog
You can also use the Search function at the top of the blog's Recipe page for inspiration (click here): search for any ingredient and it will show the related posts and recipes that I wrote about in the last few years.
General pasta and grain recipes (click here)
General salad recipes (click here)
General vegetarian recipes (click here)
General soup recipes (click here)
General meat recipes (click here)
General fish and seafood recipes (click here)
General cake and dessert recipes (click here)
General sandwich recipes (click here)
Quiche, pizza, and focaccia recipes (click here)
Restaurants all over the world are struggling to survive at the moment. A lot of them offer take-out, which allows them to keep operating. Please support them if you can.
Cooking and baking goes beyond necessity, it nourishes our body but the effect it has on our mind and soul is just as essential. It calms us down and puts things in perspective when life feels utterly overwhelming.
Writing these words is a very strange experience. I find myself in a world that I wouldn't have imagined just a few weeks ago. A world I don’t really know how to deal with, not yet. When I’m absorbed in cooking or writing these days, not thinking about the current situation, it feels like visiting my old life, but I feel physically shocked when reality comes back to mind without warning. It feels like waking up from a dream. The only thing that helps is knowing that we’re all in this together. We are not alone. Despite my fear, there’s a beautiful, strong feeling of togetherness, unconditional help, and solidarity. I guess that’s the same feeling that helped my Oma Lisa to get through.
Stay safe, stay home as much as possible, stay away from others but stay positive and hungry for life.
Sending a big virtual hug,
Meike xxx
Spaghetti with Asparagus, Burrata and Ramp Pesto (from 365)
Serves 2
For the pesto*
2 ounces (60 g) ramp or ramson leaves
1 ounce (30 g) Parmesan, finely grated
1/4 cup (60 ml) olive oil
1/4 tsp fine sea salt
For the pasta
1 pound (450 g) trimmed green asparagus
6 ounces (170 g) dried spaghetti
Olive oil
7 ounces (200 g) burrata (or mozzarella di bufala), torn in half
Fine sea salt
Coarsely ground pepper
For the pesto, purée the ramp leaves, Parmesan, olive oil, and salt in a food processor or blender until smooth.
For the pasta, bring a large pot of salted water to a boil and blanch the asparagus for about 3 minutes or until al dente. Using a slotted ladle or spoon, transfer the asparagus to a colander, reserving the cooking water in the pot, then drain and quickly rinse with cold water. Cut each stalk into quarters lengthwise.
Put the pot used to cook the asparagus back on the heat, adding more water if necessary, and bring to a boil. Cook the spaghetti, according to the package instructions, until al dente. Drain the spaghetti and return it to the pot. Add a splash of olive oil and toss to coat. Divide the spaghetti and asparagus among the plates. Add the burrata and drizzle with the pesto. Season to taste with salt and pepper and serve immediately.
* You can double the recipe and use the leftover pesto for sandwiches, potatoes, and salads.
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Spaghetti with Sun-Dried Tomato and Pistachio Pesto (from 365)
Serves 2
For the pesto*
2 ounces (60 g) sun-dried tomatoes, preserved in salt
2 ounces (60 g) salted pistachios, plus 1 to 2 tbsp chopped pistachios for the topping
1/4 cup (60 ml) olive oil
1 large clove garlic, crushed
For the pasta
7 ounces (200 g) dried spaghetti
Olive oil
Coarsely ground pepper
For the pesto, bring a small pot of water to a boil and cook the sun-dried tomatoes for 3 to 4 minutes or until soft. Remove the tomatoes with a slotted ladle or spoon and transfer to a plate; reserve the cooking water. Drain and rinse the sun-dried tomatoes under cold water, dry with paper towels, and transfer to a food processor or blender. Add 4 tablespoons of the cooking water, 2 ounces (60 g) of pistachios, the olive oil, and garlic and purée until smooth. If the pesto is too dry, add a little more of the cooking water.
For the pasta, bring a large pot of salted water to a boil and cook the spaghetti, according to the package instructions, until al dente. Drain the spaghetti, divide among plates, and drizzle with a little olive oil. Sprinkle with the pesto, chopped pistachios, and a little pepper and serve warm.
* You can use leftover pesto as a spread on bread.
Enjoy!
Clean-Out-The-Fridge Soups
Food52 asked me about my approach to soups. Not just any soups, but big-flavor, clean-out-the-fridge soups to cure the winter blues. I love them now, but that wasn't always the case. We're like friends that had to learn to love each other. So I shared our bumpy love story, my basic soup formula, and three soup recipes from my new book, 365, on food52.com. Converted and convinced that a soup can be one of the best things to find on your dining table after a long day of work, I also decided to share my article on these pages here (and you can find two of the recipes from 365 below):
I have a new habit, recently, I often have soup for lunch, which is actually my breakfast as I only have green tea with lemon in the morning. My relationship with liquid foods wasn’t always so harmonic. Soups and stews are very popular in Germany, thick lentil, pea, or potato soup enriched with smoked sausage (Knackwurst or Knacker) is a German winter classic. As a child, I ate it, but I wasn’t particularly fond of it. There was something missing, or maybe I just wasn’t ready yet. Then the eighties came, the Nouvelle Cuisine reached home kitchens and all of a sudden soups where always puréed and as bright as candy: yellow squash, purple beet, squeaking green pea pod. Shallow bowls filled with colorful compositions, smooth and shiny, conquered the menus but unfortunately not my palate. Despite their vibrancy, they didn’t excite me. This is essential to me, and my taste buds - I want, I need food to excite me. So I took a break of many, many years until I found the kind of soup that I like.
Fast-forward to today and it has become a constant in my weekly culinary routine. My basic soup formula is very simple:
1. Canned legumes and dried lentils that don’t need to soak overnight. I always have a vast collection of cans filled with butter beans, cannellini, borlotti (cranberry) and kidney beans on my pantry shelves, and bags of black beluga lentils, dark green French Puy lentils, and yellow and red lentils. Legumes make a soup rich and wholesome, they add heartiness and a nutty touch. It's what turns a light soup into a proper meal.
2. Cleaning out the vegetable drawer. This drawer is a treasure box that needs to be emptied once in a while. Leafy vegetables, kale, chard, and spinach that start to wilt, sturdy roots like potatoes, parsnip, and beets that lie forgotten, the whole range of winter and summer squash, fresh beans, peas, and tomatoes. Every season has its produce that’s just waiting to crown a soup.
3. Using homemade or quality store-bought broth. My mother taught me to always cook my own broth, with leftover vegetables, chicken, duck, and beef bones, with fresh herbs and whole spices like allspice, peppercorns, and juniper berries. And a bay leaf, always a bay leaf. I then freeze it in 4-cup portions to have my tasty broth right at hand whenever I need it. I never use instant broth as I find it adds an artificial flavor. Broth is the base of a soup, it adds its taste to all the other ingredients and therefore deserves utmost attention.
Soups can easily follow the seasons and the cook’s mood. I want to throw them together spontaneously, quickly, without too much planning or overthinking. A quick look in the pantry and fridge and my mind starts playing. A soup is a simple, a frugal dish, but that doesn’t mean it can’t be exciting. Playing with flavors is a boundless game, playing with textures is at least as rewarding.And varying toppings allows the cook to serve a soup repeatedly without anyone noticing. Crunchy bacon cubes or dukkah, a dollop of velvety mascarpone or ricotta, a fried or poached egg, or a crumbled hardboiled egg, fried herbs like sage or rosemary, or roasted fruit like grapes, apple, pear, or apricot.
In my new book, 365: A Year of Everyday Cooking & Baking, I share a recipe for each day of the year, following the seasons and also the rhythm of the week, from Monday to Sunday, from quick and simple weekday dishes to luscious - and more time-consuming - roasts, stews, and cakes on the weekend. Soups are a constant treat in this rhythm, especially during the colder part of the year. There’s a cozy kale and borlotti bean soup for example, cooked in a flavorful duck broth (recipe from 365 below and on food52.com) - a clear vegetable broth works just as well - and it's the perfect cure for winter blues. It’s crowned with a poached egg and when you cut through the yolk and let it run into the broth, it adds a creaminess that’s even better than cream; as an added bonus: it only takes twenty minutes for dinner to be ready.
A golden squash, parsnip, and sweet potato soup - basically the tasty finds of a fridge clean out - could be kept chunky but with a nod to the good old Nouvelle Cuisine, I purée it and also go for a more extravagant topping that makes this recipe fit for a Christmas table. Red grapes roasted with woody rosemary until soft and shriveled, and a dollop of whipped orange mascarpone turn this dish into a festive stunner (recipe from 365 onfood52.com). However, crunchy bacon bites would make it even heartier and also quite appealing.
One of my favorite soups is the minestrone because there are no rules and limitations. Every vegetable, every combination that the cook finds fitting, works. For my green minestrone, I use green beans, peas (which I always have in my freezer), and zucchini, but that’s not set in stone, and add tiny meatballs refined with lime and arugula. It gives it a fresh citrusy note, similar to lemongrass. This is the speediest of all weekday soups. Once the meatballs are mixed and shaped, the entire soup and meat only need to cook for about 5 minutes (recipe below).
So what changed my mind, what made me fall in love with soups after so many years of skepticism? First, the taste, I had to find combinations that excite me, but then there’s something else. Sitting in front of a bowl of steaming soup is one of the coziest things I can think of. It makes me feel good while I eat it and this feeling stays. A soup is a friend of my mind and my body.
Kale and Borlotti Bean Soup with Poached Eggs
from ‘365 – A Year of Everyday Cooking & Baking’ (Prestel, 2019)
Serves 4
For the soup
Olive oil
1 medium onion, cut into quarters
2 large cloves garlic, cut in half
7 ounces (200 g) trimmed kale leaves, cut into strips
5¼ cups (1.25 liters) homemade or quality store-bought duck, chicken, or vegetable broth, hot
1 small bunch fresh thyme
1 medium sprig fresh rosemary
1 large bay leaf
Fine sea salt
Finely ground pepper
1¼ cups (250 g) drained and rinsed canned borlotti (cranberry) or pinto beans
For the topping
4 to 8 large eggs
Coarsely ground pepper
For the soup, in a large pot, heat a splash of olive oil over mediumheat and sauté the onion and garlic, stirring, for a few minutes or untilgolden and soft. Add the kale, stir, and cook for 1 minute then add the hotbroth, thyme, rosemary, and bay leaf. Season to taste with salt and finelyground pepper, reduce the heat, and simmer for 20 minutes or until the kale istender. Remove and discard the herbs then add the borlotti beans and cook for 1minute. Season to taste with salt and finely ground pepper and keep warm.
For the topping, bring a small saucepan of salted water to a low simmer.Crack 1 egg into a small bowl. Hold a large spoon just over the surface of thewater and gently pour the egg onto the spoon. Lower the spoon into the waterand hold until the egg white starts to turn white then use a tablespoon togently scoop the egg off the large spoon. Poach the egg for 3 minutes. Using aslotted ladle or spoon, transfer the egg to a plate. Poach the remaining eggsthe same way, adjusting the heat as needed to maintain a low simmer. It’s bestto poach 1 egg at a time, but you can cook 2 at once.
Divide the soup among bowls, place 1 to 2 eggs in the middle of each bowl, and sprinkle with a little coarsely ground pepper. Cut the tops of the eggs with a sharp knife and serve immediately.
Green Minestrone With Lime-Arugula Meatballs
from ‘365 – A Year of Everyday Cooking & Baking’ (Prestel, 2019)
Serves 2-4
14 ounces (400g) ground beef
2 large cloves garlic, crushed, plus 1 large clove garlic, cut in half
2 ounces ounces (60g) arugula leaves, finely chopped
1 teaspoon (heaping) freshly grated lime zest
Fine sea salt
Finely ground pepper
Extra-virgin olive oil
3/4 pound (340g) trimmed mixed green vegetables (such as green beans, frozen peas, zucchini, Brussels sprouts, broccoli, or kale, cut into bite-size pieces if necessary)
4 1/4 cups (1 liter) homemade or quality store-bought vegetable broth, hot
1 tablespoon freshly squeezed lime juice
1 bay leaf
1 spring onion (green part only), thinly sliced
Combine the ground beef, crushed garlic, arugula, lime zest, 1 teaspoon of salt, and a generous amount of pepper in a large bowl and mix with your hands until well combined. Form the mixture into 38 roughly 1-inch (2.5 cm) meatballs.
Heat a splash of olive oil in a large pot over medium heat. Add the garlic and sauté for 1 minute. Add a little more oil and the vegetables and sauté, stirring, for 1 minute. Add the hot vegetable broth, lime juice, and bay leaf, season to taste with salt and pepper, and bring to a boil. Add the meatballs then reduce the heat, cover, and simmer gently for 4 to 6 minutes or until the meatballs are just cooked through and the vegetables are tender. Season to taste with salt, pepper, and additional lime juice.
Divide the soup among deep bowls, sprinkle with the spring onion, and serve immediately.
London, Helen Goh & 365's Roasted Squash Salad
The clouds hung low over London - as usual - yet as soon as our plane plopped through the thick layer of foggy mist, millions of sparkling lights danced underneath us and made me giggle like a child. There's a picturesque, an almost innocent cuteness about this city that reminds me of a fairy tale. Colorful doors in sturdy brick houses, smoking chimneys and neatly cut boxwoods. If I had painted my dream city as a child, it would have been London.
So I was back, just for a few days, with a new cookbook in my bag and the unsettled excitement of a nervous author. London was the third stop on my 365 book tour and I asked a very special woman if she'd join me to talk about my new book on the big day, a woman whose work I have admired for years and whose creations I enjoy every time I'm in town: Helen Goh, co-author of Sweet, also responsible for some of the best sweet creations piled up at the Ottolenghi temples' temptingly luscious displays. When Helen said "Yes," I felt like a groupie who got handed a backstage pass. The first thing she said when we met before the guests arrived was "lets have a glass of wine and sit down." She saw that I was nervous. I looked into her eyes and immediately felt calm. And contrary to my usual habit of not having a single drop before a talk, I had a glass of Meridiana Wine Estate's dark red Melqart. It neither harmed nor increased my chattiness but it reminded me of the fact that all this is fun. To meet people all over the world and talk about food is one of the greatest gifts that my cookbooks - and this blog - have given me. (You can watch some snippets from our conversation here on my Instagram Stories.)
We had a fantastic evening, chatting, discussing, and laughing, enjoying more of Meridiana's wines and food from the book; bruschetta, quiche, and brownies, and the Roasted Squash, Shallot, and Radicchio Salad with Stilton - recipe no. 289 in 365 - a beautifully vibrant recipe that I share with you below. This salad is a spectacular, and easy to prepare starter during the festive season, but also a wonderfully light lunch or dinner when December's feasting becomes a little too excessive.
When I wrote about my Berlin book launch, I mentioned that this tour is only possible because I have amazing friends at my side. People who I've been working with for years and who've been solid rocks in their support for my adventures. The night I arrived in London, I jumped into a taxi that took me straight to my favorite hotel in town. We celebrated the launch of 365 at the magical Corinthia London, and to come back to the fairy tale, I was also lucky to sleep there and this definitely made me feel like a princess. Laying in the coziest cloudy bed, framed by more puffy pillows than one really needs (but it feels so good), and room service delivering the best fish and chips at midnight. I don't think life could possibly get any better than this. But then breakfast comes, and the spa, and then lunch, and dinner - and the fairy tale continues. It's a grown up princess dream come true. Thank you.
Roasted Squash, Shallot, and Radicchio Salad with Stilton
from ‘365 – A Year of Everyday Cooking & Baking’ (Prestel, 2019)
Serves 2 to 4
For the salad
¾ pound (340 g) seeded squash, preferably peeled butternut or Hokkaido with skin, cut into 1-inch (2.5cm) wedges
8 shallots, unpeeled, cut in half lengthwise
1/3 cup (75 ml) olive oil
Flaky sea salt
Finely ground pepper
5 ounces (140 g)radicchio, soft leaves only, torn into pieces
1 large, firm pear, cored and cut into thin wedges
2 ounces (60 g)Stilton, crumbled
1 tbsp fresh thyme leaves
For the dressing
3 tbsp olive oil
1 tbsp balsamic vinegar
1 tbsp white balsamicvinegar
1 tsp honey
Fine sea salt
Finely ground pepper
Preheat the oven to 400°F (200°C).
For the salad, spread the squash on one side of a large baking dish andthe shallots on the other side. Drizzle with the olive oil and toss tocombine, keeping the squash and shallots separate. Season generously with flakysea salt and pepper and roast for 15 minutes. Flip the squash and shallots overand continue roasting for 10 to 15 or until golden and tender. Transfer thesquash to a plate. Let the shallots cool for a few minutes then peel and addto the squash.
For the dressing, whisk together the olive oil, both vinegars, and thehoney and season to taste with fine sea salt and pepper.
Divide the radicchio, pear, squash, and shallots among plates, arrangingthem in overlapping layers. Sprinkle with the Stilton and thyme, drizzle withthe dressing, and serve immediately.
Grilled Raclette with Rosemary Kumquats, Coriander Apple & Star Anise Pear
The light dimmed, tall candles casting flickering shadows on the ceiling, the room filled with the dry heat from the crackling fireplace and the smell of burnt wood and cheese lying in the air like a heavy cloud. When it's time for Raclette at my mother's house in the countryside, it's a celebration of everything that I connect with coziness. Surrounded by family and friends, everybody gathers around the sizzling Raclette grill to watch the magic happen: aromatic cheese melting and dripping, golden bubbles bursting and splashing as they touch the glowing grill, and the rind turning into smokey charred bites.
When you eat Raclette at a snow covered hut in the mountains, you would most likely enjoy it the classic way, with boiled potatoes, raw spring onions, pickled vegetables like gherkins (cornichons) and pearl onions, and lots of crushed or coarsely ground black peppercorns. The cheese needs added acidity, which can come from the pickles but it can also come from fruit.
So here's the fruity way to enjoy the fragrant melted cheese on a crusty baguette: I skip the pickles and go for Raclette with rosemary kumquats, coriander apple, and star anise pear. Kumquats cooked with honey and fresh rosemary turn the tiny citrus fruits into soft and caramelized bites. Pear wedges seared in star anise butter taste like Christmas and apple wedges softened in coriander butter are sweet, aromatic, and slightly sour. That's the colorful trio to complete my rustic Raclette table but you could also add roasted grapes or plums, or juicy persimmons. Whatever fruit you would normally eat with cheese will fit; it can only become better with a little heat, either in the pan on the hob or under the grill. The heat softens the fruit's texture and makes the flavor even more concentrated. I would keep the side dish simple, you can serve the grilled Raclette with a quick green salad.
My mother always uses a very old Swiss made grill that's rather large. It can hold half a wheel of Raclette, melting the surface where the cheese is cut in half, and then you scrape the melted layer right off the wheel onto your plate. It's a lot of fun, but it's heavy, you need a lot of people to eat up half a wheel of cheese, and you can only feed the hungry crowd in batches - around two people every time you scrape the top layer off, then the half-wheel needs to go under the grill again. This is not necessarily a bad thing seeing as we're talking about a meal that's rather rich and filling. A break once in a while doesn't harm the hungry cheese lover, but if I want to throw a cozy Raclette party just for two (or maybe a couple friends), I go for my more practical tabletop grill with single Raclette dishes instead. Then I opt for sliced cheese and grab Le Rustique's Raclette l'Originale. It's aromatic yet not overpowering and melts like butter. When I use sliced cheese I remove the rind, and if you're after that smokey burnt touch you can just leave the Raclette on a little longer until the charred bubbles burst under the grill.
Thanks to Le Rustique for sponsoring this post and reminding me of the coziest celebration of cheese: watching - and eating - bubbling and crackling Raclette.
Grilled Raclette with Rosemary Kumquats, Coriander Apple and Star Anise Pear
You'll need a Raclette grill for this recipe.
Serves 3 to 4
For the fruit
2 tablespoons honey
2 tablespoons fresh rosemary needles (whole needles, not chopped)
12 fresh organic kumquats (or canned kumquats, drained), cut in half lengthwise and seeds removed
4 tablespoons freshly squeezed orange juice
Unsalted butter, to cook the pear and apple
3 star anise
1 large, firm pear, cored and cut into thin wedges
2 teaspoons coriander seeds, crushed with a mortar and pestle
1 large baking apple, cored and cut into thin wedges
For serving
About 500-600g (18-21 ounces) sliced Raclette cheese (for a tabletop grill with single Raclette dishes), rind removed
1-2 crunchy baguettes, sliced
Crushed or coarsely ground black peppercorns
Optional
2 large handfuls mixed small leaf lettuce (young spinach and chard, mâche or corn lettuce)
Olive oil
Balsamic vinegar
Fine sea salt
Finely ground pepper
For the kumquats, in a small, heavy pan, heat the honey over high heat until bubbling. Add the rosemary, kumquats, and orange juice and cook, turning once, for 3-4 minutes or until golden brown and soft - mind that the kumquats don't burn. Set the pan aside and keep warm.
For the pear, in a medium, heavy pan, heat 2 tablespoons of butter and the star anise over medium-high heat until sizzling. Add the pear wedges and sauté, turning once, for about 3-4 minutes or until golden brown and tender. Set the pan aside and keep warm.
For the apple, in a medium, heavy pan, heat 2 tablespoons of butter and the coriander seeds over medium-high heat until sizzling. Add the apple wedges and sauté, turning once, for about 3-4 minutes or until golden brown and tender. Set the pan aside and keep warm.
Melt the cheese, one slice at a time, under the Raclette grill until bubbly then scrape onto a slice of baguette, top with kumquats, apple wedges, or pear wedges and season with crushed black pepper.
You can serve the grilled Raclette with a simple green salad on the side: Divide the mixed lettuce leaves among the plates, drizzle with a little olive oil and balsamic vinegar, and season to taste with salt and pepper.
Enjoy!